One

Critical acclaim for The Unblemished

'His carefully crafted descriptions of horrific images, along with the ability to suggest they are even worse than words can tell, is reminiscent of Poe and the early stories of Clive Barker. Not for the squeamish, but no fan of literary horror should miss it.' The Times

'The Unblemished, winner of the International Horror Guild's Best Novel award, is cleverly constructed, building relentlessly from intense, intimate terror to something on another scale altogether . . . the ruined London in the closing chapters of this stark gripping novel will stay with you a long time.' Guardian

'Top-notch writing skills, poetic vision and beautiful prose raise this way above your Hammer House of Horror . . . unusual as well as highly accomplished terror.' Sunday Express

'Williams is so good at what he does that he probably shouldn't be allowed to do it any more, for the sake of everyone's sanity.' Publishers Weekly (starred review)

'Williams has built a whole mythology, one that makes the book feel like a cobwebbed relic from another time. Dust it off, if you like. Just do it at, say, ten in the morning. In a crowded room. In a military compound.' Time Out

'The Unblemished scooped last year's highly coveted International Horror Guild Award, beating off some pretty stiff competition (which included some bloke called Stephen King). The Unblemished is a stomach-churning vision by an accomplished and courageous author and definitely not for the faint of heart.' John Berlyne, SFREVU

'The Unblemished is a strong book that gets in your face and doesn't back down. Its unsettling nature is one of its biggest assets. This is one of the best books that I've read this year.' Bookspotcentral

'Williams' threat emerges from the world like an optical illusion being revealed, then you find that society fell apart while you were looking somewhere else.' SF Site

'A terrifying tale of violence and determination to survive. Highly recommended.' Monster Librarian

'This book scared the crap out of me . . . In my estimation, Williams does so many things so well that there's really not much he can't do. He is one of the few writers working in the area of horror and dark fantasy who has my full attention all of the time. The Unblemished is further evidence of his superlative talent.' Jeff VanderMeer

'[A] rich, emotionally engaging and extremely fast-paced novel . . . The Unblemished achieves the admirable, tricky task of interweaving physical horror with spiritual terror . . . an unapologetic white-knuckle thriller.' William P Simmons, Infinity Plus

'Conrad Williams takes us on a roller-coaster ride through ancient buried secrets and body-horror invasion into the pulsing gut of apocalyptic British horror.' Christopher Fowler

'The Unblemished combines a carefully orchestrated accumulation of paranoid detail reminiscent of Ramsey Campbell with passages of vividly described transformations evocative of early Clive Barker.' Steve Rasnic Tem

'An apocalyptic nightmare narrated with great vigour, clarity and stylishness. Steel yourself for some hideous sadism – there's awe along the way.' Ramsey Campbell

'A tour de force. Awe-inspiring in its sheer unsparing, unflinching, grimly horrifying view. One nasty piece of work.' Ed Bryant, Locus

ONE

ABOUT THE AUTHOR

Conrad Williams is the author of the novels Head Injuries, London Revenant and The Unblemished as well as a collection, Use Once Then Destroy, and the novellas Nearly People, Game, The Scalding Rooms and Rain. Born in 1969, he sold his first short story at the age of eighteen and has gone on to sell over 80 more. He is a past recipient of the British Fantasy Award and the International Horror Guild Award. He lives in Manchester with his wife, three sons and a monster Maine Coon cat.

ONE

Conrad Williams

For Zachary

All these miles, and more.

ACKNOWLEDGMENTS

I'm extremely grateful to Dr Christoph Winkler, Project Scientist for the International Gamma-Ray Astrophysics Laboratory (Integral) at the European Space Agency, for his input regarding gamma ray bursts. Paul McAuley also helped with the science (and encouraged me when the idea for this novel was in its infancy). If there are any factual howlers, point the finger at me, not them.

Thanks too to Rob Wilcock for details regarding oil platforms and for checking a couple of early chapters. Alan McGrath also chipped in with anecdotes regarding life on the rigs.

Other people who helped during the writing of this book were Nicholas Royle, Shaun Hamilton, Simon Strantzas, Ethan, Ripley, Zac, Mum and Dad. My superb editors at Virgin Books, Adam Nevill and Simon Lee-Price, made sure I didn't take my eye off the ball. Thanks also to Robert Kirby at United Agents.

As always, Rhonda Carrier read drafts, rolled her eyes, shook her head, but generally infused me with confidence and hope. I love that woman.

'We live as we dream – alone.'

Joseph Conrad

Part One

BIRTHS, DEATHS AND MARRIAGES