Ou l’escadron leger des Numides s’abreuve. Partout sonne l’appel clair des buccinateurs. Car malgre Scipion, les augures menteurs, La Trebbia debordee, et qu’il vente et qu’il pleuve, Sempronius Consul, fier de sa gloire neuve, A fait lever la hache et marcher les licteurs. Rougissant le ciel noir de flamboiments lugubres, A l’horizon brulaient les villages Insubres; On entendait au loin barrir un elephant. Et la-bas, sous le pont, adosse contre une arche, Hannibal ecoutait, pensif et triomphant, Le pietinement sourd des legions en marche.

J-M H

ACKNOWLEDGMENTS

My faithful twin props in England have been my agent, Christopher Sinclair-Stevenson, and the London Library. My exemplary editor on the far side of the Atlantic, Will Murphy, ably supported by assistant editor Katie Donelan, has tolerated broken deadlines and been a fountain of wise advice. As with my previous books, Professor Robert Cape of Austin College, Texas, has kindly read a draft and offered valuable comments and suggestions.

I am indebted to the dentist Shahin Nozohoor for advice on the state of Pyrrhus’s teeth.

I am grateful to Penguin Books for permission to quote extensively from its translations of Livy and Polybius.

SOURCES

The main evidence for our knowledge of the history of the Roman Republic is books, mostly written from the first century B.C. to the period of the high empire in the third century A.D. Monkish summarizers and authors of miscellanies of various kinds stretch into the Byzantine era. Most offer narrative accounts, but those which address Rome’s beginnings do not succeed in distinguishing fact from legend and, where there are gaps in the records, tend to fill them in with what was thought to be appropriate rather than with what actually happened. Events from the Republic’s declining years are allowed to reshape early stories. Sometimes an incident that took place in one era is copied and inserted into a previous one.

Livy (59 B.C.–A.D. 17), a northern Italian and an almost exact contemporary of the emperor Augustus, wrote a vast history from Rome’s foundation to his own day. When complete, it comprised 142 “books” (that is, long chapters). However, much ancient literature failed to survive the fall of empire and the judgments of Christian monks. Today, we have only thirty-five of Livy’s books. He was a literary artist of a high order, and some of his set pieces are gripping to read, but he added moral color and drama to his canvas; this needs to be cleaned off before the bare essentials of a partial truth can be discerned.

By contrast, the Greek Polybius (about 200–118), who spent much of his life as an exile in Rome, where he mixed in leading circles, wrote of the (for him) recent past. He investigated the period between 264 and 146, when Rome emerged as a leading Mediterranean power. No great stylist, he was a stickler for accuracy. He spoke to survivors of the events he described, examined documents (for example, treaties), paid attention to geography (often visiting sites in person) and was present at some occasions himself. “The mere statement of a fact may interest us,” he remarked. “But it is when the reason is added that the study of history becomes fruitful.” His general attitude resembles that of Thucydides, the historian of the Peloponnesian War in the fifth century. Of the original forty volumes of his History, only the first five are extant in their entirety; much of the work has come down to us in collections of excerpts that were kept in libraries in Byzantium.

Another talented Greek was Plutarch, whose life straddled the turn of the first century A.D. He had the off- the-wall idea of writing “parallel” lives of famous Greeks and Romans—for example, Alexander the Great and Julius Caesar. These comparisons threw little new light on Plutarch’s subjects, but each biography is a fascinating stand- alone text. The author profitably plundered every source he could lay his hands on, although he did not always sufficiently assess their reliability. He made no claim to be a historian and was, rather, a moralist who explored the impact of character on men’s destinies. He had a sharp eye for the telling anecdote. Plutarch was also a copious essayist, and his works bring together a wide range of useful information on the Greek and Roman world.

Toward the end of the first century, a Greek, Diodorus Siculus, published a “universal” history, although in fact it concentrates on Greece and his homeland of Sicily, and later Rome. Fifteen of a total of forty books survive, and others in fragments. He is a rather careless writer and is only as trustworthy as his often unnamed sources, which he tends to follow closely.

Cassius Dio (about 164 to after 229) was a Greek who became a Roman senator and consul. He wrote an eighty-book history of Rome from its foundation to A.D. 229. Ten books on the Punic Wars are lost. The part dealing with the period from 69 B.C. to A.D. 46 survives, although with gaps after A.D. 6. The rest has come down in fragments and summaries. He is stolid, usually sound but unexciting.

In the shadows, behind the writers we have are those numerous historians on whom they depended, but whose work has disappeared. One of these was the first Roman to compose a history of the city, a Roman senator named Quintus Fabius Pictor, who lived in the second half of the third century. He wrote in Greek, partly because he wanted to apply Greek principles of historiography to Rome and partly to acquaint the Hellenic world with this newly emergent state.

Quintus Ennius (230–169) wrote an epic, Annales (Annals), which tells the story of the Roman People from the fall of Troy and the wanderings of Aeneas down to his own times; only tantalizing fragments remain. His friend Marcus Porcius Cato, the Censor, did much the same with his Origines, also lost; his originality was to write in Latin prose.

A number of important, but lost, Greek historians took notice of Rome, among them Hieronymus of Cardia and Timaeus of Tauromenium (a Sicilian whose alleged distortions aroused the ire of Polybius).

But where did the first Roman historians find the information they needed to fill their narratives? Family tradition was a useful source: the great aristocratic houses preserved details of their ancestors, of the offices they held and of the triumphs they celebrated. However, caution was needed, for the spirit of emulation often led to exaggerated claims.

Then there must have been oral traditions, which may have expressed themselves as dramas performed during the ludi: for instance, the story of the overthrow of the first Tarquin reads like a theatrical farce. (We know that in the late Republic, plays that dealt with Roman themes were regularly presented—for example, about Romulus, the overthrow of the kings, and the Battle of Sentinum during the Samnite Wars.)

Officials of the Republic kept archives. The pontifex maximus was responsible for the annales maximi, annual accounts of important events and the names of officeholders. Other institutions may also have kept records, and the plebs had their own files in the Temple of Ceres on the

Вы читаете The Rise of Rome
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату