This exuberantly spooky novel, in which horror, repressed eroticism, and sulfurous social comedy intertwine like the vines in an overgrown English garden, is now a major motion picture, starring Alan Bates, Sting, and Theresa Russell. From Publishers Weekly Witty, weird and highly enjoyable, this gothic British tale is aptly titled. The set-up is macabre: a distinguished paleontologist is brain-damaged and slowly turning into a vegetable. He cannot speak, but narrates an interior monologue of all he sees and hears: a lot of sexual shenanigans and a particularly grisly murder, all centered around “Fledge,” the butler, who has ambitions. The stylistic joke is that all these horrors take place in a quaint, genteel English country setting, where the village is...
This exuberantly spooky novel, in which horror, repressed eroticism, and sulfurous social comedy intertwine like the vines in an overgrown English garden, is now a major motion picture, starring Alan Bates, Sting, and Theresa Russell. From Publishers Weekly Witty, weird and highly enjoyable, this gothic British tale is aptly titled. The set-up is macabre: a distinguished paleontologist is brain-damaged and slowly turning into a vegetable. He cannot speak, but narrates an interior monologue of all he sees and hears: a lot of sexual shenanigans and a particularly grisly murder, all centered around “Fledge,” the butler, who has ambitions. The stylistic joke is that all these horrors take place in a quaint, genteel English country setting, where the village is “Pock-on-the-Fling,” the pub, “The Hodge and Purlet” and the barrister, “Sir Fleckley Tome.” However deadly the deed, the language is always decorous and impeccably mannered. The result is strangely hilarious—as if a Stephen King story were being told in the manner of a latter-day Anthony Trollope. From Scientific American Magnificently grim … [McGrath] serves up this cold slice of modern Gothic with the deranged relish of a Poe but also the acrid irony of a Waugh.
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Жушман Дмитрий
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