Hailed by Salman Rushdie as a “brilliantly innovative thriller-writer,” Philip Kerr is the creator of taut, gripping, noir-tinged mysteries that are nothing short of spellbinding. The first book of the Berlin Noir trilogy, March Violets introduces readers to Bernie Gunther, an ex-policeman who thought he’d seen everything on the streets of 1930s Berlin—until he turned freelance and each case he tackled sucked him further into the grisly excesses of Nazi subculture. Hard-hitting, fast-paced, and richly detailed, March Violets is noir writing at its blackest and best. From Publishers Weekly The brutality and corruption of Nazi Germany serve as the backdrop for this impressive debut mystery novel. Scottish-born Kerr re-creates the period accurately and with verve; the novel reeks of the sordid decade that saw Hitler's rise to power. Bernhard Gunther is a hard-boiled Berlin detective who specializes in tracking down missing persons--mostly Jews. He is summoned by a wealthy industrialist to find the murderer of his daughter and son-in-law, killed during the robbery of a priceless diamond necklace. Gunther quickly is catapulted into a major political scandal involving Hitler's two main henchmen, Goering and Himmler. The search for clues takes Gunther to morgues overflowing with Nazi victims; raucous nightclubs; the Olympic games where Jesse Owens tramples the theory of Aryan racial superiority; the boudoir of a famous actress; and finally to the Dachau concentration camp. Fights with Gestapo agents, shoot-outs with adulterers, run-ins with a variety of criminals, and dead bodies in unexpected places keep readers guessing to the very end. Narrator Gunther is a spirited guide through the chaos of 1930s Berlin and, more important, a detective cast in the classic mold. Kerr is at work on a sequel to this sparkling and witty tale.  Review 'Echoes of Raymond Chandler but better on his vivid and well-researched detail than the master.' —Evening Standard 'Taut, brutal, coarse, believable and gripping stuff.' —Sunday Telegraph 'Kerr’s complex intrigue allows space for brilliantly provoking political asides.' —Sunday Times