“I’ll know whether or not I have any backbone when you tell me what the other way is.”
“Go back to Belle,” Miss Jenny said. “Go back home.”
The negro murderer was to be hung on a Saturday without pomp, buried without circumstance: one night he would be singing at the barred window and yelling down out of the soft myriad darkness of a May night; the next night he would be gone, leaving the window for Goodwin. Goodwin had been bound over for the June term of court, without bail. But still he would not agree to let Horace divulge Popeye’s presence at the scene of the murder.
“I tell you, they’ve got nothing on me,” Goodwin said.
“How do you know they haven’t?” Horace said.
“Well, no matter what they think they have on me, I stand a chance in court. But just let it get to Memphis that I said he was anywhere around there, what chance do you think I’d have to get back to this cell after I testified?”
“You’ve got the law, justice, civilization.”
“Sure, if I spend the rest of my life squatting in that corner yonder. Come here.” He led Horace to the window. “There are five windows in that hotel yonder that look into this one. And I’ve seen him light matches with a pistol at twenty feet. Why, damn it all, I’d never get back here from the courtroom the day I testified that.”
“But there’s such a thing as obstruct—”
“Obstructing damnation. Let them prove I did it. Tommy was found in the barn, shot from behind. Let them find the pistol. I was there, waiting. I didn’t try to run. I could have, but I didn’t. It was me notified the sheriff. Of course my being there alone except for her and Pap looked bad. If it was a stall, dont common sense tell you I’d have invented a better one?”
“You’re not being tried by common sense,” Horace said. “You’re being tried by a jury.”
“Then let them make the best of it. That’s all they’ll get. The dead man is in the barn, hadn’t been touched; me and my wife and child and Pap in the house; nothing in the house touched; me the one that sent for the sheriff. No, no; I know I run a chance this way, but let me just open my head about that fellow, and there’s no chance to it. I know what I’ll get.”
“But you heard the shot,” Horace said. “You have already told that.”
“No,” he said, “I didn’t. I didn’t hear anything. I dont know anything about it.……Do you mind waiting outside a minute while I talk to Ruby?”
It was five minutes before she joined him. He said:
“There’s something about this that I dont know yet; that you and Lee haven’t told me. Something he just warned you not to tell me. Isn’t there?” She walked beside him, carrying the child. It was still whimpering now and then, tossing its thin body in sudden jerks. She tried to soothe it, crooning to it, rocking it in her arms. “Maybe you carry it too much,” Horace said; “maybe if you could leave it at the hotel.…”
“I guess Lee knows what to do,” she said.
“But the lawyer should know all the facts, everything. He is the one to decide what to tell and what not to tell. Else, why have one? That’s like paying a dentist to fix your teeth and then refusing to let him look into your mouth, dont you see? You wouldn’t treat a dentist or a doctor this way.” She said nothing, her head bent over the child. It wailed.
“Hush,” she said, “hush, now.”
“And worse than that, there’s such a thing called obstructing justice. Suppose he swears there was nobody else there, suppose he is about to be cleared—which is not likely—and somebody turns up who saw Popeye about the place, or saw his car leaving. Then they’ll say, if Lee didn’t tell the truth about an unimportant thing, why should we believe him when his neck’s in danger?”
They reached the hotel. He opened the door for her. She did not look at him. “I guess Lee knows best,” she said, going in. The child wailed, a thin, whimpering, distressful cry. “Hush,” she said. “Shhhhhhhhhhhh.”
Isom had been to fetch Narcissa from a party; it was late when the car stopped at the corner and picked him up. A few of the lights were beginning to come on, and men were already drifting back toward the square after supper, but it was still too early for the negro murderer to begin to sing. “And he’d better sing fast, too,” Horace said. “He’s only got two days more.” But he was not there yet. The jail faced west; a last faint copper-colored light lay upon the dingy grating and upon the small, pale blob of a hand, and in scarce any wind a blue wisp of tobacco floated out and dissolved raggedly away. “If it wasn’t bad enough to have her husband there, without that poor brute counting his remaining breaths at the top of his voice.……”
“Maybe they’ll wait and hang them both together,” Narcissa said. “They do that sometimes, dont they?”
That night Horace built a small fire in the grate. It was not cool. He was using only one room now, taking his meals at the hotel; the rest of the house was locked again. He tried to read, then he gave up and undressed and went to bed, watching the fire die in the grate. He heard the town clock strike twelve. “When this is over, I think I’ll go to Europe,” he said. “I need a change. Either I, or Mississippi, one.”
Maybe a few of them would still be gathered along the fence, since this would be his last night; the thick, small-headed shape of him would be clinging to the bars, gorillalike, singing, while upon his shadow, upon the checkered orifice of the window, the ragged grief of the heaven tree would pulse and change, the last bloom fallen now in viscid smears upon the sidewalk. Horace turned again in the bed. “They ought to clean that damn mess off the sidewalk,” he said. “Damn. Damn. Damn.”
He was sleeping late the next morning; he had seen daylight. He was wakened by someone knocking at the door. It was half-past six. He went to the door. The negro porter of the hotel stood there.
“What?” Horace said. “Is it Mrs Goodwin?”
“She say for you to come when you up,” the negro said.
