didn’t see her. He was still studying his palms. “I can remember Stan doing his own hands last, pretending he was going to slash his wrists instead of just cut his palms a little. I guess it was just some goof, but I almost made a move on him… to stop him. Because for a second or two there he looked serious.”
“Bill, don’t,” she said in a low voice. This time she had to steady the lighter in her right hand by grasping its wrist in her left, like a policeman holding a gun on a shooting range. “scars can’t come back. They either are or aren’t.”
“You saw them before, huh? Is that what you’re telling me?”
“They’re very faint,” Audra said, more sharply than she had intended,
“We were all bleeding,” he said. “We were standing in the water not far from where Eddie Kaspbrak and Ben Hanscom and I built the dam that time-”
“You don’t mean the architect, do you?”
“Is there one by that name?”
“God, Bill, he built the new BBC communications center! They’re still arguing whether it’s a dream or an abortion!”
“Well, I don’t know if it’s the same guy or not. It doesn’t seem likely, but I guess it could be. The Ben I knew was great at building stuff. We all stood there, and I was holding Bev Marsh’s left hand in my right and Richie Tozier’s right hand in my left. We stood out there in the water like something out of a Southern baptism after a tent meeting, and I remember I could see the Derry Standpipe on the horizon. It looked as white as you imagine the robes of the archangels must be, and we promised, we swore, that if it wasn’t over, that if it ever started to happen again… we’d go back. And we’d do it again. And stop it. Forever.”
“Stop what? she cried, suddenly furious with him. “stop what’? What the fuck are you talking about?”
“I wish you wouldn’t a-a-ask-” Bill began, and then stopped. She saw an expression of bemused horror spread over his face like a stain. “Give me a cigarette.”
She passed him the pack. He lit one. She had never seen him smoke a cigarette.
“I used to stutter, too.”
“You stuttered?”
“Yes. Back then. You said I was the only man in LA you ever knew who dared to speak slowly. The truth is, I didn’t dare talk fast. It wasn’t reflection. It wasn’t deliberation. It wasn’t wisdom. All reformed stutterers speak very slowly. It’s one of the tricks you learn, like thinking of your middle name just before you introduce yourself, because stutterers have more trouble with nouns than with any other words, and the one word in all the world that gives them the most trouble is their own first name.”
“Stuttered.” She smiled a small smile, as if he had told a joke and she had missed the point.
“Until Georgie died, I stuttered moderately,” Bill said, and already he had begun to hear words double in his mind, as if they were infinitesimally separated in time; the words came out smoothly, in his ordinary slow and cadenced way, but in his mind he heard words like Georgie and moderately overlap, becoming Juh-Juh-Georgie and m-moderately. “I mean, I had some really bad moments- usually when I was called on in class, and especially if I really knew the answer and wanted to give it-but mostly I got by. After George died, it got a lot worse. Then, around the age of fourteen or fifteen, things started to get better again. I went to Chevrus High in Portland, and there was a speech therapist there, Mrs Thomas, who was really great. She taught me some good tricks. Like thinking of my middle name just before I said “Hi, I’m Bill Denbrough” out loud. I was taking French 1 and she taught me to switch to French if I got badly stuck on a word. So if you’re standing there feeling like the world’s grandest asshole, saying “th-th-this buh-buh-buh-buh” over and over like a broken record, you switched over to French and “ce livre” would come flowing off your tongue. Worked every time. And as soon as you said it in French you could come back to English and say “this book” with no problem at all. If you got stuck on an s-word like ship or skate or slum, you could lisp it: thip, thkate, thlum. No stutter.
“All of that helped, but mostly it was just forgetting Derry and everything that happened there. Because that’s when the forgetting happened. When we were living in Portland and I was going to Chevrus. I didn’t forget everything at once, but looking back now I’d have to say it happened over a remarkably short period of time. Maybe no more than four months. My stutter and my memories faded out together. Someone washed the blackboard and all the old equations went away.”
He drank what was left of his juice. “When I stuttered on “ask” a few seconds ago, that was the first time in maybe twenty-one years.”
He looked at her.
“First the scars, then the stuh-hutter. Do you h-hear it?”
“You’re doing that on purpose!” she said, badly frightened.
“No. I guess there’s no way to convince a person of that, but it’s true. Stuttering’s funny, Audra. Spooky. On one level you’re not even aware it’s happening. But… it’s also something you can hear in your mind. It’s like part of your head is working an instant ahead of the rest. Or one of those reverb systems kids used to put in their jalopies back in the fifties, when the sound in the rear speaker would come just a split second a-after the sound in the front s-speaker.”
