Rhode Island and the surrounding area over the last six years. Not only does this fit the profile of Gabriel Banford, who we know had begun stealing and prostituting himself to help support his drug habit, but also these types of victims tend to be safer targets for serial killers in that, because so many of them move around from one place to another, their disappearances usually go unreported—and thus, in this case, would draw little attention to The Michelangelo Killer while he developed his craft.”
“Yes,” said Sullivan. “As Agent Markham probably informed you, we’re going to begin working from the premise that, after the Banford murder, The Michelangelo Killer would have wanted to develop his technique for preserving and painting his figures before the public unveiling of his
“All set, Chief,” said the man whose behind had been sticking out of the wall. Cathy recognized him from Watch Hill—the “tech guy” who had set her up with the laptop that day.
Burrell nodded and the large video screen on the wall flickered to life—two men seated at a table, one in a suit, one in a white lab coat.
“We got a visual on you now, gentlemen,” said Burrell. “How about you?”
“Yes, Bill,” said the man in the suit. “We can see you fine.”
“Good. You know everybody else here, Alan, but I want to introduce you to Dr. Catherine Hildebrant. She’s agreed to come on board as a consultant in the case and will be assisting Sam down in Providence. Cathy, this is Alan Gates, chief of Behavioral Analysis Unit-2 at Quantico. Next to him is Dr. Gilbert Morris. He heads up the Chemistry Unit in Scientific Analysis back at the FBI Laboratory.”
The two men nodded their hellos.
“What have we got, gentlemen?”
“I talked to Special Agent Markham earlier this morning, Bill,” said Unit Chief Alan Gates, the man in the suit. “He’s updated me on the latest developments, so I’ll defer to him for the rest of this conference. Sam is officially in charge now from our end, and has expressed his utmost confidence in your team there—specifically Agent Sullivan and her outstanding work as coordinator between your office and the NCAVC.”
“Good,” said Burrell. “Dr. Morris?”
“Thank you, Bill. I’ve been instructed to tell you that the scientists in the Trace Evidence Unit will be submitting their report on the wooden base and the tree stump to your offices later today.”
“Fine.”
“With regard to Scientific Analysis, one of my assistants is preparing a breakdown of the specifics from each subunit as we speak, but I’ll give you a general overview of what we’ve found thus far.” The man in the white lab coat shuffled a pile of papers. “First off, we’ve found nothing more in the chemical makeup of the epoxy compound that was used to sculpt the lion skin, the bowl, and the figures’ hair that would identify it as anything other than the TAP brand
“Good,” said Burrell. “I’ve already got people working on that angle.”
“The Toxicology Unit, in conjunction with the state medical examiner in Rhode Island, has confirmed that the high concentrations of synthetic epinephrine found in Tommy Campbell’s tissue did indeed lead to his death. Five years ago, we might have missed this, Bill, as the chemicals the killer used in the preservation process altered the base cell structure significantly. However, we still might not be able to get a pure enough sample of the epinephrine to allow us to trace the drug to a specific source. The same goes for the high-powered diazepam and ketamine. We’ll keep you updated as that investigation progresses.”
“Right.”
“Here in our labs at Quantico, we’ve been able to determine that the killer preserved his victims building on a technique called Plastination—a process where water and lipid tissues are replaced by curable polymers.”
“Plastination?” asked Burrell.
“Yes. A process of anatomical preservation being used more and more around the world, but first developed in the late seventies by a German scientist named Dr. Gunther von Hagens. There have been a number of his Body Worlds exhibitions in the last decade or so, but a similar show from a Chinese company recently drew a lot of worldwide attention and criticism. I’ve included those details in my report, but the general character of both the German and Chinese exhibitions is the same—a group of skinless, sometimes partially dissected cadavers posed in lifelike positions and put on display for public viewing. Individual plasticized body parts are also sold to medical and veterinary schools all over the world, but are nonetheless quite expensive.”
“So what do you think, Alan? Our man might have once been a med student? Might have even worked for one of those companies?”
“Maybe,” said Unit Chief Gates. “But unfortunately, Bill, the information about the Plastination process is readily available on the Internet. Anyone with a basic knowledge of chemistry and the desire—as well as the time and means to fulfill that desire—could, with a little trial and error, figure out the process himself.”
“That’s right,” said Dr. Morris. “It appears the killer preserved his victims by first removing their internal organs and then embalming them with a formaldehyde solution. Then the body was placed in a bath of acetone, which—under freezing conditions—would draw out the water and replace itself in the cells. Next would come the bath of the liquid polymer, in this case silicone rubber. By creating a vacuum, the acetone will boil and vaporize at a very low temperature, drawing the liquid polymer into the cells behind it. While the bodies were still supple, the killer then stuffed the cavities, stretched the bodies into the desired position on the metal frame—probably using wires to help him pose his figures—and left them to dry. Keep in mind, Bill, that the plastic must be cured, and most likely the killer hardened it using heat or ultraviolet light.”
“Jesus Christ,” said Burrell.
“Yes,” said Gates. “Our boy has quite an operation going. He has a large space—a studio, if you will—in which to work. Must also have quite a lot of money socked away. I suppose some of the equipment such as the ultraviolet lamps and the vacuum sealed tub needed for the acetone and polymer baths could be jury-rigged, but the amount of time for experimentation, as well as the time it would take to preserve each body, even under ideal conditions, is staggering—estimated anywhere from eight to twelve hundred man hours.”
“So we’re looking at a guy who has a lot of time on his hands? A guy who is perhaps independently wealthy?”
“Probably,” said Gates. “If you take into account the timeline between Campbell’s disappearance and the appearance of the bodies down at Watch Hill, you’re looking at a total of just over three months. Even with all that time off, needless to say, our boy hasn’t been getting much sleep lately.”
The room was silent.
“Sales or thefts of large quantities of acetone,” said Gates, “as well as the silicone rubber needed for the Plastination process will be a good place for our teams here to begin. We’ll take care of tracking things down on that end.”
Burrell nodded.
“Next,” Dr. Morris began again, “the Paints and Polymers subunit found a match in our database for the chemical compound of the paint used on the figures of Campbell and Wenick—a mixture of Starfire brand acrylic enamel auto paints, including a primer and a clear coat. Like the epoxy, this brand of automotive paint can be found at many dealers throughout the country and on the Internet. The paint was clearly applied to the bodies in many layers, and by using some type of sprayer. However, mixed into the paint was a white powder that the General Chemistry subunit identified as ground marble.”
“Marble?” asked Burrell. “You mean like the kind of marble used in statues?”
“Yes, that’s exactly what I mean, Bill. Nonfoliated, calcite-based metamorphic rock with the molecular makeup, color, and density identical to what our databases identified as unique to and originating from a specific quarry in Italy.”
“Carrara,” said Cathy absently, impulsively.
“That’s right, Dr. Hildebrant,” said Gilbert Morris. “The ground marble found in the paint was undoubtedly
