The Chandelier

ALSO BY CLARICE LISPECTOR

available from new directions

Água Viva

A Breath of Life

The Complete Stories

The Foreign Legion

The Hour of the Star

Near to the Wild Heart

The Passion According to G. H.

Selected Crônicas

Soulstorm

For my sister Tania

The Chandelier

She’d be flowing all her life. But what had dominated her edges and attracted them toward a center, what had illuminated her against the world and given her intimate power was the secret. She’d never know how to think of it in clear terms afraid to invade and dissolve its image. Yet it had formed in her interior a far-off and living nucleus and had never lost the magic — it sustained her in her unsolvable vagueness like the single reality that for her should always be the lost one. The two of them were leaning over the fragile bridge and Virgínia was feeling her bare feet falter insecurely as if they were dangling atop the calm whirl of the waters. It was a violent and dry day, in broad fixed colors; the trees were creaking beneath the warm wind wrinkled by swift cool drafts. The thin and torn girlish dress was pierced by shivers of coolness. With her serious mouth pressed against the dead branch of the bridge, Virgínia was plunging her distracted eyes into the waters. Suddenly she’d frozen tense and light:

“Look!”

Daniel had turned his head quickly — stuck on a rock was a wet hat, heavy and dark with water. The running river was tugging it with brutality and it was putting up a fight. Until losing its final strength it was taken by the light current and in leaps disappeared into the foam almost happy. They hesitated surprised.

“We can’t tell anyone,” whispered Virgínia finally, her voice distant and dizzy.

“Yes . . . ,” — even Daniel had been frightened and was agreeing . . . the waters kept flowing — “Not even if they ask us about the drow — ”

“Yes!” Virgínia almost shouted . . . both fell silent with strength, their eyes bulging and ferocious.

“Virgínia . . . ,” her brother said slowly with a rawness that left his face all angles, “I will swear.”

“Yes . . . my God, but one always swears . . .”

Daniel was thinking while looking at her and she wasn’t moving her face waiting for him to find in her the answer.

“For example . . . that everything that we are . . . turns to nothing . . . if we speak of this to anyone.”

He had spoken so seriously, he had spoken so beautifully, the river was rolling, the river was rolling. The leaves covered in dust, the thick and moist leaves along the banks, the river was rolling. She wanted to respond and say that yes, yes! hotly, almost happy, laughing with dry lips . . . but she couldn’t speak, she didn’t know how to breathe; how it unsettled her. With dilated eyes, her face suddenly small and colorless, she cautiously assented with her head. Daniel moved off, Daniel was moving off. No! she wanted to shout and tell him to wait, not to leave her alone above the river; but he kept going. Her heart beating in a body suddenly empty of blood, her heart skipping, falling furiously, the waters rushing, she tried to open her lips, blow out any pale word. Like the impossible cry in a nightmare, no sound was heard and the clouds were sliding quickly in the sky toward a destination. Beneath her feet the waters were murmuring — in a bright hallucination she was thinking: ah yes, so she’d fall and drown, ah yes. Some intense and livid thing like terror but triumphant, a certain mad and bristling happiness was now filling her body and she was waiting to die, her hand closed as if for all time on the branch of the bridge. Daniel turned around right then.

“Come,” he said surprised.

She looked at him from the quiet depth of her silence.

“Come on, you idiot,” he repeated angrily.

A dead instant extended things lengthily. She and Daniel were two points forever hushed and immobile. But I already died, she seemed to think as she was letting go of the bridge as if being cut from it with a scythe. I already died, she was still thinking and on strange feet her white face was running heavily toward Daniel.

Walking down the road, blood had started beating with rhythm in her veins again, they were advancing quickly, together. In the dust could be seen the hesitant mark of the only car in Upper Marsh. Beneath the brilliant sky the day was vibrating in its last moment before night, in the paths and in the trees silence was gathering heavy with sultriness — she was feeling the last warm rays of the sun on her back, the thick clouds tensely gilded. It was nevertheless vaguely cold, as if coming from the shady forest. They were looking ahead with keen bodies — there was a threat of transition in the air being breathed . . . the next instant would bring a cry and something puzzlingly would destroy itself, or the light night would suddenly soften that excessive, rude, and solitary existence. They were walking quickly. There was a perfume that was swelling the heart. The shadows were slowly covering the road and when Daniel pushed the heavy garden gate night was falling. The fireflies were opening livid dots in the half-light. They stopped for a moment indecisive in the darkness before mingling with the ones who didn’t know, looking at each other as if for the last time.

“Daniel . . . ,” Virgínia murmured, “I can’t even speak to you?”

“No,” he said surprised by his own response.

They hesitated for a moment, restrained, quiet. No, no! . . . , she was denying the fear that was nearing, as if to buy time before rushing ahead. No, no, she was saying avoiding looking around. Night had fallen, night

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