once been a man’s face. “How long would it have taken to do that?”
Locke took a deep breath; his lips formed a tight line. “Not long, if the murderer knew his trade.”
There was a pause.
“Well, go on, tell me,” Hawkwood said, wondering what else was to come.
“Colonel Hyde was an army surgeon. He operated in field hospitals in the Peninsula. His treatment of the wounded was, I understand …” Locke bit his lip “… highly regarded.”
“Was it indeed?” Hawkwood digested the information. Then, taking a candle from the table, he stepped through the archway into the other half of the cell.
There was another table upon which stood a jug and a washbowl. Against one wall sat a mahogany desk, a folding chair and a large wooden chest bound with brass. Looking at them, Hawkwood felt an instant stab of recognition. As a soldier he’d seen desks and chests like these more times than he cared to remember. Enter any officer’s quarters, be it in a barracks, or even a battlefield bivouac, and it would be furnished with identical items; they were standard campaign equipment. He even had a chest of his own, strikingly similar to the one here, back at his lodgings in the Blackbird tavern. It had been acquired during his time in the Peninsula, at an auction following the death of the chest’s former owner on the retreat to Corunna.
The room and its contents were at complete odds with the bare functionality of the sleeping quarters and a world apart from the conditions in which the other patients, or at least the ones he’d seen, were being kept. Those had bordered on the inhumane. By contrast this accommodation was verging on the palatial. Why should that be? Hawkwood wondered.
By far the greatest contrast lay in the collection of books and the drawings that covered the walls; several score, by Hawkwood’s rough estimate. So many, they would not have disgraced a small library. Hawkwood held the candle close and ran his eye over the serried ranks of leather-bound volumes. None of the authors’ names meant anything: Harvey, Cheselden, Hunter. Others were evidently foreign. Vesalius and Casserio appeared to be Italian, while some, like Ibn Sina and Massa, sounded vaguely Oriental. The ones in English were all similar in tone:
The etchings and engravings that filled the spaces on the cell walls were in a similar vein, literally. Each and every one of them showed representations of the human body in anatomical detail, skeletal and musculature, both whole and partial, from skulls and torsos to arms and legs. A couple, which to Hawkwood’s untutored eye resembled the root system of a tree, were, he realized upon closer examination, diagrams of veins and arteries. Some were close to life size, others were smaller and looked as if they might have been torn from the pages of books or old manuscripts. Many of the renditions depicted the moving parts of the body, such as the neck and the joints at wrist, elbow and knee; all were remarkably and gruesomely intricate. The illustrations had an unsettling quality. Looking at them, Hawkwood realized why he was experiencing disquiet. The drawings reminded him of the horrific wounds and the amputated limbs he’d seen in the army’s hospital tents. The smell in the cell brought it all back to him. The only things missing were the blood and the screams; the screams, at any rate.
He sensed a presence at his shoulder.
“The miracle of the human body,” Locke said softly. “Men have strived for centuries to learn its mysteries.”
An illustration caught Hawkwood’s attention. It was nightmarishly graphic, depicting the lower half of a human torso from stomach to mid-thigh. The skin of the lower belly and pelvic area had been opened and peeled back layer by layer to reveal the interior of the abdomen. The upper legs were shown severed at mid thigh. The end of each thighbone could be seen encircled by densely packed layers of muscle and flesh. Each limb looked disturbingly similar to the cuts of meat he’d seen hanging from hooks above the Smithfield butchers’ stalls he’d passed on his way to the hospital. He found himself transfixed. The figure did not appear to possess genitalia, which seemed odd, given the artist’s exceptional eye for detail. He looked closer, raising the light, and realized what he was looking at and what it meant. The figure was female.
“Van Rymsdyk,” Locke said behind him. “A Dutch artist; dead now, but much in demand by anatomists for his expertise in capturing the human form. The Hunters, Cheselden, they all made use of his services.”
The names still meant nothing, although there was no doubting the skill of the illustrator. The detail was astonishing.
“Convincing, aren’t they?” the apothecary murmured. “Too vivid, some might say. Yet without van Rymsdyk and the rest, medical science would be becalmed, like a ship awaiting a breeze. If I may continue with the analogy, surgeons are the navigators of our times. Like Magellan and Columbus before them, they search for new worlds. To navigate, you require a map. If no map is available, you create your own, so that others may follow in your wake.” Locke spread his hands. “These are surgeon’s maps, Officer Hawkwood. Anatomical charts of the human body. The more accurate the chart, the less danger there is of running aground.”
The apothecary blinked owlishly and fell silent, as if suddenly overcome by his own loquacity.
Hawkwood’s attention was drawn to the far corner of the cell, the part of the room in deepest shadow. He moved closer. The drawing was similar to the rest: a standing female figure, explicitly nude. The figure’s right hand was raised to conceal its right breast. The left hand was held lower, covering the groin area. The belly was shown cut open, revealing the organs beneath. Each organ was marked with a letter. The figure was framed by four smaller insets, each differentiated by a Roman numeral, showing the progressive, layered dissection of the stomach wall.
The apothecary followed his gaze. “Ah, yes, a Valverde engraving, one of his studies on pregnancy.” Locke stared at the wall, lost in thought.
Hawkwood had seen enough. He wanted to be out of there, away from the disturbing images and the darkness and the dripping stonework and the smell of death. He wanted to be where there was sunlight and fresh air, not in this … slaughterhouse.
He turned and led the way back into the sleeping area and the waiting Leech. “Keep the room locked. No one enters. There’ll be someone along to collect the body for examination by the coroner’s appointed surgeon.”
Who was about to have a very busy morning, Hawkwood reflected wryly, what with this
He turned to the apothecary. “Take me to Grubb.”
Locke nodded and ushered him into the corridor, plainly relieved at being able to leave the cell and its grisly contents behind.
The elderly attendant was in his room, huddled in a chair, a blanket covering his legs. A bowl of thin broth and a lump of soggy-looking bread sat on a table beside him. His face was pale and drawn and he gazed apprehensively at his visitor as Locke made the introductions.
The attendant’s hands shook as, with a faltering voice, he relived the events of the previous night, confirming that he’d noticed nothing unusual when he’d gone to collect the parson.
“You didn’t see his face?” Hawkwood asked.
Grubb shook his head. “Not properly.’ E was already wearin’ ’is ’at and scarf when I let ’im out of the room. I did take a quick gander when I was walkin’ ’im to the door, but ’e caught me at it and pulled ’is scarf up. Mind you, it were a bitter night.”
“Did he say anything?”
Grubb thought back. His chest rose and fell. The breath wheezed in his throat. “’E said goodbye to the colonel, when I let ’im out of the room.”
“But the colonel didn’t reply,” Hawkwood said. “Did he?”
Grubb shook his head. “I thought I ’eard them talkin’ before I unlocked the door, but I couldn’t make out the words.”
Hawkwood heard Locke gasp and threw the apothecary a warning look. Hawkwood knew it had been part of the colonel’s plan, talking with himself to trick whoever was outside the door into believing that both occupants of the room were alive. Similarly, by posing as the priest and halting on the threshold to bid his unseen host good- night, he had fooled Grubb into thinking the colonel was acknowledging the farewell, perhaps with a nod or a wave of his hand.
“Did he say anything else?”
“Said good-night when I let ’im out the front door. I offered to see ’im to the main gates, but he said he was all right on his own.”
