Sins & Shadows

Sylvie pondered the odds of foisting Tish off on him, serving up triple benefit points for herself. Get Tish out of her way; keep Bran’s friend someplace safe; keep agent occupied. . . . Tish stomped up the stairs toward the brownstone, and said, “Coming?”

Win some, lose some, Sylvie thought, and headed after her. Besides, if Dunne came back, all bad mood and thunderweather, maybe Tish’s presence could knock him back into human mode. Maybe.

Tish opened the door, and Sylvie twitched. A quick wave of something sheeted over her skin and vanished, a sensation that Sylvie had always attributed to haunted houses—that elusive sense that the air was more alive than in other homes, charged, ionized, full of potential, waiting for its spark.

Tish either didn’t feel it or was used to it. Tish went in with the ease of long practice, punching the code into the alarm pad, and flipping the switch by the door, bringing light into the dim foyer.

Sylvie fought the urge to whistle. What could be done with access to money—Tish’s place was pricey because of its desirable location, but bare inside. This house was nothing much outside, a small, well-kept brownstone, but inside it was all about warmth and luxury.

Sylvie crossed from slate tiles to carpet so plush she found herself thinking maybe she should take her sneakers off. Then she recalled the Furies, their habits, and decided Dunne had a good cleaner on call. After all, carpet the color of dulce leche would show blood so easily.

Sylvie gave the rest of the main room a glance, seeing upscale bachelor furniture—a leather couch, dark rugs, state-of-the-art sound system, television, lighting, and nearly more artwork than wall space. Bran’s paintings mostly, she thought, the vibrant colors vivid against the deep chocolate walls. Landscapes. She wondered which of them had decided not to hang anything more distressing in their home. Having seen the murals at NDNM, Sylvie knew Bran was capable of distressing art.

Tish slid a heavy wooden door to the side, revealing a shallow kitchen. “Voice mail’s full,” she said, studying the flashing light on the phone. “I don’t understand. Shouldn’t Kevin be here? What if the kidnappers call?” It was a quavering wail. Her fingers hovered over the phone.

“It’s not money they want,” Sylvie said.

“Then what?” Tish wrapped her arms around herself.

“To hurt Dunne.”

Tish sucked in a breath, her eyes widening and darkening with pain. “Then, they don’t really need to—”

Keep Bran alive. Sylvie finished the thought, but left it silent, letting Tish read it on her face.

“Oh God,” Tish moaned. “God. Poor Kevin. You’ve got to get Bran back. Kevin won’t be able to stand it. He seems so tough, but he worships Bran, you know. If Bran . . . I don’t know if Kevin can take it—”

“Show me the studio,” Sylvie said, thinking Tish was more right to fear than she knew. “Show me his paintings.”

Show me Lily.

“Upstairs,” Tish said, opening another door, a foldaway set that Sylvie would have taken for nothing more than pantry access. Instead, it revealed a narrow and steep set of stairs.

“Studio access only,” Tish said. “Bran calls it his servant’s stairs. Says it reminds him that art is his master.” A brief smile touched her lips, stilling the tremor they wanted to stay in. “If Kevin’s around when Bran says it, Kevin teases him, says love is a much better master than art, and he can prove it. Usually, the sisters and I go have an awkward lunch at that point.”

Sylvie wanted to tell her to stop. Stop talking about Bran and Kevin, stop painting images that let her see glimpses of the two of them in this cozy niche of a kitchen. Stop showing her glimmers of a life that was now in ruins.

She pushed by Tish and headed up the stairs, feeling the burn as she forced stiff muscles to the task. Fucking Fury, she thought. Remind me to kick her tail feathers if I see her again.

The studio was dim and reeked of old paint. A narrow window fed in some morning sunlight, and she used it to track down the light switch. She hit it, and said, “Crap,” right after. What had she thought? Tish mentioned a portrait, and Sylvie had expected to sail in, snatch it, and use it—a sort of police sketch for Demalion, a scent trail for Dunne, a reminder to herself. Lily’s image was already fuzzy in her mind. She remembered the voice, the force of will, but the face—

“What’s wrong?” Tish said.

“He’s productive,” Sylvie said. It wasn’t a compliment. Paintings were stacked everywhere, faces leaning against the walls or slotted into narrow racks; there were cloth-covered heaps, slightly squared, that held still more paintings under their depths. “A little compulsive maybe?”

“He doesn’t like paper,” Tish said. “He goes right to canvas. If he doesn’t like it, he drops it.”

“Expensive habit,” Sylvie said. “I don’t suppose there’s a filing system.”

Tish laughed. “I told him he needed one.”

“Fine,” Sylvie said. “You start on that side of the room. Any portrait of a woman that you don’t know put aside for me.” She was counting on the fact that she would recognize that ordinary face when she saw it again.

Her phone rang and she brought it to her cheek. “Yeah.”

“Syl?”

“Yeah,” she said again, turning slightly away from Tish’s inquisitive gaze. She made a go-on gesture at Tish, telling her to get started. Sylvie tucked the phone against her chin and shoulder, and said, “You got my message? Sorry for the late-night call, but I need info on a woman—”

“Lily Black,” Alex said. “And if that’s her real name, Val’s nose is the original model.”

Sylvie paused. She wasn’t often off balance, but Alex was always the one to make it happen. “What?”

