mean, I hate her, and I only met her once. So here's the woman with the fourth-best ass in the state of Minnesota, right in your hometown, and not a bad set of cupcakes, either, from what I could see…I mean, pardon me for asking, and not that it matters at all, but you're not queer, or something?'
Stryker grinned. 'Nope.'
The woman tossed her white-blond hair as she stepped up on the far curb, and might have glanced back at them-as all women would, she knew they were talking about her-and then Virgil turned to Stryker, about to continue his analysis of her better points, and noticed that Stryker had precisely the same white-blond hair as the woman; and Stryker had those jade-green eyes.
A thought crossed Virgil's mind.
He said, 'That's your sister, isn't it?'
'Yup.'
They both looked down the street, but the woman had disappeared behind a hedge, at a crooked place in the sidewalk. Virgil said, 'Listen, Jimmy, that whole thing about her ass and all…'
'Never mind about that,' Stryker said. 'Joanie can take care of herself. You just take care of this cocksucker who's killing my people.'
4
AT THE HOLIDAY INN, Virgil spread the Gleason murder files across the bed and the small desk, isolating names and scratching out a time line on a yellow legal pad.
The sheriff himself had served as the case manager, with a deputy named Larry Jensen as lead investigator. A woman named Margo Carr was the crime-scene tech, and a variety of other deputies provided backup. The medical examiner was based in Worthington and covered an eight-county area of southwest Minnesota. The pathology looked competent, but didn't reveal much more than the first cop figured out when he got to the scene: four shots, two dead.
Carr, the crime-scene tech, had recovered all four slugs, but they were so distorted that their use in identifying the weapon would be problematic. The.357 was almost certainly a revolver-Desert Eagle semiautos, made in Israel, were chambered for.357, but that would be a rare specimen out on the prairie. The fact that no brass was found at the scene also suggested a revolver, or a very careful killer.
A heavy-load.357 was not a particularly pleasant gun to shoot, because of recoil. A lot of samples passed through the hands of lawmen, who were more interested in effect than in pleasant shooting. A.357 would reliably penetrate a door panel on a car, which made them popular with highway patrolmen and sheriffs' deputies, who were often working in car-related crime.
Something to think about.
JENSEN AND CARR both mentioned in their reports the possibility that the break-in had been drug related, an attempt to find prescription drugs in the doctor's house. Two aspects militated against the possibility: Gleason had been retired for years, and anybody who had known where to find him would have known that; and Carr had found several tabs of OxyContin in a prescription bottle in a medicine cabinet, left over from a knee-replacement operation on Anna. A junkie would not have missed them.
Russell Gleason still had a hundred and forty-three dollars in his wallet. Anna had seventy-six dollars in her purse. Junkies wouldn't have missed that, either. The money hadn't been missed, Virgil thought. The killer simply wasn't interested.
THE COPS HAD INTERVIEWED fifty people in the case, including the housekeeper, and all the neighbors, friends, relatives, business associates, members of the golf club. There were some people who had disliked the Gleasons, but in a small-town way. You might go to a different doctor, or you might have voted against Anna when she was running for the county commission, but you wouldn't shoot them.
One question popped out at him: why the lights on the body? The body would have been discovered the next morning, at the latest, sitting, as it was, so close to the street. If the killer had left the body in the dark, he'd have been certain of more time to get away. Was it possible that he didn't need more time, that he'd come from very close by?
VIRGIL GOT A MAP at the front desk and asked the clerk about the Gleason house. The clerk was happy to put an ink dot on its precise location: 'You go up this little rise here, and you come around to the right, I think, or is it left? No, right. Anyways, you'll see a mailbox down on the street that says Gleason, and the house is reddish- colored and modern-looking.'
'Thank you.'
'Folks say you're with the BCA,' the clerk said. He was young and ginger haired and weathered, and looked a little like Billy the Kid.
'Yup. We've been asked to look in on the Gleason case, bring a new point of view,' Virgil said.
'Seen anything yet?'
'Got a couple of things going,' Virgil said. He smiled and wrinkled his nose: 'Can't talk about them, though. You know, though, you could give me a little help…'
'Me?'
'I've had one too many meals here. They're fine, but you know what I mean. Could you recommend another restaurant…?'
THE PRAIRIE LANDS around Bluestem were not exactly flat; more a collection of tilted planes, with small creeks or farm ditches where the planes intersected, the water lines marked by clumps of willow and cottonwood and wild plum. The creeks and ditches eventually collected into larger streams, usually a snaky line of oxbows cut a few dozen feet deep in the soil; and sometimes into marshes or shallow lakes. Sticking out of the planes were isolated ridges and bumps, with outcrops of red rock, much of the rock covered with green lichen.
The Gleasons lived on one of the bumps.
Virgil took a left out of the hotel parking lot, drove five or six blocks north into town, took a right on Main Street through the business district, and headed east. He could see the Gleasons' neighborhood as soon as he turned: straight ahead, a wooded slope, with a hint of glass and shingles. He crossed the murky Stark River and drove up the hill, past a couple of well-kept suburban ranch houses and split-levels, with decks facing west toward the river. Up on top, coming around to the right, he saw the Gleason mailbox right where the motel clerk said it would be.
The Gleason house was built of redwood and glass, with the requisite deck. He pulled up to the garage door, climbed out, remembered what Davenport told him about going into strange houses without his gun, thought, Fuck it, life is too short, and ambled once around the house, looking at it from the outside.
Nice house.
Single living level, with a basement, a dozen maple trees on an acre of land, reasonably healthy-looking lawn, a garden shed in a cluster of lilacs at the back. The deck looked both west and south over the river, toward town, and out toward the interstate, a mile away. It'd be pretty at night, Virgil thought, but the way the house sat up high, it'd be colder'n a bitch in the winter. The northwest wind would blow right up into the garage door.
He could see how somebody could walk in with near-invisibility, especially in a rainstorm. Park on any of the streets near the edge of town, jog across the bridge and drop down into the Stark River cut, and follow it right around to the Gleason house. Climb the bank, a matter of a hundred yards in distance and fifty feet in height, and there you were. Back out the same way. There'd probably be enough light from the houses along the edges of the slope, and coming in from town, that you wouldn't even need a flashlight.
Huh.
HE FINISHED his circuit of the house, took the key out of his pocket, unlocked the front door, and stepped inside. The inside smelled like a crime scene: like whatever was used to clean up blood, some kind of enzyme. He stepped into the stillness, to the sense of dustiness, and walked through the entry, past the entrance to the kitchen, into the living room.
The couch where Anna was shot was in a semicircular niche off the living room, designed as a small theater, and aimed at a wide-screen television. The bullet hole was in the far left back-cushion, next to an end table with a TV remote and several magazines, a crossword-puzzle book, a wood cup with a selection of pens and pencils, and
