afternoons and evenings in the meat district. It wasn't a strange environment for Jack, just the opposite – it was where he felt most comfortable, where he felt grown-up. Doni paid him good money and young Jack had an affinity for the work. He was strong enough to lift and carry whole sides of beef, strong enough even to hack through just about anything. The blood didn't bother him. It was simply part of the job, something to deal with. The fact is, he liked the cold rooms, the sawdust on the floors, the stark walls, the carcasses hanging from hooks, surrounding him. He loved being around Dom, listening to his stories of the old days in New York, the saloons, the personalities, the infamy that had followed him around when he was young. It was most definitely a man's world and Jack was comfortable living in it. And he stayed there quite happily until he was old enough to move eighty blocks uptown and go to college.
But it took Jack quite a while before he could bring Caroline downtown to meet Dom that first time, to see the other side of his life, which she knew nothing about. Even after several months of dating, he was nervous about it. It was an alien world to her, as alien as her world, as she described it, would be to him. If hers was a world of privilege and refinement, his was dominated by sweat and hard work and the need to survive. He was afraid to bring her there, he told her. And the fear was not that she wouldn't like his world – that would not make him happy but he could deal with it – it was that she would cause him to dislike it also.
She didn't say anything when he told her this. Just said that she understood. Then, after a few months, they were having lunch – his treat, a Coke and a souvlaki in Central Park – and she turned to him and said, 'Are you ready?' He knew immediately what she meant and he thought for a moment, then nodded and said, surprised, 'Yeah, okay, I'm ready.' But he prepared her first.
He couldn't do this to her without preparing her. So first he told her about his own past, told her more about himself than he'd ever told anyone.
Jack explained to Caroline that he had come to terms with the tragedy that cast such a long shadow over his youth. He'd had to come to terms with it – because he'd lived through it and because he knew he had to keep on living with it. It was what had happened, the way Little League or broken arms or divorce had happened to other children. But when she began to ask questions, tentative and careful but never embarrassed or awkward, and then to touch his arm gently and probe, as if it were her right to know everything there was to know about him, he admitted that sometimes he still awoke in the middle of the night, horrified at the images that flitted before his eyes: standing there frozen with fear, unable to help his mother; the lunatic dangling him from the shattered window; Dom pulling him up to safety. When he couldn't sleep it was often because the guilt overcame him. He had lived and she hadn't. She had moved to save him; he knew that's why she was running to him before the madman had stopped her. But he had not had her strength or will. He had not saved her. He had let her die and he would have to live with that forever.
That night, after they had made love on the single bed in his cramped dorm room on 115th Street and Amsterdam, he could see she'd been thinking about what he'd told her, and he thought she was going to say something sappy, try to make him feel better by saying It wasn't your fault or You can't save other people or You were only a boy or one of the other meaningless phrases that so many people had thrown out to him, trying to be kind, over the years. But she didn't say anything like that. Instead she murmured: 'You said that your mother had something she wanted to tell you that day. Did you ever find out what it was?' Jack nodded and said, 'Dom had proposed. She was going to tell me they were getting married.' Caroline rubbed his shoulder with the heel of her palm and kissed the side of his neck, then she buried her head in his chest and told him that this is what she knew: when wounds healed, it wasn't as if they'd never existed. They left scars and those scars lasted a lifetime. She told him that he would never be the same person he was before his mother died, he was somebody different, somebody new. She also told him that she loved this new person. Then she closed her eyes and went to sleep.
The next day, Jack called Dom and told him he was bringing someone over to meet him.
'Oh, Christ, is it a girl?' Dom asked.
'Oh, Christ, of course,' Jack responded.
'You don't wanna do this, Jackie. This ain't my best thing. What am I gonna talk to her about – hanger steaks?'
'Just charm her with your natural wit,' Jack said. 'But try not to use the words 'fuckin' and 'asshole' in the same sentence too often, okay?'
