Inspector Lebrun and the First Paris Prefecture of Police.

Fifteen minutes later they were still in traffic. By now McVey knew enough of Paris to realize his driver wasn’t taking the express route to the airport. He was right. In five minutes, they pulled into the garage at police headquarters.

At 8:45, still wearing the same rumpled gray suit that was unfortunately becoming his trademark, McVey sat across from Lebrun’s desk studying an eight-by-ten photograph of a fingerprint. The print was a full finger, clear image enhancement, made from a smudge on the piece of broken glass the homicide tech crew had found in Jean Packard’s apartment. The glass had been sent to the fingerprint lab at Interpol, Lyon, where a computer expert refined the smudge until it became a fully identifiable print. The print had then been scanned, enlarged, photographed and returned to Lebrun in Paris.

“You know Doctor Hugo Klass?” Lebrun said, lighting a cigarette and looking back at his empty computer screen.

“German fingerprint expert,” McVey said, putting the photo back into a file folder and closing it. “Why?”

“You were going to ask about the accuracy of the enhancement, correct?”

McVey nodded.

“Klass now operates out of Interpol headquarters. He worked with the computer artist on the original smudge until they had a legible ridge pattern. After that Rudolf Halder at Interpol, Vienna, did a confirmation test with a new kind of forensic optical comparator he and Klass had developed together. A smart bomb couldn’t be more precise.”

Lebrun looked back to his computer screen. He was waiting for a reply to an identification request made to Central File/Criminal Records data center Interpol, Lyon. His initial request had come back “not on file,” Europe. His second came back “not on file,” North America. A third request was for “automatic retrieval” and sent the computer scanning “previous data.”

McVey leaned over and picked up a cup of black coffee. No matter how hard he tried to be a contemporary cop and use the wide range of high-speed high-technologies available to him, he just couldn’t get the old school out of his system. To him you did your legwork until you had your man and the evidence to back it up. Then you went after him mano a mano until he cracked. Still, he knew that sooner or later he’d better come around and make life a little easier on himself. Getting up, he walked around behind Lebrun and glanced at the screen.

As he did, a “retrieve” file came up from Interpol, Washington. Seven seconds later, the screen scrolled up the name MERRIMAN, ALBERT JOHN: wanted for murder, attempted murder, armed robbery, extortion—Florida, New Jersey, Rhode Island, Massachusetts.

“Nice guy,” McVey said. Then the screen went blank, followed by a single scroll, DECEASED, NEW YORK CITY— DECEMBER22, 1967.

“Deceased?” Lebrun said.

“Your hotshot computer’s got a dead man murdering people in Paris. How you going to explain that to the media?” McVey deadpanned.

Lebrun took it as an affront. “Obviously Merriman faked his death and came up with a new identity.”

McVey smiled again. “Either that or Klass and Halder aren’t what they’re cracked up to be.”

“Do you dislike Europeans, McVey?” Lebrun was serious.

“Only when they talk in a language I don’t understand.” McVey walked off, looking up at the ceiling, then turned around and came back. “Suppose you, Klass and Halder are right and it is Merriman. Why would he come out of hiding after all these years to take out a private investigator?”

“Because something forced him out. Probably something this Jean Packard was working on.”

The command—PHYSICAL DESCRIP-MUG SHOT-FINGER-PRINTS-Y/N?—came up on Lebrun’s screen.

Lebrun punched Y on his keyboard.

The screen went blank, then came back with a second command, FAX ONLY-Y/N-?

Again Lebrun punched the Y. Two minutes later a mug shot, physical description and fingerprints of Albert Merriman printed out. The mug shot was of Henri Kanarack almost thirty years younger.

Lebrun studied it, then handed it to McVey.

“Nobody I know,” McVey said.

Flicking a cigarette ash off his sleeve, Lebrun picked up the phone and told whoever was on the other end to go back over Jean Packard’s apartment and his office at Kolb International with a finer comb than they did the first time.

“I’d also suggest you have a police artist see if they can come up with a sketch of how Albert Merriman might look today.” Picking up a battered brown leather bag that served as suitcase and portable homicide kit, McVey thanked Lebrun for the coffee then added, “You know where to reach me in London if our boy Osborn does anything he shouldn’t before he leaves for L.A.” With that he started for the door.

“McVey,” Lebrun said as he reached it. “Albert Merriman was deceased in—New York.”

McVey stopped, did a slow burn and turned back in time to see a grin creep over Lebrun’s face.

“For the brotherhood, McVey. Make the call, s’il vous plait?

“For the brotherhood.”

“Oui.”

30

LITTLE MORE than a stone’s throw from the building on the rue de la Cite where McVey sat with Lebrun’s phone trying to get through to the New York City Police Department regarding the late Albert Merriman, Vera Monneray walked along the Porte de la Tournelle, absently watching the traffic on the Seine.

It had been correct for her to end her relationship with Francois Christian. She knew the break had caused him pain, yet she had done it as kindly and respectfully as she knew how. She had not, she told herself, left one of the most esteemed members of the French government for an orthopedic surgeon from Los Angeles. The real truth was that neither she nor Francois could have continued on as they had and each continued to grow. And life without growth meant a withering and finally a dying out.

What she had done was no more than an act of personal survival, something Francois would, in time, have done to her when he finally resigned himself to the fact that his real love’ belonged to his wife and children.

Reaching the top of a long flight of stairs, she turned back and looked at Paris. She saw the sweep of the Seine and the grand arches of Notre Dame as if for the first time. The trees and rooftops and boulevard traffic were completely new to her, as was the romantic chatter of passersby. Francois Christian was a fine man and she was grateful she had had him in her life. Now, she was equally grateful it was over. Perhaps it was because, for the first time in as long as she could remember, she felt unencumbered and totally free.

Turning left, she started across the bridge to her apartment. Purposefully, she tried not to think of Paul Osborn, but she couldn’t help it. Her thoughts kept coming back to him. She wanted to believe that he had helped free her. By giving her attention, even adoration, he’d renewed her belief in herself as an independent, intelligent and sexually attractive woman fully capable of making a life on her own. And that was what had given her the confidence and courage to make the break from Francois.

But that was only part of it, and not to admit it would be to lie to herself. Dr. Paul Osborn hurt, and she cared that he hurt. On one level she wanted to think that caring and concern were part of an instinctive female nurturing. It was what women did when they sensed pain in someone close to them. But it wasn’t that simple and she knew it. What she wanted was to love him until he stopped hurting and after that to love him more.

“Bonjour, mademoiselle,” a round-faced, uniformed doorman said cheerily, holding open the filigreed iron outer door to her building.

“Bonjour, Philippe.” She smiled and went past him into the lobby, then quickly up the polished marble stairs to her apartment on the second floor.

Once inside, she closed the door and crossed the hallway into the formal dining room. On the table was a

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