he had to get through without seeing her. It was the longest month of his life, he thought—longer than the month he had spent with his mother visiting relatives in Lanark County, when he was thirteen, and longer than the month that Jacqui Adams spent on holiday with her family, near the beginning of their affair. He phoned Meadow-lake every day and hoped that he would get the nurse whose name was Kristy. She seemed a little amused at his constancy, but she would give him a fuller report than any other nurse he got stuck with.

Fiona had caught a cold, but that was not unusual for newcomers.

“Like when your kids start school,” Kristy said.

“There’s a whole bunch of new germs they’re exposed to, and for a while they just catch everything.”

Then the cold got better. She was off the antibiotics, and she didn’t seem as confused as she had been when she came in. (This was the first time Grant had heard about either the antibiotics or the confusion.) Her appetite was pretty good, and she seemed to enjoy sitting in the sunroom. She seemed to enjoy watching television.

One of the things that had been so intolerable about the old Meadowlake had been the way the television was on everywhere, overwhelming your thoughts or conversation wherever you chose to sit down. Some of the inmates (that was what he and Fiona called them then, not residents) would raise their eyes to it, some talked back to it, but most just sat and meekly endured its assault. In the new building, as far as he could recall, the television was in a separate sitting room, or in the bedrooms. You could make a choice to watch it.

So Fiona must have made a choice. To watch what?

During the years that they had lived in this house, he and Fiona had watched quite a bit of television together. They had spied on the lives of every beast or reptile or insect or sea creature that a camera was able to reach, and they had followed the plots of what seemed like dozens of rather similar fine nineteenth-century novels. They had slid into an infatuation with an English comedy about life in a department store and had watched so many reruns that they knew the dialogue by heart. They mourned the disappearance of actors who died in real life or went off to other jobs, then welcomed those same actors back as the characters were born again. They watched the floorwalker’s hair going from black to gray and finally back to black, the cheap sets never changing. But these, too, faded; eventually the sets and the blackest hair faded as if dust from the London streets was getting in under the elevator doors, and there was a sadness about this that seemed to affect Grant and Fiona more than any of the tragedies on Masterpiece Theatre, so they gave up watching before the final end.

Fiona was making some friends, Kristy said. She was definitely coming out of her shell.

What shell was that? Grant wanted to ask, but checked himself, to remain in Kristy’s good graces.

If anybody phoned, he let the message go onto the machine. The people they saw socially, occasionally, were not close neighbors but people who lived around the countryside, who were retired, as they were, and who often went away without notice. The first years that they had lived here Grant and Fiona had stayed through the winter. A country winter was a new experience, and they had plenty to do, fixing up the house. Then they had gotten the idea that they too should travel while they could, and they had gone to Greece, to Australia, to Costa Rica. People would think that they were away on some such trip at present.

He skied for exercise but never went as far as the swamp. He skied around and around in the field behind the house as the sun went down and left the sky pink over a countryside that seemed to be bound by waves of blue-edged ice. He counted off the times he went round the field, and then he came back to the darkening house, turning the television news on while he got his supper. They had usually prepared supper together. One of them made the drinks and the other the fire, and they talked about his work (he was writing a study of legendary Norse wolves and particularly of the great Fenris wolf who swallows up Odin at the end of the world) and about whatever Fiona was reading and what they had been thinking during their close but separate day. This was their time of liveliest intimacy, though there was also, of course, the five or ten minutes of physical sweetness just after they got into bed—something that did not often end up in sex but reassured them that sex was not over yet.

In a dream Grant showed a letter to one of his colleagues whom he had thought of as a friend. The letter was from the roommate of a girl he had not thought of for a while. Its style was sanctimonious and hostile, threatening in a whining way—he put the writer down as a latent lesbian. The girl herself was someone he had parted from decently, and it seemed unlikely that she would want to make a fuss, let alone try to kill herself, which was what the letter was apparently, elaborately, trying to tell him.

The colleague was one of those husbands and fathers who had been among the first to throw away their neckties and leave home to spend every night on a floor mattress with a bewitching young mistress, coming to their offices, their classes, bedraggled and smelling of dope and incense. But now he took a dim view of such shenanigans, and Grant recollected that he had in fact married one of those girls, and that she had taken to giving dinner parties and having babies, just as wives used to do.

“I wouldn’t laugh,” he said to Grant, who did not think he had been laughing. “And if I were you I’d try to prepare Fiona.”

So Grant went off to find Fiona in Meadowlake—the old Meadowlake—and got into a lecture theater instead. Everybody was waiting there for him to teach his class. And sitting in the last, highest row was a flock of cold-eyed young women all in black robes, all in mourning, who never took their bitter stares off him and conspicuously did not write down, or care about, anything he was saying.

Fiona was in the first row, untroubled. She had transformed the lecture room into the sort of corner she was always finding at a party—some high-and-dry spot where she drank wine with mineral water, and smoked ordinary cigarettes and told funny stories about her dogs. Holding out there against the tide, with some people who were like herself, as if the dramas that were being played out in other corners, in bedrooms and on the dark verandah, were nothing but childish comedy. As if charity was chic, and reticence a blessing.

“Oh, phooey,” Fiona said. “Girls that age are always going around talking about how they’ll kill themselves.”

But it wasn’t enough for her to say that—in fact, it rather chilled him. He was afraid that she was wrong, that something terrible had happened, and he saw what she could not—that the black ring was thickening, drawing in, all around his windpipe, all around the top of the room.

He hauled himself out of the dream and set about separating what was real from what was not.

There had been a letter, and the word “RAT” had appeared in black paint on his office door, and Fiona, on being told that a girl had suffered from a bad crush on him, had said pretty much what she said in the dream. The colleague hadn’t come into it, the black-robed women had never appeared in his classroom, and nobody had committed suicide. Grant hadn’t been disgraced, in fact he had got off easily when you thought of what might have happened just a couple of years later. But word got around. Cold shoulders became conspicuous. They had few Christmas invitations and spent New Year’s Eve alone. Grant got drunk, and without its being required of him— also, thank God, without making the error of a confession—he promised Fiona a new life.

The shame he felt then was the shame of being duped, of not having noticed the change that was going on. And not one woman had made him aware of it. There had been the change in the past when so many women so suddenly became available—or it seemed that way to him—and now this new change, when they were saying that what had happened was not what they had had in mind at all. They had collaborated because they were helpless and bewildered, and they had been injured by the whole thing, rather than delighted. Even when they had taken the initiative they had done so only because the cards were stacked against them.

Nowhere was there any acknowledgment that the life of a philanderer (if that was what Grant had to call himself—he who had not had half as many conquests or complications as the man who had reproached him in his dream) involved acts of kindness and generosity and even sacrifice. Not in the beginning, perhaps, but at least as things went on. Many times he had catered to a woman’s pride, to her fragility, by offering more affection—or a rougher passion—than anything he really felt. All so that he could now find himself accused of wounding and exploiting and destroying self-esteem. And of deceiving Fiona—as of course he had deceived her—but would it have been better if he had done as others had done with their wives and left her?

He had never thought of such a thing. He had never stopped making love to Fiona in spite of disturbing demands elsewhere. He had not stayed away from her for a single night. No making up elaborate stories in order to spend a weekend in San Francisco or in a tent on Manitoulin Island. He had gone easy on the dope and the

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