He got up and walked restlessly around the room. He looked tired, and she thought with some unease of how hard he had worked over the last thirteen years or so, as if it might be possible to justify the moderateness of his talent by working furiously, almost non-stop. She found herself having a very uneasy thought and tried to push it away, but it wouldn’t go. Suppose Bill’s call had really been from Ralph Foster, inviting him down to the Plow and Barrow for an hour of arm-wrestling or backgammon, or maybe from Freddie Firestone, the producer of Attic Room, on some problem or other? Perhaps even a “wrong-ring,” as the veddy British doctor’s wife down the lane put it?
What did such thoughts lead to?
Why, to the idea that all this Derry-Mike Hanlon business was nothing but a hallucination. A hallucination brought on by an incipient nervous breakdown.
But the scars, Audra-how do you explain the scars? He’s right. They weren’t there… and now they are. That’s the truth, and you know it.
“Tell me the rest,” she said. “Who killed your brother George? What did you and these other children do? What did you promise?”
He went to her, knelt before her like an oldfashioned suitor about to propose marriage, and took her hands.
“I think I could tell you,” he said softly. “I think that if I really wanted to, I could. Most of it I don’t remember even now, but once I started talking it would come. I can sense those memories… waiting to be born. They’re like clouds filled with rain. Only this rain would be very dirty. The plants that grew after a rain like that would be monsters. Maybe I can face that with the others-”
“Do they know?”
“Mike said he called them all. He thinks they’ll all come… except maybe for Stan. He said Stan sounded strange.”
“It all sounds strange to me. You’re frightening me very badly, Bill.”
“I’m sorry,” he said, and kissed her. It was like getting a kiss from an utter stranger. She found herself hating this man Mike Hanlon. “I thought I ought to explain as much as I could; I thought that would be better than just creeping off into the night. I suppose some of them may do just that. But I have to go. And I think Stan will be there, no matter how strange he sounded. Or maybe that’s just because I can’t imagine not going myself.”
“Because of your brother?”
Bill shook his head slowly. “I could tell you that, but it would be a lie. I loved him. I know how strange that must sound after telling you I haven’t thought of him in twenty years or so, but I loved the hell out of that kid.” He smiled a little. “He was a spasmoid, but I loved him. You know?”
Audra, who had a younger sister, nodded. “I know.”
“But it isn’t George. I can’t explain what it is. I…”
He looked out the window at the morning fog.
“I feel like a bird must feel when fall comes and it knows… somehow it just knows it has to fly home. It’s instinct, babe… and I guess I believe instinct’s the iron skeleton under all our ideas of free will. Unless you’re willing to take the pipe or eat the gun or take a long walk off a short dock, you can’t say no to some things. You can’t refuse to pick up your option because there is no option. You can’t stop it from happening any more than you could stand at home plate with a bat in your hand and let a fastball hit you. I have to go. That promise… it’s in my mind like a fuh-fishhook.”
She stood up and walked herself carefully to him; she felt very fragile, as if she might break. She put a hand on his shoulder and turned him to her.
“Take me with you, then.”
The expression of horror that dawned on his face then-not horror of her but for her-was so naked that she stepped back, really afraid for the first time.
“No,” he said. “don’t think of that, Audra. Don’t you ever think of that. You’re not going within three thousand miles of Derry. I think Derry’s going to be a very bad place to be during the next couple of weeks. You’re going to stay here and carry on and make all the excuses for me you have to. Now promise me that!”
“Should I promise?” she asked, her eyes never leaving his. “should I, Bill?”
“Audra-”
“Should I? You made a promise, and look what it’s got you into. And me as well, since I’m your wife and I love you.”
His big hands tightened painfully on her shoulders. “Promise me! Promise! P-Puh-Puh-Pruh-huh-”
And she could not stand that, that broken word caught in his mouth like a gaffed and wriggling fish.
“I promise, okay? I promise!” She burst into tears. “Are you happy now? Jesus! You’re crazy, the whole thing is crazy, but I promise!”
He put an arm around her and led her to the couch. Brought her a brandy. She sipped at it, getting herself under control a little at a time.
“When do you go, then?”
“Today,” he said. “Concorde. I can just make it if I drive to Heathrow instead of taking the train. Freddie wanted me on-set after ranch. You go on ahead at nine, and you don’t know anything, you see?”
She nodded reluctantly.
“I’ll be in New York before anything shows up funny. And in Derry before sundown, with the right c-c-connections.”
“And when do I see you again?” she asked softly.
He put an arm around her and held her tightly, but he never answered her question.
DERRY: THE FIRST INTERLUDE
“How many human eyes… had snatched glimpses of their secret anatomies, down the passage of years?”
The segment below and all other Interlude segments are drawn from “derry: An Unauthorized Town History,” by Michael Hanlon. This is an unpublished set of notes and accompanying fragments of manuscript (which read almost like diary entries) found in the Derry Public Library vault. The title given is the one written on the cover of the looseleaf binder in which these notes were kept prior to their appearance here. The author, however, refers to the work several times within his own notes as “derry: A Look Through Hell’s Back Door.”
One supposes the thought of popular publication had done more than cross Mr Hanlon’s mind.