with effete aristocrats:
These proud men make a very big mistake. Their ancestors left them all they could—riches, portrait busts, and their own glorious memory.… They call me vulgar and unpolished, because I don’t know how to put on an elegant dinner and don’t have actors at my table or keep a cook who has cost me more than my farm bailiff. All this, fellow citizens, I am proud to admit. For I was taught by my father and other men of blameless life that, while elegant graces befit woman, a man’s duty is to labor.
The teenage Marius chose the only escape route from provincial isolation that was open to him, the army. His exceptional ability soon allowed him to shine. It is possible, too, that despite his poverty his social status was higher than he cared to admit and that he came from an equestrian family that had fallen on hard times; if so, that would have helped speed promotion.
He had a fierce temper. Plutarch once saw a statue of him at Ravenna and wrote: “It very well expresses the harshness and bitterness of character that are attributed to him.” Military life suited him. He refused to study Greek literature and never spoke Greek; he could not see the point of having anything to do with the culture of a subject people. Some critics regarded him as a hypocrite who would say anything to get his way and was not above employing blackmail; to their annoyance, Iago-like, he actually won a reputation for honest dealing.
What nobody could deny was Marius’s combination of fortitude and realism. Later in life, he suffered from varicose veins in both legs. Disliking their ugly appearance, he decided to undergo surgery to remove them. Anesthetic had not been discovered, but he refused to be tied down, as was the practice, to keep himself still. He endured the excruciating pain from the knife in silence and without moving. But when the surgeon proceeded to the other leg, Marius stopped him, saying, “I can see that the cure is not worth the pain.”
LUCIUS CORNELIUS SULLA could not have been more different in background and personality from a bright country lad with rough edges. Nearly twenty years Marius’s junior, he was born into a patrician family of little distinction and less money. His only ancestor of whom anything was known had been expelled from the Senate. He inherited so little from his father that he lived in a cheap ground-floor apartment in an unfashionable part of town.
Sulla loved literature and the arts, and before he had any money he spent most of his time with actors and actresses. He liked a good time and enjoyed drinking and joking with the most indiscreet theater people; once seated at a dinner table, he categorically refused to discuss any serious topic, although when on business he was severe and unyielding.
The young nobleman seems to have got on well with older women; his stepmother loved him as if he were her own son and left him her estate. He fell in love with a wealthy courtesan, a certain Nicopolis, and his charm and youthful grace eventually led her to return his feelings; on her death, he inherited again. In this way, he became moderately well-off. However, Sulla was bisexual and the true love of his life was Metrobius, a celebrated tragic actor who specialized in women’s roles, of whom he remained passionately fond until his dying day.
Sulla’s most remarkable feature was his appearance. He had gray eyes and a sharp and powerful gaze. His face was covered with an ugly birthmark—coarse blotches of red interspersed with white. An Athenian wit wrote a famous verse about him:
Sulla is a mulberry sprinkled with barley meal.
Marius and Sulla came to represent two emerging groups in Roman public life. On the one hand, the
These groups were not disciplined political parties with agreed programs, as in today’s parliamentary democracies. Rather, they were fluctuating factions. Their methods varied; a
THE PATHS OF Marius, the unpolished commoner, and Sulla, the hard-up sensualist, crossed for the first time in northern Africa. They were fighting Jugurtha, a very able but unscrupulous grandson of the old Numidian king Masinissa, who had helped the Romans defeat Hannibal at the Battle of Zama nearly a century earlier. As a young man, he had served in Spain under Scipio Aemilianus, and won golden praises. He was ambitious and very free with his money. Scipio gave him some avuncular advice. In a private meeting, he told Jugurtha to cultivate Rome’s friendship, not that of individual Romans, and to suppress his habit of offering bribes. The prince paid absolutely no attention to these wise words.
When the current king of Numidia died, he bequeathed his realm to his two sons and to Jugurtha, his nephew. A similar tripartite division had worked well enough on Masinissa’s death, probably because it had been guaranteed by the Romans. But Jugurtha did not want to share power. He had one brother assassinated and the other, Adherbal, fled to Rome. The Senate misguidedly decided that Numidia should be bisected between the two surviving rivals. Jugurtha refused to accept the settlement and besieged Adherbal in his capital. A resident community of Italian merchants persuaded the beleaguered king to give himself up on condition that his life be spared.
Jugurtha accepted the terms, but as soon as he had his cousin in his possession he put him to death—and many of the Italian merchants were massacred, too, for good measure. This was an irreparable mistake. Rome never forgave the murder of its citizens. War was declared and the Senate dispatched an army to Africa. However, Jugurtha soon agreed to surrender to a Roman general on condition that he keep his throne.
This was a completely unexpected outcome, and it was widely supposed that Jugurtha had bribed every Roman official with whom he had come into contact. The Senate set up a board of inquiry and Jugurtha was invited to Rome under a safe-conduct to reveal the identity of all those he had suborned. Incorrigible as ever, he bribed a tribune to prevent him from announcing any names. He was also responsible for the assassination of a cousin, who was living in Rome and had been invited by one of the consuls to claim the Numidian throne for himself. By now it was obvious that Jugurtha was a man with whom it was impossible to do business. He was sent back to Africa, and the fighting resumed.
An incompetent Roman army was soundly beaten by the Numidians and forced to march under a yoke of spears, as in the bad old days of the Samnite Wars. It was obliged to evacuate Numidia. At long last in 109, the Senate was persuaded to treat Jugurtha seriously and a competent and incorruptible general was sent out to rescue the war.
He was Quintus Caecilius Metellus, a member of a leading senatorial family. Marius was among Metellus’s clients and served as his
Metellus was winning the campaign, but slowly. Jugurtha had not been captured. Marius began to agitate that the war was being spun out unnecessarily. He was popular with the army rank and file and with Roman traders, not to mention voters at home. He asked Metellus for permission to return to Rome so that he could run for the consulship and take over the command. Being the aristocrat that he was, an irritated Metellus could not resist cracking a joke at his deputy’s expense. “So you are going to abandon us, are you, my dear fellow?” he asked. “Wouldn’t it be a better idea to delay your campaign until you can stand at the same time as this boy of mine?” Metellus’s son was only twenty.