'Nothin' but trouble,' Dom told him. 'You know that? You give me nothin' but trouble.'
Jack and Caroline went downtown straight from Goldman's psych class. They took the Broadway line to Fourteenth Street, walked the two blocks west from Seventh Avenue.
'What I'm going to tell you,' he said, holding her hand, 'Dom told me when I was eight. It's something I've known and lived with my whole life. He was a nervous wreck, told me it was a big secret he was sharing with me, and I'm still not sure why he told me when he did, but I remember he really wanted me to say something afterward, so I looked at him and said, 'Thanks.' He was kind of thrown and he said, 'That's all you got to say?' and I said, 'What else is there to say?' I never saw anyone look so relieved. He just told me, 'Yeah, I guess that's right.''
'So are you ever going to tell me?' she asked as they got closer to the meat district. 'Or are you just going to keep telling me stories about whatever it is without ever telling me what it is?'
He took a deep breath and nodded. There was no point in putting it off any longer, so he just started right in.
In 1948, when Dominick Bertolini was twenty-two years old, he was two fights away from getting into the ring with the lightweight champion of the world. Dom's record was 34 and 0, with twenty-eight of those wins by knockout. Of those twenty-eight, nineteen came within the first five rounds. Three of the men he fought never stepped into a ring again. One of them lost his hearing in one ear, so ferociously was he pummeled. The other two escaped whole, but their spirits were as broken as their ruptured spleen or lacerated kidney. Dominick was a brutal club fighter, not an elegant one, a favorite of bloodthirsty fans and cynical newspaper columnists for his clumsy and unadulterated savagery.
Dom did not like hearing himself referred to as a savage, although he did nothing to correct the image, at least publicly; his managers said it put people in the seats, which also put money in Dom's pocket. And since Dom hated very few things in life more than fighting and was doing this for one reason and one reason only – money – he had no desire to see those seats empty. If he had to use a word to describe himself, it would have been 'unrelenting.' That indeed is what he was and what he had been since a small boy.
He was certainly no stranger to violence or even to savagery. Fear and brutality were fairly common neighbors on the west side of mid-Manhattan, the neighborhood known as Hell's Kitchen, in the 1930s. They often invaded the walls of Dom's own apartment, in the form of his father. As near as young Dominick could figure out, Anthony Bertolini had absolutely no redeeming qualities. He was crude and loud and mean and he always smelled like an unpleasant combination of sweat, alcohol, and whatever harsh odors clung to him from the street. Tobacco. Dirt. Garbage. Sometimes even blood.
Sometimes it was Dom's blood.
Mostly it was his mother's.
On his eleventh birthday, after a particularly painful beating administered to both mother and son, Dominick realized he had to make a choice. It was clear to him that there were only two possibilities. He could remain quiet, stay frozen in his painful, silent world and keep on taking his father's punishment. Or, when he was ready, when he was able, he could fight back and win and put a stop to the misery.
By the time he was fourteen years old, he had become a fearfully tough child. There was no boy in his school, no matter how old, he could not take in a battle. It wasn't just that he was so strong or even so unrelenting, although he was both. It was that he didn't mind getting hit. He didn't fear the pain. He was used to it.
Three days before his fifteenth birthday, his father erupted at the dinner table. With almost no provocation – his mother had coughed nervously and Anthony took it as a deliberate slight – he lashed out with the back of his hand and knocked Rosemary Bertolini off her chair. He then began to slowly roll up his sleeves, got up from the table, and with a twisted sneer announced that he was going to beat his wife within an inch of her life. That's when Dominick decided the time had come. He stood up from his chair and without raising his voice said, 'No, you're not.'
His father looked at him incredulously. 'Say that again?' he asked. 'I must be goin' deaf.'
'You're going to leave her alone.'
'Fine.' The word was stretched out into several syllables. Anthony finished rolling up his sleeves, then looked down at his wife, who was still on the floor but was now pleading for him to leave their son alone. He smiled at her,
