“But she didn’t say anything and they finished eating and she paid him, a nickel and a dime at a time out of a tied up rag that she took out of the umbrella, with Uncle Doc setting there and waiting with that dazed look on his face like he was walking in his sleep. Then they left, and the cafe man thought they were going to take his advice and go to town and get that car when he looked out and saw them going on across the switch tracks, toward the depot. Once he started to call, but he didn’t. ‘I reckon I misunderstood her,’ he says he thought. ‘Maybe it’s the nine o’clock southbound they want.’
“They were sitting on the bench in the waiting room when the folks, the drummers and loafers and such, begun to come in and buy tickets for the southbound. The agent said how he noticed there was some folks in the waitingroom when he come in after supper at half past seven, but that he never noticed particular until she come to the ticket window and asked what time the train left for Jefferson. He said he was busy at the time and that he just glanced up and says, ‘Tomorrow,’ without stopping what he was doing. Then he said that after a while something made him look up, and there was that round face watching him and that plume still in the window, and she says,
“ ‘I want two tickets on it.’
“ ‘That train is not due until two o’clock in the morning,’ the agent says. He didn’t recognise her either. ‘If you want to get to Jefferson anytime soon, you’d better go to town and hire a car. Do you know which way town is?’ But he said she just stood there, counting nickels and dimes out of that knotted rag, and he came and gave her the two tickets and then he looked past her through the window and saw Uncle Doc and he knew who she was. And he said how they sat there and the folks for the southbound come in and the train come and left and they still set there. He said how Uncle Doc still looked like he was asleep, or doped or something. And then the train went, but some of the folks didn’t go back to town. They stayed there, looking in the window, and now and then they would come in and look at Uncle Doc and his wife setting on the bench, until the agent turned off the lights in the waitingroom.
“Some of the folks stayed, even after that. They could look in the window and see them setting there in the dark. Maybe they could see the plume, and the white of Uncle Doc’s head. And then Uncle Doc begun to wake up. It wasn’t like he was surprised to find where he was, nor that he was where he didn’t want to be. He just roused up, like he had been coasting for a long time now, and now was the time to put on the power again. They could hear her saying ‘Shhhhhhh. Shhhhhhhhh,’ to him, and then his voice would break out. They were still setting there when the agent turned on the lights and told them that the two o’clock train was coming, with her saying ‘Shhhhhhh. Shhhhhhhhhhh’ like to a baby, and Uncle Doc hollering, ‘Bitchery and abomination! Abomination and bitchery!’ ”
Chapter 16
WHEN his knock gets no response, Byron leaves the porch and goes around the house and enters the small, enclosed back yard. He sees the chair at once beneath the mulberry tree. It is a canvas deck chair, mended and faded and sagged so long to the shape of Hightower’s body that even when empty it seems to hold still in ghostly embrace the owner’s obese shapelessness; approaching, Byron thinks how the mute chair evocative of disuse and supineness and shabby remoteness from the world, is somehow the symbol and the being too of the man himself. That I am going to disturb again,’ he thinks, with that faint lift of lip, thinking
He comes up behind the chair and looks down into it. Hightower is asleep. Upon the swell of his paunch, where the white shirt (it is a clean and fresh one now) balloons out of the worn black trousers, an open book lies face down. Upon the book Hightower’s hands are folded, peaceful, benignant, almost pontifical. The shirt is made after an old fashion, with a pleated though carelessly ironed bosom, and he wears no collar. His mouth is open, the loose and flabby flesh sagging away from the round orifice in which the stained lower teeth show, and from the still fine nose which alone age, the defeat of sheer years, has not changed. Looking down at the unconscious face, it seems to Byron as though the whole man were fleeing away from the nose which holds invincibly to something yet of pride and courage above the sluttishness of vanquishment like a forgotten flag above a ruined fortress. Again light, the reflection of sky beyond the mulberry leaves, glints and glares upon the spectacle lenses, so that Byron cannot tell just when Hightower’s eyes open. He sees only the mouth shut, and a movement of the folded hands as Hightower sits up. “Yes,” he says; “yes? Who is— Oh, Byron.”
Byron looks down at him, his face quite grave. But it is not compassionate now. It is not anything: it is just quite sober and quite determined. He says, without any inflection at all: “They caught him yesterday. I don’t reckon you have heard that any more than you heard about the killing.”
“Caught him?”
“Christmas. In Mottstown. He came to town, and near as I can learn, he stood around on the street until somebody recognised him.”
“Caught him.” Hightower is sitting up in the chair now. “And you have come to tell me that he is—that they have ...”
“No. Ain’t anybody done anything to him yet. He ain’t dead yet. He’s in the jail. He’s all right.”
“All right. You say that he is all right. Byron says that he is all right—Byron Bunch has helped the woman’s paramour sell his friend for a thousand dollars, and Byron says that it is all right. Has kept the woman hidden from the father of her child, while that—Shall I say, other paramour, Byron? Shall I say that? Shall I refrain from the truth because Byron Bunch hides it?”
“If public talking makes truth, then I reckon that is truth. Especially when they find out that I have got both of them locked up in jail.”
“Both of them?’
“Brown too. Though I reckon most folks have about decided that Brown wasn’t anymore capable of doing that killing or helping in it than he was in catching the man that did do it or helping in that. But they can all say that Byron Bunch has now got him locked up safe in jail.”
“Ah, yes.” Hightower’s voice shakes a little, high and thin. “Byron Bunch, the guardian of public weal and morality. The gainer, the inheritor of rewards, since it will now descend upon the morganatic wife of— Shall I say that too? Shall I read Byron there too?” Then he begins to cry, sitting huge and lax in the sagging chair. “I don’t mean that. You know I don’t. But it is not right to bother me, to worry me, when I have—when I have taught myself to stay—have been taught by them to stay— That this should come to me, taking me after I am old, and reconciled to what they deemed—” Once before Byron saw him sit while sweat ran down his face like tears; now he sees the tears themselves run down the flabby cheeks like sweat.
