Read on for an exciting preview of Tess Gerritsen’s next thrilling novel featuring Maura Isles and Jane Rizzoli
THE SILENT GIRL
ONE
SAN FRANCISCO
ALL DAY, I HAVE BEEN WATCHING THE GIRL. She gives no indication that she’s aware of me, although my rental car is within view of the street corner where she and the other teenagers have gathered this afternoon, doing whatever bored kids do to pass the time. She looks younger than the others, but perhaps it’s because she’s Asian and petite at seventeen, just a wisp of a girl. Her black hair is cropped as short as a boy’s, and her blue jeans are ragged and torn. Not a fashion statement, I think, but a result of hard use and life on the streets. She puffs on a cigarette and exhales a cloud of smoke with the nonchalance of a street thug, an attitude that doesn’t match her pale face and delicate Chinese features. She is pretty enough to attract the hungry stares of two men who pass by. The girl notices their gazes and looks straight back at them, unafraid. It’s easy to be fearless when danger is merely an abstract concept. Faced with a real threat, how would this girl react? I wonder. Would she fight or would she crumble? I want to know, but I have yet to see her put to the test.
As evening falls, the teenagers on the corner begin to disband. First one and then another wanders away. In San Francisco, even summer nights are chilly, and those who remain huddle together in their sweaters and jackets, lighting one another’s cigarettes, savoring the ephemeral heat of the flame. But cold and hunger eventually disperse the last of them, leaving only the girl, who has nowhere to go. She waves to her departing friends, and for a while lingers alone, as though waiting for someone. At last, with a shrug, she leaves the corner and walks in my direction, her hands thrust in her pockets. As she passes my car, she doesn’t even glance at me, but looks straight ahead, her gaze focused and fierce, as if she’s mentally churning over some dilemma. Perhaps she’s thinking about where she’s going to scavenge dinner tonight. Or perhaps it’s something more consequential. Her future. Her survival.
She’s probably unaware that two men are following her.
Seconds after she walks past my car, I spot the men emerging from an alley. I recognize them; it’s the same pair who had stared at her earlier. As they move past my car, trailing her, one of the men looks at me through the windshield. It’s just a quick glance to assess whether I am a threat. What he sees does not concern him in the least, and he and his companion keep walking. They move like the confident predators they are, stalking much weaker prey who cannot possibly fight them off.
I step out of my car and follow them. Just as they are following the girl.
She heads deep into the neighborhood south of Market Street, where too many buildings stand abandoned, where the sidewalks seem paved with broken bottles. The girl betrays no fear, no hesitation, as if this is familiar territory for her. Not once does she glance back, which tells me she is either foolhardy or clueless about the world and what it can do to girls like her. The men following her don’t glance back either. Even if they did, which I do not allow, they would see nothing to fear. No one ever does.
A block ahead, the girl turns right, vanishing through a doorway.
I slip into the shadows and watch what happens next. The two men pause outside the building that the girl has entered, conferring over strategy. Then they too step inside.
From the sidewalk, I look up at the boarded-over windows. It is a vacant warehouse posted with a NO TRESPASSING notice. The door hangs ajar. I slip inside, into gloom so thick that I pause to let my eyes adjust as I rely on my other senses to take in what I cannot yet see. I hear the floor creaking. I smell burning candle wax. I see the faint glow of a doorway to my left. Pausing outside it, I peer into the room beyond.
The girl kneels before a makeshift table, her face lit by one flickering candle. Around her are signs of temporary habitation: a sleeping bag, tins of food, and a small camp stove. She is struggling with a balky can opener and is unaware of the two men closing in from behind.
Just as I draw in a breath to shout a warning, the girl whirls around to face the trespassers. All she has in her hand is the can opener, a meager weapon against two larger men.
“This is my home,” she says. “Get out.”
I had been prepared to intervene. Instead I pause where I am to watch what happens next. To see what the girl is made of.
One of the men laughs. “We’re just visiting, honey.”
“Did I invite you?”
“You look like you could use the company.”
“You look like you could use a brain.”
This, I think, is not a wise way to handle the situation. Now their lust is mingled with anger, a dangerous combination. Yet the girl stands perfectly still, perfectly calm, brandishing that pitiful kitchen utensil. As the men lunge, I am already on the balls of my feet, ready to spring.
The girl springs first. One leap and her foot thuds straight into the first man’s sternum. It’s an inelegant but effective blow and he staggers, gripping his chest as if he cannot breathe. Before the second man can react, she is already spinning toward him, and she slams the can opener against the side of his head. He howls and backs away.
This has turned interesting.
The first man has recovered and rushes at her, slamming her so hard that they both go sprawling onto the floor. She kicks and punches, and her fist cracks into his jaw. But fury has inured him to pain, and with a roar he rolls on top of her, immobilizing her with his weight.
Now the second man jumps back in. Grabbing her wrists, he pins them against the floor. Here is where youth and inexperience have landed her, in a calamity that she cannot possibly escape. As fierce as she is, the girl is green and untrained, and the inevitable is about to happen. Already the first man has unzipped her jeans and he yanks them down, past her skinny hips. His arousal is evident, his trousers bulging. Never is a man more vulnerable to attack.
He doesn’t hear me coming. One moment he’s unzipping his fly. The next, he’s on the floor, his jaw shattered, loose teeth spilling from his mouth.
The second man barely has time to release the girl’s hands and jump up, but he’s not quick enough. I am the tiger and he is only a lumbering buffalo, stupid and helpless against my strike. With a shriek he drops to the ground, and judging by the grotesque angle of his arm, his bone has been snapped in two.
I grab the girl and yank her to her feet. “Are you unhurt?”
She zips up her jeans and stares at me. “Who the hell are
“That’s for later. Now we go!” I bark.
“How did you do that? How did you bring them down so fast?”
“Do you want to learn?”
“Yes!”
I look at the two men groaning and writhing at our feet. “Then here is the first lesson: Know when to run.” I give her a shove toward the door. “That time would be now.”
I watch her eat. For such a small girl, she has the appetite of a wolf, and she devours three chicken tacos, a lake of refried beans, and a large glass of Coca-Cola. Mexican food was what she wanted, so we sit in a cafe where mariachi music plays and the walls are adorned with gaudy paintings of dancing senoritas. Though the girl’s features are Chinese, she is clearly American, from her cropped hair to her tattered jeans. A crude and feral creature who noisily slurps up the last of her Coke and crunches loudly on the ice cubes.
I am beginning to doubt the wisdom of this venture. She is already too old to be taught, too wild to learn discipline. I should simply release her back to the streets, if that’s where she wants to go, and find another way. But then I notice the scars on her knuckles and remember how close she came to single-handedly taking down the two men. She has talent and she is fearless, and those are things that cannot be taught.
“Do you remember me?” I ask.
