fattening them with the intent of roasting them alive and cannibalizing them.

Red Riding Hood goes into the forest to visit her elderly grandmother only to find the woman has been savaged and eaten alive by a wild animal.

These are fairy tales.

So is my story.

Leslie was—is—our firstborn. Headstrong and charming, a little rebellious. She loved to dance, she loved music.

Loves music.

Who would ever think a person could be tormented by the choice of verb tense? Past? Present? A choice of little consequence to most people, that choice can bring me to tears, to the point of collapse, to the brink of suicide.

Leslie was. Leslie is. The difference to me is literally one of life or death.

Leslie is alive.

Leslie was my daughter.

My daughter went missing May 28, 1986. Four years have passed. She has not been seen or heard from. I don’t know if she is alive or dead, if she is or was.

If I settle on the past tense, I admit my child is gone forever. If I grasp on to the present tense, I subject myself to the endless torment of hope.

I live in limbo. It’s not a pleasant neighborhood. I would give anything to move out, or at least to remove the pall of it from my soul.

I crave some kind of cleansing, some kind of catharsis, an elimination of the toxic waste left behind in the wake of a bad experience. The idea of catharsis sparked me to begin this book. The idea—that by sharing my experience with the world, the poison of these memories might somehow be diluted—was like throwing a lifeline to someone being swept away by the raging waters of a flood.

The catch, however, is that I can’t escape the torrent no matter how strong that lifeline might be. I am the mother of a missing child.

Writing just that much had exhausted Lauren. It had taken six hours to finish three pages, feeling as if she had to pluck and pull each word from the thick black tar of her emotions. She felt as if she had run a marathon and now needed to strip off her sweaty clothes and shower off the road grime. She saved her work, such as it was, to a floppy disk and shut down the computer.

She and her younger daughter, Leah, had moved to Oak Knoll more than a month past. It had taken her that long to stop procrastinating and sit down in front of the computer. And still a part of her had risen up in panic, screaming that it was too soon, that she wasn’t ready. Every day of her life was a constant struggle within herself between the need to move forward and the fear of it, between sympathy for herself and disgust at her need for it.

The whole idea of this move was to retreat from the scene of all crimes in order to gain distance both literally and figuratively. And with distance perhaps would come some kind of perspective. She had the same hope for writing about what had happened: that through the telling of her story she would gain some kind of perspective and, if not peace, some kind of—what? Calm? Quiet? Acceptance? None of those words really fit. They all seemed too much to hope for.

Bump and Sissy Bristol—old friends from Santa Barbara—had embraced her idea—both of the book and of the change of venue—and had offered the use of their second home in Oak Knoll as a refuge.

The Bristols were like family—like older siblings to Lance and Lauren, and godparents to the girls. Bump played the annual role of Santa Claus at Christmas and helped coach the girls’ sport teams. Sissy was the fashion fairy godmother who delighted in taking the girls shopping and treating them to manicures and pedicures.

Bump’s real name was Bob. He had earned his nickname decades ago for his aggressive style of play on the polo field—which was where he and Lance had become fast friends, despite a twelve-year age difference. As couples, they had run in some of the same social circles. Bump was in finance; Lance, an architect. They had numerous clients in common over the years. Sissy owned an antiques shop on Lillie Avenue in Summerland, south of Montecito. Lauren had a small business as a decorator.

Lance had designed the remodeling of the Bristols’ Oak Knoll getaway in eighty-four. Lauren had kidded them about the project, even as she and Sissy worked on ideas for the interior. “You live in paradise. What’s there to get away from?”

A beautiful picture-postcard town, Santa Barbara overlooked the Pacific Ocean, while mountains rose up behind it. Celebrities walked the streets there, ate in the trendy restaurants, had mansions in neighboring Montecito. Tourists flocked to the area every summer. There was never a shortage of things to do. The arts flourished there. It was a city of festivals and concerts.

Lauren had thrived in Santa Barbara. She and Lance had lived there for nearly twenty years—their entire married lives. Lance had grown up there. The girls had been born there. The Lawtons had been fixtures on the social scene, active in the schools.

Leslie had been abducted there.

Lance had died on a mountain road just north of town two years later.

Lauren couldn’t go to the supermarket without being stared at, talked about. She had been a constant presence on the television news there and in the newspaper as she tried to keep her daughter’s case in the public eye year after year. Every store owner in town knew her from the many times she had come by with a new poster for Leslie.

MISSING.

ABDUCTED.

HAVE YOU SEEN THIS GIRL?

People had cringed at meeting her, first because they didn’t know what to say, then later because they didn’t know how to get rid of her. Over the years they had grown tired of seeing her, of hearing about the case. They couldn’t—didn’t want to—sustain the sympathy or the guilt that went with it. Unsolicited advice had gone from “hang in there” to “time to move on.”

Even the best of friends had suggested the latter. “It’s been so long, Lauren. Leslie is gone. You need to let go.”

Easy for them to say. Leslie wasn’t their daughter.

Sissy and Bump had been kinder. They had offered the house, supporting her plan to get away from Santa Barbara for a while. Or maybe they had wanted rid of her too. Out of sight, out of mind.

Whatever their motive, Lauren was grateful.

The house was located at the end of a dead-end road that reached out of town like a long finger pointing toward the purple hills to the west. It was a quiet, eclectic neighborhood. Most of the houses were older, and half- hidden from the road by overgrown bougainvillea and oleander bushes. The residents minded their own business. They had their own things going on. They lived on that street at least in part for the privacy.

A metal artist lived in a bungalow two houses down on the left with a front yard full of junk. An old hippie couple across the street from him had a huge vegetable garden and a clothesline full of tie-dyed T-shirts. Lauren’s nearest neighbor was a retired teacher from McAster College who liked to leave his windows open and played a lot of classical chamber music that drifted up the road on the cool evening breeze.

The Bristols’ house was the end of the line, a place designed for rest and peace. Behind the house, an open field of golden grass rambled down a little hill to an arroyo trimmed with a fringe of green trees. Beyond that rose the bony-backed range that separated the valley from the Santa Barbara vineyards and the coast. Lauren sometimes thought of the mountains as a wall, a wall that could hold the memories of the past few years away from her.

Or so she wished.

Tired of thinking, she left the second-floor study and went down the hall to the master suite to take a shower.

Bump and Sissy had spared no expense in the renovation of the house. In fact, there was little of the original house to be found, the job had been so extensive.

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