'Scared?'
'No. Not after I was out of the place. Something that simple… what're the cops going to do? You walk away. By the time you're down the block, they got no chance. And in that fuckin' place, they probably didn't even find her for two days, and only then 'cause of the heat. I wasn't scared, I was more like… hurried.'
'That's something.' Bekker's approval was like the rush Druze got from applause, but better, tighter, more concentrated. Only for him. He had gotten the impression that Bekker had a confession of his own but held it back. Instead the other man had asked, 'You never did it again?'
'No. It's not like… I enjoy it.'
Bekker had sat staring at him for a moment, then had smiled. 'Hell of a story, Carlo.'
He hadn't felt much when he'd killed the girl. He didn't feel much now, ghosting through the darkened breezeway, closing in. Tension, stage fright, but no distaste for the job.
Another door waited at the end of the passage, wooden, with an inset window at eye level. If the woman was at the table, Bekker said, she would most likely be facing away from him. If she was at the sink, the stove or the refrigerator, she wouldn't be able to see him at all. The door would open quietly enough, but she would feel the cold air if he hesitated.
What was that song? The woman's voice floated around him, an intriguing whisper in the night air. Moving slowly, Druze peeked through the window. She wasn't at the table: nothing there but two wooden chairs. He gripped the doorknob solidly, picked up a foot, wiped the sole of his shoe on the opposite pantleg, then repeated the move with the other foot. If the gym shoe treads had picked up any small stones, they would give him away, rattling on the tile floor. Bekker had suggested that he wipe, and Druze was a man who valued rehearsal.
His hand still on the knob, he twisted. The knob turned silently under his glove, as slowly as the second hand on a clock. The door was on a spring, and would ease itself shut… And she sang: Something, Angelina, ta-dum, Angelina. Good-bye, Angelina? She was a true soprano, her voice like bells…
The door was as quiet as Bekker had promised. Warm air pushed into his face like a feather cushion; the sound of a dishwasher, and Druze was inside and moving, the door closed behind him, his shoes silent on the quarry tile. Straight ahead was the breakfast bar, white-speckled Formica with a single short-stemmed rose in a bud vase at the far end, a cup and saucer in the center and, on the near end, a green glass bottle. A souvenir from a trip to Mexico, Bekker had said. Hand-blown, and heavy as stone, with a sturdy neck.
Druze was moving fast now, to the end of the bar, an avalanche in black, the woman suddenly there to his left, standing at the sink, singing, her back to him. Her black hair was brushed out on her shoulders, a sheer silken blue negligee falling gently over her hips. At the last instant she sensed him coming, maybe felt a rush in the air, a coldness, and she turned.
Something's wrong: Druze was moving on Bekker's wife, too late to change course, and he knew that something was wrong…
Man in the house. In the shower. On his way.
Stephanie Bekker felt warm, comfortable, still a little damp from her own shower, a bead of water tickling as it sat on her spine between her shoulder blades… Her nipples were sore, but not unpleasantly. He'd shaven, but not recently enough… She smiled. Silly man, must not have nursed enough as a baby…
Stephanie Bekker felt the cool air on her back and turned to smile at her lover. Her lover wasn't there; Death was. She said, 'Who?' and it was all there in her mind, like a fistful of crystals: the plans for the business, the good days at the lakes, the cocker spaniel she had had as a girl, her father's face lined with pain after his heart attack, her inability to have children…
And her home: the kitchen tile, the antique flour bins, the wrought-iron pot stands, the single rose in the bud vase, red as a drop of blood…
Gone.
Something wrong…
'Who?' she said, not loud, half turning, her eyes widening, a smile caught on her face. The bottle whipped around, a Louisville Slugger in green glass. Her hand started up. Too late. Too small. Too delicate.
The heavy bottle smashed into her temple with a wet crack, like a rain-soaked newspaper hitting a porch. Her head snapped back and she fell, straight down, as though her bones had vaporized. The back of her head slammed the edge of the counter, pitching her forward, turning her.
Druze was on her, smashing her flat with his weight, his hand on her chest, feeling her nipple in his palm.
Hitting her face and her face and her face…
The heavy bottle broke, and he paused, sucking air, his head turned up, his jaws wide, changed his grip and smashed the broken edges down through her eyes…
'Do it too much,' Bekker had urged. He'd been like a jock, talking about a three-four defense or a halfback option, his arm pumping as though he was about to holler 'Awright!'… 'Do it like a junkie would do it. Christ, I wish I could be there. And get the eyes. Be sure you get the eyes.'
'I know how to do it,' Druze had said.
'But you must get the eyes…' Bekker had had a little white dot of drying spittle at the corner of his mouth. That happened when he got excited. 'Get the eyes for me…'
Something wrong.
There'd been another sound here, and it had stopped. Even as he beat her, even as he pounded the razor- edged bottle down through her eyes, Druze registered the negligee. She wouldn't be wearing this on a cold, windy night in April, alone in the house. Women were natural actors, with an instinct for the appropriate that went past simple comfort. She wouldn't be wearing this if she were alone…
He hit her face and heard the thumping on the stairs, and half turned, half stood, startled, hunched like a golem, the bottle in his gloved hand. The man came around the corner at the bottom of the stairs, wrapped in a towel. Taller than average, too heavy but not actually fat. Balding, fair wet hair at his temples, uncombed. Pale skin, rarely touched by sunlight, chest hair gone gray, pink spots on his shoulders from the shower.
There was a frozen instant, then the man blurted 'Jesus' and bolted. Druze took a step after him, quickly, off balance. The blood on the kitchen tile was almost invisible, red on red, and he slipped, his feet flying from beneath him. He landed back-down on the woman's head, her pulped features imprinting themselves on his black jacket. The man, Stephanie Bekker's lover, was up the stairs. It was an old house and the doors were oak. If he locked himself in a bedroom, Druze would not get through the door in a hurry. The man might already be dialing 911…
Druze dropped the bottle, as planned, and turned and trotted out the door. He was halfway down the length of the breezeway when it slammed behind him, a report like a gunshot, startling him. Door, his mind said, but he was running now, scattering the tomato plants. His hand found the penlight as he cleared the breezeway. With the light, he was through the garage in two more seconds, into the alley, slowing himself. Walk. WALK.
In another ten seconds he was on the sidewalk, thick, hunched, his coat collar up. He got to his car without seeing another soul. A minute after he left Stephanie Bekker, the car was moving…
Keep your head out of it.
Druze did not allow himself to think. Everything was rehearsed, it was all very clean. Follow the script. Stay on schedule. Around the lake, out to France Avenue to Highway 12, back toward the loop to I-94, down 94 to St. Paul.
Then he thought:
He saw my face. And who the fuck was he? So round, so pink, so startled. Druze smacked the steering wheel once in frustration. How could this happen? Bekker so smart…
There was no way for Druze to know who the lover was, but Bekker might know. He should have some ideas, at least. Druze glanced at the car clock: 10:40. Ten minutes before the first scheduled call.
He took the next exit, stopped at a Super America store and picked up the plastic baggie of quarters he'd left on the floor of the car: he hadn't wanted them to clink when he went into Bekker's house. A public phone hung on an exterior wall, and Druze, his index finger in one ear to block the street noise, dialed another public phone, in San Francisco. A recording asked for quarters and Druze dropped them in. A second later, the phone rang on the West Coast. Bekker was there.
'Yes?'
Druze was supposed to say one of two words, 'Yes' or 'No,' and hang up. Instead he said, 'There was a guy
