Night Soldiers

blue, from hazy lavender at sunset to the color of dusk, and then to night. At first, he expected her to return, and waited. Later, for a time, he hoped for it. The hour for him to go to work passed unnoticed. He paced the room, moving from the battered armoire that served as their closet to the open window. He would pause there and look out, sometimes seeing, sometimes not. The shops were closed, their metal shutters pulled down. A few people hurried along the sidewalk, one or two cars went by. Sunday night, and everyone was locked up in their apartments, hiding from whatever it was they hid from on a Sunday night. He could smell potatoes frying and the damp scents of the Paris street. It was so quiet that sounds of clinking plates and bits of conversation-once a laugh-floated up to him. Then he would turn away from the window, move to the foot of the bed and back across to the armoire. At one point he opened it, found all her clothing in place, including the white Marlene Dietrich trenchcoat-a fashion necessity that spring in the city-her pride and joy. But it had been warmish in the afternoon, she could have worn only a sweater. In the drawer of the night table she kept a box of small things she believed to be valuable. Bits and pieces. A silver button, an American coin, a cameo of Empress Josephine from a souvenir shop. Her perfume was heavy on the treasures, as though she had once kept the bottle among them. On one of his trips past the small mirror, he discovered a red, angry mark on the skin beside his eye, realized it hurt, realized he had put it there himself. He looked at his hands, knew for a certainty that if he had a gun he would kill himself. She was lost, he knew; he had lost her, he would not see her again. He lay down on the bed, on his side, and drew his knees up to his chest and pressed his fingers hard against the sides of his head to stop the pain behind his eyes, but that didn’t work.

Later, he woke up with a gasp, dizzy and lost, and felt the weight of sorrow return to him. Discovered the side of his face was wet. He forced himself off the bed and started searching the room, but he missed it on the first search, found nothing out of the ordinary. A ten-franc note hidden in a shoe, that was all. At 1:30 in the morning he opened the door and listened for a long time at Dodin’s room down the hall, heard only silence. He kicked the door open, went over the room slowly and carefully, as he’d been taught, but there was nothing there at all, only dustballs beneath the bed. Nothing in the drawers. Nothing in the armoire. Nothing taped anywhere out of sight. Nothing. He tried to close the door, but the lock mechanism wouldn’t work anymore where he’d sprung it, so he simply left it open. He checked the light fixture in the hall, took his money out, and put it in his pocket. That was all he could do.

He went back to his room and watched the night as the hours passed by. Sometimes he swore revenge, quietly, under his breath, a stupefying and obscene anger that meant nothing. At dawn, moving mechanically, he began putting his own things into a pillowcase. When everything he wanted was there and he was ready to go- though he didn’t know where-he forced himself to search the room once again. He willed his mind clear and did the job as he knew it should be done: an inch at a time, starting in a corner and expanding outward and upward in imaginary lines of radiation. He got down on his knees, the lamp by his side wherever the cord would reach an outlet.

He found it an hour later. There was old wainscoting by the door, poor-quality wood with the varnish flaking off, and as he moved the lamp the shift of angle in the light revealed the marks. He moved his fingers across the wood, confirming what he saw. She had, after all, left him a message. He sat down heavily and cried into his hands for a long time. He didn’t want anyone to hear him. Time and again he touched the wall, traced, with agonizing slowness, the faintly marked outlines of the four scratches her fingernails had made as she’d been taken through the door.

The guys out in Clichy absolutely loved it when Barbette came around. They’d run their poules off and set him up at one of the tables at Le Maroc or the Dutchman’s place on Rue Truot that everybody called the cul de cochon and let him buy them drinks all night. He was the strangest thing they ever saw out there-where people didn’t come unless they had to, and then always in daylight-because he had the money and he liked to spend it and he liked to spend it on them. He was tall for a Frenchman, and he stood straight up and looked at you with those little dark eyes that always seemed to catch the light and he had a big, false laugh. You could tell him you just stole your mother’s teeth and he’d laugh. Even his name, Barbette, what did that mean? A nickname? The word meant “little beard” and he had one of those, a devil’s beard, from side-burn tight along the jawline sweeping up to join the mustache, so closely pruned he must have nipped it with a scissors every night.

