On the Roman streets, on his walk to visit Romeo, Yabril took the usual precautions. But in fact everything really depended on internal security, the loyalty of the fighting cadres, the integrity of the First Hundred. But not they, not even Romeo, knew the full extent of the mission.
Yabril was an Arab who easily passed for a Sicilian, as indeed many Arabs could. He had the thin dark face, but the lower part, the chin and jaw, was surprisingly heavier, coarser, as if it had an extra layer of bone. In his leisure time he grew a silky fur of a beard to hide the coarseness. But when he was part of an operation, he shaved himself clean.
As the Angel of Death he showed his true face to the enemy. Yabril's eyes were a pale tan, his hair had only isolated strands of gray, and the heaviness of the Jaw was repeated in the thickness of his chest and shoulders. His legs were long for the shortness of his body and masked the physical power he could generate. But nothing could hide the alert intelligence of his eyes.
Yabril detested the whole idea of the First Hundred. He thought it a fashionable public relations gimmick, despised its formal renunciation of the material world. These university-trained revolutionaries like Romeo were too romantic in their idealism, too contemptuous of compromise. Yabril understood that a little corruption in the rising bread of revolution was necessary.
Yabril had long ago given up all moral vanity. He had the clear conscience of those who believe and know that they are devoted with all their souls to the betterment of mankind. And he never reproached himself for his acts of self-interest. There had been his personal contracts with oil sheiks to kill political rivals. Odd jobs of murder for those new African heads of state, who, educated at Oxford, had learned to delegate. Then the random acts of terror for sundry respectable political chiefs-all those men in the world who control everything except the power of life and death.
These acts were never known to the First Hundred, and certainly never confided to Romeo. Yabril received funds from the Dutch, English and American oil companies, money from Russian and Japanese intelligence, and even, long ago in his career, payment from the American CIA for a very special secret execution. But all that was in the early days.
Now he lived well, he was not ascetic-after all, he had been poor, though not born so. He was fond of good wine and gourmet food, preferred luxury hotels, enjoyed gambling, and often succumbed to the ecstasy of union with a woman's flesh. Always paying for that ecstasy with money, gifts and his personal charm. He had a dread of romantic love.
Despite these 'revolutionary weaknesses,' Yabril was famous in his circles for the power of his will. He had absolutely no fear of death, which was not so extraordinary, but more uniquely he had no fear of pain. And it was perhaps because of this that he could be so ruthless.
Yabril had proved himself over the years. He was totally unbreakable under any kind of physical or psychological persuasion. He had survived imprisonment in Greece, France, Russia and two months of interrogation by Israeli security, whose expertness inspired his admiration. He had defeated them, perhaps because his body had the trick of losing feeling under duress. At last everyone understood. Yabril was granite under pain.
When he was the captor, he often charmed his victims. That he recognized a certain insanity in himself was part of his charm and part of the fear he inspired. Or perhaps it was the lack of malice in his cruelties. Yet all in all he savored life, he was a lighthearted terrorist. Even now he thoroughly enjoyed the fragrant streets of Rome and the twilight of Good Friday filled with the chimes of countless holy bells, though he was preparing the most dangerous operation of his life.
Everything was in place. Romeo's cadre was in place. Yabril's own group would arrive in Rome the next day. The two cadres would be in separate safe houses, their only link the two leaders. Yabril knew that this was a great moment. This coming Easter Sunday and the days after would be a brilliant creation.
He, Yabril, would direct nations down roads they abhorred treading. He would throw off all his shadowy masters, they would be his pawns, and he would sacrifice them all, even poor Romeo. Only death or failure of nerve could defeat his plans. Or, to be truthful, one of a hundred possible errors in timing. But the operation was so complicated, so ingenious, it gave him pleasure. Yabril stopped in the street to enjoy the beauty of the cathedral spires, the happy faces of the citizens of Rome, his melodramatic speculation about the future.