“Lily Black, art appraiser, part-time art agent. I back-tracked through Ni Dieux, Ni Maîtres’ ownership deeds, hit art news sites, added Brandon Wolf as a data point. His murals are on the Net—including a little note about upcoming ones at NDNM funded by a Lily Black.”

“Fast work,” Sylvie said.

Across the room, Tish’s attention sharpened. Irritably, Sylvie pointed back to the paintings. A name wasn’t enough.

“Like I could sleep with you out gallivanting ’round Chicago with Furies for backup.” Behind the snark and bravado, Sylvie read an entire other conversation. Despite an unsteady past spent shuttling between foster families, stepparents, and juvie, Alex had never seen anyone die. Traumatic enough, but when that first death had been Suarez, whom she considered a part of her chosen family—well, it was no wonder Alex stayed awake to worry.

Sylvie’s part in this unspoken conversation was to ignore it. To that end, she said, “Ah, they’re not so tough.” Implying, of course, that she was. “Did you get an address?”

Sylvie flipped through the nearest stack of paintings. No portraits. Still life, still life, landscape, mythical animals.

“Embarrassment of riches, really,” Alex said. “She supplements her income with land. I found her name on seven separate sites, one a condemned church in a neighborhood pending rezoning, two galleries, and four apartment complexes around Chicago. Lily’s only got a PO box listed as her own address, but I bet if you check the complexes for unrented apartments—”

“We might find her,” Sylvie said. “I’m impressed, Alex.”

“You should be,” Alex said. “If I billed you for that amount of computer time, I’d bankrupt you.”

“Just tell me you aren’t going to bring computer crimes down on me, and I’ll be content.”

Tish held up a gold-framed painting. Sylvie shook her head, shifted her mouth away from the receiver. The portrait showed an elegant blonde, clad only in an ornate set of emeralds. “Brunette,” Sylvie said. “Ordinary is the key word here, Tish.”

“Please,” Alex said. “I cover my tracks. Oh, speaking of—tell me you’re taking wolf clients again?”

“Why?” Sylvie said, aware of Tish listening in.

“Present on the store stoop,” Alex said. “Rat skulls, bones, tied up in a bow of snakeskin. The front-desk bell says it’s inert, though. Not some type of spell. Thought it might be an offering.”

“Yuck,” Sylvie said. “Maybe the sisters left it. They don’t really seem to like me much.”

“I think there’s a club for people like that,” Alex said. “Membership’s climbing.”

“Funny girl.”

Sylvie flipped another painting and forgot the small mystery. Portrait. Not Lily, but Dunne. The last of her doubts as to their uneven relationship died. She couldn’t think Bran feared Dunne, not with this in her hands. Dunne, depicted as an angel: weary, shirtless, scarred; his wings, all hawk dun and beige, were drooping and chafed by a holster and a gun. In the shadow of his wings, Bran leaned against him and was sheltered.

“Syl?”

“Yeah, e-mail me the addresses,” Sylvie said.

“Syl . . .” Alex said, held her to the line. “What if the satanists left the bones?” Her voice went tight and a little small.

Sylvie flipped another half dozen paintings face front, without looking at them, just getting them into the light. “Be very careful, or just get out of town. If you think it’s them, call the cops. The satanists carried guns instead of power; they’ll shoot first, curse later.”

“Not comforting,” Alex said.

“You came back,” Sylvie snapped. Her fingers were white on the phone. Wasn’t this what she had tried to prevent? She took a steadying breath, and said, “I doubt it’s them. We’re one for one, right now. They’ll need to back off and reconnoiter.”

“One for . . . What did you do, Sylvie? They killed Suarez. Did you kill—”

“What the hell are you talking about?” Sylvie said. Tish frowned at her, a weird look of disapproval in her eyes, as if Sylvie were cursing in church.

“I’ve seen the files,” Alex said, still soft. “The cases where the problem just . . . goes away. Cases where you go it alone. Do you kill people to make the problems go away?”

Things, not people, she thought, stifling that retort before it reached her lips. “Christ, Alex, are you listening to yourself? No, okay. No.” She glanced over at Tish and ruthlessly shifted the conversation. “It’s fine, it’ll be fine. Just be smart and call the cops if anything looks weird. Call Val if anything looks weirder. Her home’s loaded with protective spells. I gotta go.” Without waiting for a response, she disconnected.

Mask’s slipping, the little dark voice said.

“Find anything?” Sylvie asked.

Tish shook her head. “I sort of remember the painting. It had a lot of grey. So I was going to pull those—”

“Great, do it, don’t tell me about it,” Sylvie said. She dragged her attention to her own row of paintings and found her own worries blasted away by the first one in the row.

So small to pack so much of a punch. It was barely a foot square, but just touching it made her skin crawl. No placid landscape, no pretty portrait. A flayed chest, skin pulled back, revealed a glistening, tattered heart beneath a worn rib cage. Fingers squirmed within the bone cage, hooking into the heart, tugging it farther apart. The whole thing bled at her in tones of rust and sepia.

Tish’s footsteps headed her way, and Sylvie flipped the painting to face the wall. No need to upset the girl any further. Sylvie stared at the ruddy scrawl on the back of the canvas and shuddered. Devoured Heart, self-portrait.

Tish spread out three portraits, all rainy-day greys with women.