Lunar Park

pulled into the driveway in the Porsche. When she saw me with Kimball she sat in the car and watched, pretending to be on her cell phone. Once Kimball drove away she bounded out of the car, smiling, and walked over to me, still beaming from the new beginnings we had promised each other that morning. She asked me who Kimball was and when I told her he was a student she believed me and took my hand and guided me back into our house. I didn’t tell Jayne the truth about Kimball because I didn’t want to scare her, and because I thought that if I did I would be asked to leave, and so I kept silent, adding something else to the list of all the things I had already hidden from her.

The rest of the evening was a daze. During dinner, while sitting at the table, the kids conceded that they’d had a good time at the mall and regaled Jayne with various scenes from the movie we saw, and then there was a long discussion about Victor (who didn’t want to sleep in the house anymore but whose panicked barking outside at night made this demand impossible to meet). The only thing that had any impact—the one thing that broke through my fog—was when Sarah brought the Terby over to me, though I don’t remember where I was at the time. Was I slouched in the armchair in front of the plasma TV? Or had it been during dinner, sitting with my family while zoning out on a plate scattered with zucchini and mushrooms, and where I was trying to smile and stay interested in the moment, concentrating on the flow of information being passed around? (I tried to appear casual by humming to myself, but this was maddening and I stopped just as casually when I saw Robby scowl.) All I know is that I was somewhere in that house when Sarah brought the horrible Terby over and asked me why its claws were encrusted with what looked like dried crimson paint and if I could help her wash off those claws in the kitchen sink. (“They’re dirty, Daddy,” Sarah explained, while I nodded dumbly. Yes, I remember that exchange. And I also remembered how bad the thing had smelled.) There was a football game on TV that I would have watched any other night but when I shut myself in the office and dialed Aimee Light’s number again, Jayne opened the door and suddenly guided me upstairs, and she was murmuring things to me as she led me back into the master bedroom and past the flickering sconces, and I could tell by her velvet smile that she was expecting something, a promise of some kind. I felt the same tug but couldn’t follow through—it was too late. I was supposed to see my reflection in her and simply couldn’t. I had taken an Ambien and finished the rest of the Ketel One and after easing myself into bed I was soon sleeping soundly, freed from having to deal with my wife’s desires, the scratching at the side of the house, the furniture that was rearranging itself downstairs and the darkening carpet it rested on, and as the four of us slept a madman I had created roamed the county while a cloud bank settled over the town and the moon somewhere above it was causing the sky to glow. He’s back. I had whispered those two words to myself that dark night spent shivering in the guest room, replaying what I’d seen out in the desolate field behind our house. I had involuntarily been thinking of my father and not Patrick Bateman.

But I had been wrong. Because now they were both back.

SUNDAY, NOVEMBER 2

12. the dinner party

I woke up in the master bedroom for what seemed like the first morning in weeks, stretching pleasurably in the empty bed, refreshed by the Ambien from last night, and in the kitchen Jayne was preparing brunch, and I took a leisurely shower before getting dressed to join the family. I stared at my reflection in the mirror before heading downstairs—no bags under the eyes, my skin was clear—and realized, shockingly, that I was actually hungry and looking forward to eating something. Sunday brunch was the one meal of the week with no dietary restrictions: sesame seed bagels and cream cheese, bacon omelets and sausage, and Krispy Kreme doughnuts and French toast for Robby (who again mumbled about the scratching sounds outside his door last night) and hot chocolate and pancakes for Sarah (who seemed withdrawn and tired, probably due to the new cocktail of meds that had been prescribed last month and were now finally kicking in), but because of the reshoots Jayne had only a banana soy milk smoothie and tried to downplay her anxiety about leaving for Toronto next week. For once, I was the one member of the family doing okay on that Sunday. I was mellow and content, even after leafing through the papers, which were filled with follow-ups on the Maer Cohen disappearance, as well as lengthy recaps of the (now) thirteen boys who had vanished in the last five months. Their photos took up an entire page in the County section of the local paper, along with physical descriptions, the dates they disappeared, and the places they were last seen. (Tom Salter rowing a canoe on Morningside Lake; Cleary Miller and Josh Wolitzer outside the post office on Elroy Avenue; the last image of Edward Burgess was of him walking serenely through the Midland airport, caught on film by the security cameras.) It was a yearbook page for the missing, and I simply put the paper aside. Once Robby and Sarah went upstairs Jayne and I traded thoughts on how to get out of the Allens’ dinner that night, but it was too late. It was easier to just suffer through it than to blow them off, so I planned my day accordingly until seven o’clock, at which time we’d leave.

