and brittle.

How the hell did I end up here?

Hours later, Isabel has not changed out of her clothes and is lying on her back, wide awake, her purse still on her shoulder so that if tipped upright, she could walk straight out. Through the cinder-block walls, Isabel hears something slamming into the wall and strains to identify the sound.

Slam!

After five more minutes trying to block it out, Isabel sits up. With her heart beating rapidly, she inches off the bed, which is several inches higher than a normal one, so, upon sliding off, she is startled when it takes her feet longer to find the floor. After waiting a few seconds she swallows hard and takes a few steps to the doorway, following the crack of light beaming from its edges. The hallway is deserted. She waits while her eyes adjust to the bright overhead lights. The sharp sounds next door echo her panic and amplify her fear.

She moves silently toward the sound, her body pressed up against the painted concrete wall like a cat burglar. Again she swallows hard. Her heartbeat is now pulsing in her ears. She jumps when she hears something crash to the floor several feet away from her around the corner.

Maybe I should go back to my room. This is stupid. I’m going back to my room.

After several seconds of silence, Isabel peeks around the corner and in through the doorway of the adjacent room.

Inside, the dark-haired sport-spout woman is a blur of activity ripping apart her room. Drawers are pulled out, sheets untucked, closet emptied. Every twenty seconds or so the woman kicks the wall.

Just as Isabel is about to turn and creep back to her room the woman whips around and sees her.

“Are you spying on me?” she asks, her eyes darting from side to side. “What do you want?”

“Huh?” Caught off guard, Isabel panics. “Um, want help or something?”

Goddammit, why did I just offer to help? I don’t want to help her…she’s crazy.

The woman has already turned away and is dumping the contents of her purse onto the floor in the middle of her bright room. “My name’s Melanie,” she says breathlessly.

Isabel backs up and looks up and down the hallway.

Shouldn’t an orderly be in here calming her down? Doesn’t anyone else hear all this noise she’s making? Hel-lo? Nurse Ratched? Anyone?

“Hey?” Melanie shouts. “You helping me or what?”

“Uh, okay.” Isabel cautiously kneels down just inside the doorway and, not knowing where else to begin, delicately picks up Melanie’s lipstick.

Get me out of here….

“What’re you looking for, anyway?”

Melanie breaks into a sob. Her hair is angrily pulled away from her face with a simple barrette. Her pajamas are splashed with primary colors, exaggerating the sense of chaos. Melanie must have been told she’s arty and eccentric and then capitalized on the compliment.

“My beaded bracelet,” Melanie answers in an annoyed tone that suggests Isabel should have known the object of the search. “I made it in art the other day and now I can’t find it.” More sobbing.

Isabel looks up to see someone else joining in the hunt.

“Hi. I’m Kristen.” The woman cheerfully introduces herself to Isabel as though she’s in a sorority meeting. “What’s up, Mel? Want help?”

Isabel is still holding the lipstick. “Okay, well…I’m going to go now,” she says to no one in particular.

The night nurse comes barreling through the door with her flashlight even though the lights in the room are on. Her nameplate reads “Connie.”

She is the nurse who just hours before talked Isabel into staying at Three Breezes for at least one day. Isabel takes a closer look at her. Connie’s face is wizened from years of sunbathing. Her voice is raspy from years of smoking.

Finally! Somebody cart this woman off to solitary confinement.

Instead, Connie casually plops down on the floor and helps look for the bracelet. Melanie starts shaking. Her whole head vibrates and she starts hyperventilating. No one can calm her down. She’s talking so fast even she is tripping over the words and thoughts pouring out of her mouth.

“She’s only two months old. Elwin is never gonna deal with me,” Melanie chokes in between breaths, “he’s put up with so much. I have the baby. I get the postpartum thing and stop taking my meds and now he’s taking care of her all by himself. Of course he’s got his parents. They love this. They love the fact that they were right about me. I’m not good enough for their son. I hope he remembered to get the lamb-and-rice dog food. Coco hates the beef flavor. When I was little I used to love running through sprinklers. Wasn’t that fun?”

This is unreal. If I saw this in a movie I’d think it was heavy-handed.

Connie pulls Melanie up and takes her over to the nurses’ station to give her a sedative. Kristen and Isabel remain on the floor, Kristen still searching for Melanie’s bracelet, Isabel listening to Melanie’s disturbing chatter echo from down the hall.

Isabel steals a glance at Kristen’s right arm, bandaged because, as Isabel will later find out, her obsessive- compulsive disorder leaves her clawing at her skin until it starts to bleed. Perhaps sensing Isabel’s stare her hand flutters to this spot and quickly withdraws. There is an awkward silence between them.

Isabel looks back down at the floor.

How do I extricate myself from this one?

Melanie returns just as Kristen spots a cigar box and opens it. Voila! Among some pictures and letters is the bracelet. Melanie grabs it and shrieks with happiness.

“Good night, everyone,” she says as she crawls into bed, the shot Connie gave her a few minutes ago taking hold of her tiny, troubled frame. “Thanks for helping.”

When no one moves she adds, “That’s all I have to say.”

Kristen and Isabel file out and head back to their respective rooms. The bed crinkles as Isabel climbs up into it: instead of soft mattress covers there are thick sheets of plastic under the paper-thin sheets in the unlikely event someone becomes incontinent on top of everything else.

Every fifteen minutes the door opens and a flashlight shines in Isabel’s face. Directly into her face. So even if she manages to fall into a light sleep the beam wakes her up just enough to toss and turn all night. Isabel is on suicide watch. The flashlight checks are a status symbol. Everybody seems to know who’s got checks every fifteen minutes and who has the more desirable thirty-minute variety. Isabel wouldn’t have known this except that Kristen asked her point-blank about her checks while they were on Melanie’s bizarre scavenger hunt. When Isabel told Kristen that the nurse checked on her every fifteen minutes Kristen looked relieved. Kristen had been at Three Breezes for some time now, but she was still, apparently, a “fifteener.”

Four

The ant is neatly marching along the mortar line on the cement block wall alongside her bed. To Isabel, it appears he is as frantic as she is to leave the hospital. She tugs once more at the lower lip of the window but it will not budge. Windows are nailed shut at Three Breezes. So instead of freeing the insect, Isabel, with miserable resignation, watches it make its way down the wall.

Isabel avoided anthills. In the spring-and summertime, when nature was busy reinventing itself, those telltale signs of ant industry—miniscule pyramids of dirt—multiplied in cracks of buckled pavement, between bricks and along fence posts, and Isabel always stepped around them. She had ever since she was a small girl growing up in Connecticut.

Her brothers, on the other hand, went out of their way to step directly on them.

“Don’t!” she yelled at Owen, who was twisting his foot on top of the fourth of twelve anthills along their short front walk. Isabel ran over and pushed her seven-year-old brother away. Too late. Isabel imagined hundreds of suffocating ants under the cement gasping for air.

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