But a barbette was also a nun’s veil that covered the breast, and that expression in turn was used in slang to mean sleeping on the floor or guns firing in a salvo. The word sometimes referred to a water spaniel-the efficient sort that always brought in the kill. They asked him, in their own way, but all they ever got was that laugh. They didn’t really care-he was the kind of guy you liked even better because he wouldn’t tell you what you wanted to know. It meant he wasn’t in the habit of running his mouth, and that mattered to people out in Clichy. Johnny LaFlamme and Poz Vintre and Escaldo from Lisbon and Sarda, the deaf-mute who watched your mouth when you talked and knew what you were saying. They were all the family any of them had and they looked out for one another in their own way and they could smell a cop three blocks off. Barbette was no cop. But he wasn’t one of them, either. He was something different.

The girls all said he was crazy, that he went for the petite soeur like a maniac who’d been marooned on an island. Maybe a bit of a showoff, they said, and he really liked that fancy stuff-nothing standing up-that went on all afternoon and left them worn out for their real work at night, down in the Rue St.- Denis near Les Halles or up in Montmartre. But the guys put up with it. Barbette was always good for a touch when you came up short and he never asked for it back. Everybody had to have one of those long coats like they had in Little Caesar or Public Enemy- and you couldn’t steal those. The great Capone, they fancied, would have told them they looked just right.

Then one day he went off with Escaldo and Sarda and when they showed up again they were richer than they’d ever been. Sent away the rotgut the Dutchman dished up under the name vin rouge and ordered the real stuff-for themselves and everybody else. One couldn’t ask questions. But the new wealth came from Barbette and it put matters in an entirely new, and very interesting, light. He’d gone from putting money in their bellies-drinks and whatnot-to putting money in their pockets, and that made him really important, no longer just a guy who came around. They were a little jealous of Escaldo and Sarda-why not me? — but they had nothing but time and maybe it was their turn next. Escaldo and Sarda, in the beginning, didn’t say all that much. Sarda couldn’t-not without a pencil and paper, and who wanted to bother with that-and Escaldo wouldn’t. He looked like a pimp, dark and slick and vain, and he kept one of those Portuguese fish-gutting knives strapped to his ankle. You didn’t press him too hard, the girls had found that out pretty quick. As for poor Sarda, his face was carved into deep lines from trying all his life just to do things that everybody else took for granted. When he got agitated, he made noises in his throat and privately they all admitted they were a little bit afraid of him. So, for a time, the wine flowed and the beef sizzled and everybody just shut up and waited patiently.

But in families everything comes out eventually, and Escaldo got drunk one night and let them in on part of it. He was, also, under some pressure to explain things. Some smart guy figured out that maybe Barbette banged the girls so hard to prove he wasn’t a fairy, which meant maybe he was, which meant that Escaldo and Sarda had sunk to a level where it was definitely out of the family. Escaldo couldn’t afford to let too much of that go on, so he sang.

The money they had now, he explained, was only the beginning. There’d be more-maybe a lot more, maybe the big one they all dreamed of and talked about. Barbette had taken them to an abandoned farmhouse somewhere to hell and gone outside Paris and he’d shown them these, ah, things, and run them through a little schooling and let them, even, use them a few times. Bon Dieu! Quelles machines! Quelles instruments! His eyes glowed as he talked, and it only took a few more glasses of marc to get the whole story out in the air.

Les machines a ecrire de Chicago.

There it was, now they had it all. Chicago typewriters. That’s what Barbette had to show them on the broken-down farm outside Paris. Escaldo spread his long coat apart and took out two little pimp cigars and lit one for Sarda and one for himself. Did Bottles Capone, Al’s brother, or Jake “Greasy Thumb” Guzik have anything they didn’t? Not anymore.

Machine guns.

Around the table, nobody could say anything for a long time, thinking about that.

Khristo found a room deep in the Marais, on a dark side street off the Rue des Rosiers. It was an ancient building, narrow, seven flights to the top floor, with rusted iron pipes crossing the ceiling and a small window on a