I spent the rest of the morning putting the furniture in the living room back in its original position but realized while doing this that I liked how the furniture had been rearranged—and felt a weird pang of nostalgia as I pushed the couches and tables and chairs around. And the carpet—though still discolored—was spotless: the footprints stamped in ash were no longer evident, and even though the wide expanse of beige Berber bordering on green shag was bothersome, the room was no longer open to interpretation. I then went outside to the field and checked on the blackened wet patch; to my relief, it had almost dried up, and the hole was beginning to refill itself, and as I looked out over the acres of field leading out to the dark bank of woods, taking in deep breaths of the fresh autumn air, I briefly felt that maybe Jayne was right, that this was a meadow and not a place where the dead reside. Next I went upstairs to look at the scratches on Robby’s door, and when I knelt down and ran my hand over the grooves I’d seen on Halloween I could detect no change. Again: relief. I felt now as if the bad news Kimball had brought yesterday was being balanced out. The afternoon was long and quiet and uneventful. I watched football games, and Aimee Light still hadn’t called me back.

At six o’clock Jayne dressed me in a pair of black Paul Smith slacks and a gray Gucci turtleneck and Prada loafers—chic yet conservative and imminently presentable. While she took the next hour to pull herself together I went downstairs to greet Wendy, the girl who was going to watch over the kids tonight since Marta had Sundays off. Wendy was a not unattractive student from the college, whose parents Jayne knew and who also came highly recommended by all the mothers in the neighborhood. Jayne had initially resisted calling Wendy since we were only going next door for a few hours and could simply bring the kids with us, but Mitchell Allen mentioned something about Ashton’s ear infection and subtly vetoed our plan. And considering what Kimball had told me yesterday, I was grateful to have someone in the house to look after the kids. While waiting for Jayne I downloaded onto the computer the pictures she’d taken on Halloween: Robby and Ashton, both sullen and sweaty, already too old for the holiday; Sarah looking like a child prostitute. An image of the cream-colored 450 SL initially caught my interest, but it no longer seemed fixed with meaning—it was simply someone’s car and nothing more. I realized this after uselessly trying to enlarge the photo and locate the license plate, but it had been washed out in the glare of the street lamps and, as with everything else that Sunday, didn’t seem to matter much. I skipped any shots that I was in, but the photos that bothered me most weren’t the ones of me looking frightened and blitzed but those of Mitchell Allen and Jayne posing in front of the Larsons’ house on Bridge Street, Mitchell’s arm wrapped protectively around Jayne’s waist, his lips raised in a mock leer. That seemed far more worrisome than the small and innocent car I’d briefly become so afraid of on Halloween night and now no longer was.

I had actually gone to Camden with Mitchell Allen but barely knew him there, even though the school was a tiny and incestuous place. What had surprised me to discover was not so much that Mitchell Allen was now living next door to Jayne, but rather that he was married and had fathered two children: Ashton, who because of their close proximity was Robby’s default best friend, and Zoe, who was a year younger than Sarah. Given what little I knew about Mitchell at Camden I had assumed he was bisexual if not, in fact, totally gay. But back then, before AIDS hit, everyone was basically screwing everybody else during that brief, sexually freewheeling historical moment. After we graduated and the eighties passed, it was not unusual for the “lesbians” I’d known during that era to have married and become parents, and the same held true for many of the Camden men whose sexual identities remained hazy and blurred during their four years in New Hampshire. It was considered cool at Camden to be bisexual—or at least to be perceived as bisexual—and the student body not only was inordinately tolerant of its own sweeping pansexuality but actively encouraged it. Most guys shrugged off the occasional one-night stand with another male and some even wore it as a badge; Camden girls thought it was hot, and the Camden boys considered you mysterious and dangerous, so it opened doors and increased your desirability level and made you feel, within the context of everything, that you were more of an artist, which was really what