But like all men who think they can change the course of history by their own will, their own intelligence, their own strength, Yabril did not give due weight to the accidents and coincidences of history, nor to the possibility that there could be men more terrible than himself. Men bred within the strict structure of society, wearing the mask of benign lawgivers, could be far more ruthless and cruel.
Watching the devout and joyful pilgrims in the streets of Rome, believers in an omnipotent God, he was filled with a sense of his own invincibility. Proudly he would go beyond their God's forgiveness, for at the uttermost reaches of evil, good must necessarily begin.
Yabril was now in one of the poorer districts of Rome, where people could more easily be intimidated and bribed. He came to Romeo's safe house as darkness fell. The ancient four-story apartment building had a large courtyard half encircled by a stone wall; all the apartments were controlled by the underground revolutionary movement. Yabril was admitted by one of the three females in Romeo's cadre. She was a thin woman in jeans and a blue denim shirt that was unbuttoned almost down to her waist. She wore no bra, there was no roundness of breasts visible. She had been on one of Yabril's operations before. He did not like her, but he admired her ferocity. They had quarreled once, and she had not backed down.
The woman's name was Annee. She wore her jet-black hair in a Prince Valiant cut that did not flatter her strong blunt face, but drew notice to her blazing eyes that measured everyone, even Romeo and Yabril, with a sort of fury. She had not yet been fully briefed on the mission, but the appearance of Yabril told her it was of the utmost importance. She smiled briefly, without speaking, then closed the door after Yabril stepped inside.
Yabril noted with disgust how filthy the interior of the house had become.
There were dirty dishes and glasses and remnants of food scattered in the living room, the floor littered with newspapers. Romeo's cadre was composed of four men and three women, all Italian. The women refused to clean up; it was contrary to their revolutionary belief to do domestic chores on an operation unless the men did their share. The men, all university students, still young, had the same belief in the rights of women, but they were the conditioned darlings of Italian mothers, and also knew that a backup cadre would clean the house of all incriminating marks after they left. The unspoken compromise was that the squalor would be ignored. A compromise that irritated only Yabril.
He said to Annee, 'What pigs you are.'
Annee measured him with a cool contempt. 'I'm not a housekeeper,' she said.
And Yabril recognized her quality immediately. She was not afraid of him or any man or woman. She was a true believer. She was quite willing to bum at the stake.
Romeo came racing down the stairs from the apartment above-so handsome, so vital that Annee lowered her eyesand embraced Yabril with real affection, then led him out into the courtyard, where they sat on a small stone bench. The night air was filled with the scent of spring flowers, and there was a faint hum, the sound of countless thousands of pilgrims shouting and talking in the streets of Lenten Rome. Above it all, the ascending and descending tolls of hundreds of church bells acclaimed the approaching Easter Sunday.
Romeo lit a cigarette and said, 'Our time has finally come, Yabril. No matter what happens, our names will be known forever.'
Yabril laughed at the stilted romanticism, felt a little contempt for this desire for personal glory. 'Infamous,' he said. 'We compete with a long history of terror.' Yabril was thinking of their embrace. An embrace of professional love on his part, but shot through with remembered terror as if they were parricides standing over a father they had murdered together.
There were dim electric lights along the courtyard walls, but their faces were in darkness. Romeo said, 'They will know everything in time. But will they give us credit for our motives? Or will they paint us as lunatics?
What the hell, the poets of the future will understand us.' Yabril said, 'We can't worry about that now.' It embarrassed him when Romeo became theatrical; it made him question the man's efficiency though it had been proved many times. Romeo, despite delicate good looks and fuzziness of concept, was a truly dangerous man. But there was a fundamental difference between them: Romeo was too fearless, Yabril perhaps too cunning.
Just a year before, they had walked the streets of Beirut together. In their path was a brown paper sack, seemingly empty, greased with the food it had contained. Yabril walked around it. Romeo kicked and sailed the sack
