important of all, the marine print.
Mr. Chambers loved that picture. It had depth, he always said. It showed an old sailing ship in the foreground on a placid sea. Far in the distance, almost on the horizon line, was the vague outline of a larger vessel.
There were other pictures, too. The forest scene above the fireplace, the old English prints in the corner where he sat, the Currier and Ives above the radio. But the ship print was directly in his line of vision. He could see it without turning his head. He had put it there because he liked it best.
Further reverie became an effort as Mr. Chambers felt himself succumbing to weariness. He undressed and went to bed. For an hour he lay awake, assailed by vague fears he could neither define nor understand.
When finally he dozed off it was to lose himself in a series of horrific dreams. He dreamed first that he was a castaway on a tiny islet in mid-ocean, that the waters around the island teemed with huge poisonous sea snakes ... hydrophinnae ... and that steadily those serpents were devouring the island.
In another dream he was pursued by a horror which he could neither see nor hear, but only could imagine. And as he sought to flee he stayed in the one place. His legs worked frantically, pumping like pistons, but he could make no progress. It was as if he ran upon a treadway.
Then again the terror descended on him, a black, unimagined thing and he tried to scream and couldn't. He opened his mouth and strained his vocal cords and filled his lungs to bursting with the urge to shriek ... but not a sound came from his lips.
All next day he was uneasy and as he left the house that evening, at precisely seven o'clock, he kept saying to himself: 'You must not forget tonight! You must remember to stop and get your cigar!'
The street light at the corner of Jefferson was still out and in front of 816 the cemented driveway was still boarded off. Everything was the same as the night before.
And now, he told himself, the Red Star confectionery is in the next block. I must not forget tonight. To forget twice in a row would be just too much.
He grasped that thought firmly in his mind, strode just a bit more rapidly down the street.
But at the corner he stopped in consternation. Bewildered, he stared down the next block. There was no neon sign, no splash of friendly light upon the sidewalk to mark the little store tucked away in this residential section.
He stared at the street marker and read the word slowly: GRANT. He read it again, unbelieving, for this shouldn't be Grant Street, but Marshall. He had walked two blocks and the confectionery was between Marshall and Grant. He hadn't come to Marshall yet ... and here was Grant.
Or had he, absent-mindedly, come one block farther than he thought, passed the store as on the night before?
For the first time in twenty years, Mr. Chambers retraced his steps. He walked back to Jefferson, then turned around and went back to Grant again and on to Lexington. Then back to Grant again, where he stood astounded while a single, incredible fact grew slowly in his brain:
Now he understood why he had missed the store on the night before, why he had arrived home fifteen minutes early.
On legs that were dead things he stumbled back to his home. He slammed and locked the door behind him and made his way unsteadily to his chair in the corner.
What was this? What did it mean? By what inconceivable necromancy could a paved street with houses, trees and buildings be spirited away and the space it had occupied be closed up?
Was something happening in the world which he, in his secluded life, knew nothing about?
Mr. Chambers shivered, reached to turn up the collar of his coat, then stopped as he realized the room must be warm. A fire blazed merrily in the grate. The cold he felt came from something ... somewhere else. The cold of fear and horror, the chill of a half whispered thought.
A deathly silence had fallen, a silence still measured by the pendulum clock. And yet a silence that held a different tenor than he had ever sensed before. Not a homey, comfortable silence ... but a silence that hinted at emptiness and nothingness.
There was something back of this, Mr. Chambers told himself. Something that reached far back into one corner of his brain and demanded recognition. Something tied up with the fragments of talk he had heard on the drugstore corner, bits of news broadcasts he had heard as he walked along the street, the shrieking of the newsboy calling his papers. Something to do with the happenings in the world from which he had excluded himself.
He brought them back to mind now and lingered over the one central theme of the talk he overheard: the wars and plagues. Hints of a Europe and Asia swept almost clean of human life, of the plague ravaging Africa, of its appearance in South America, of the frantic efforts of the United States to prevent its spread into that nation's boundaries.
Millions of people were dead in Europe and Asia, Africa and South America. Billions, perhaps.
And somehow those gruesome statistics seemed tied up with his own experience. Something, somewhere, some part of his earlier life, seemed to hold an explanation. But try as he would his befuddled brain failed to find the answer.
The pendulum clock struck slowly, its every other chime as usual setting up a sympathetic vibration in the pewter vase that stood upon the mantel.
Mr. Chambers got to his feet, strode to the door, opened it and looked out.
Moonlight tesselated the street in black and silver, etching the chimneys and trees against a silvered sky.
But the house directly across the street was not the same. It was strangely lop-sided, its dimensions out of proportion, like a house that suddenly had gone mad.
He stared at it in amazement, trying to determine what was wrong with it. He recalled how it had always stood, foursquare, a solid piece of mid-Victorian architecture.
Then, before his eyes, the house righted itself again. Slowly it drew together, ironed out its queer angles, readjusted its dimensions, became once again the stodgy house he knew it had to be.
With a sigh of relief, Mr. Chambers turned back into the hall.
But before he closed the door, he looked again. The house was lop-sided ... as bad, perhaps worse than before!
Gulping in fright, Mr. Chambers slammed the door shut, locked it and double bolted it. Then he went to his bedroom and took two sleeping powders.
His dreams that night were the same as on the night before. Again there was the islet in mid-ocean. Again he was alone upon it. Again the squirming hydrophinnae were eating his foothold piece by piece.
He awoke, body drenched with perspiration. Vague light of early dawn filtered through the window. The clock on the bedside table showed 7:30. For a long time he lay there motionless.
Again the fantastic happenings of the night before came back to haunt him and as he lay there, staring at the windows, he remembered them, one by one. But his mind, still fogged by sleep and astonishment, took the happenings in its stride, mulled over them, lost the keen edge of fantastic terror that lurked around them.
The light through the windows slowly grew brighter. Mr. Chambers slid out of bed, slowly crossed to the window, the cold of the floor biting into his bare feet. He forced himself to look out.
There was nothing outside the window. No shadows. As if there might be a fog. But no fog, however, thick, could hide the apple tree that grew close against the house.
But the tree was there ... shadowy, indistinct in the gray, with a few withered apples still clinging to its boughs, a few shriveled leaves reluctant to leave the parent branch.
The tree was there now. But it hadn't been when he first had looked. Mr. Chambers was sure of that.
And now he saw the faint outlines of his neighbor's house ... but those outlines were all wrong. They didn't jibe and fit together ... they were out of plumb. As if some giant hand had grasped the house and wrenched it out of true. Like the house he had seen across the street the night before, the house that had painfully righted itself when he thought of how it should look.
