sooner we get on with it, the better.
It was an elemental world: black rock, blue sky, hard white ice. This was one of the highest passes in the Alps. The man, alone, moved through this lethal environment with utter confidence.
But Marcus knew the man he watched was already approaching the place where, slumped over a boulder and with his Neolithic tool kit stacked neatly at his side, he would meet his death.
At first — as he had explored the possibilities of the WormCam, here at the Institute of Alpine Studies at the University of Innsbruck-Marcus Pinch had feared that the WormCam would destroy archaeology and replace it with something more resembling butterfly hunting: the crude observation of “the truth,” perhaps by untrained eyes. There would be no more Schliemanns, no more Troys, no more patient unravelling of the past from shards and traces.
But as it turned out there was still a role for the accumulated wisdom of archaeology, as the best intellectual reconstruction available of the true past. There was just too much to see — and the WormCam horizon expanded all the time. For the time being, the role of the WormCam was be to supplement conventional archaeological techniques: to provide key pieces of evidence to resolve disputes, to reinforce or overthrow hypotheses, as a more correct consensual narrative of the past slowly emerged.
And in this case, for Marcus, the truth that would be revealed — here now, by the blue-white-black images relayed through time and space to his SoftScreen — would provide answers to the most compelling questions in his own professional career.
This man, this hunter, had been dug out of the ice fifty-three centuries after he died. The smears of blood, tissue, starch, hair and fragments of feather on his tools and clothing had enabled the scientists, Marcus included, to reconstruct much of his life. Modern researchers had even, whimsically, given him a name: Otzi, the Ice Man.
His two arrows were of particular interest to Marcus — in fact, they had served as the basis of Marcus’s doctorate. Both the arrows were broken, and Marcus had been able to demonstrate that before he died, the hunter had been trying to dismantle the arrows, intent on making one good arrow out of the two broken ones, by fitting the better arrowhead into the good shaft.
It was such painstaking detective work as this that had drawn Marcus into archaeology. Marcus saw no limit to the reach of such techniques. Perhaps in some sense every event left some mark on the universe, a mark that could one day be decoded by sufficiently ingenious instruments. In a sense the WormCam was the crystallization of the unspoken intuition of every archaeologist: that the past is a country, real, out there somewhere, which can be explored, fingertip by fingertip.
But a new book of truth was opening. For the ’Cam could answer questions left untouched by traditional archaeology, no matter how powerful the techniques — even about this man, Otzi, who had become the best known human of all those who had lived throughout prehistory.
What had never been answered — what was impossible to answer from the fragments recovered — was
Marcus had intuited that all these explanations were parochial, projections of a modern world on a more austere past. But he longed, along with the rest of the world, to know the truth.
But now the world had forgotten Otzi, with his skin clothes and tools of flint and copper, the mystery of his lonely death. Now, in a world where
Nobody save Marcus. So Marcus had sat in the chill gloom of this university facility, struggling through that Alpine pass at Otzi’s shoulder, until the truth had become apparent.
Otzi was a high-status Alpine hunter. His copper axehead and bearskin hat were marks of hunting prowess and prestige — And his goal, on this fatal expedition, had been the most elusive quarry of all, the only Alpine animal which retires to high rocky areas at night: the ibex.
But Otzi was old — at forty-six, he had already reached an advanced age for a man of his period. He was plagued by arthritis, and afflicted today by an intestinal infection which had given him chronic diarrhoea. Perhaps he had grown weaker, slower than he knew — or cared to admit.
He had followed his quarry ever deeper into the cold heights of the mountains. He had made his simple camp in this pass, intending to repair the arrowheads he had broken, continue his pursuit the next day. He had taken a final meal, of salted goat flesh and dried plums.
But the night had turned crystal clear, and the wind had howled through the pass, drawing Otzi’s life heat with it.
It was a sad, lonely death, and Marcus, watching, thought there was a moment when Otzi tried to rise, as if aware of his terrible mistake, as if he knew he was dying. But he could not rise; and Marcus could not reach through the WormCam to help him.
And so Otzi would lie alone, entombed in his ice, for five thousand years.
Marcus shut down the WormCam, and once more Otzi was at peace.
Miriam was a tutor of accounting expert systems: certainly no professional historian. But, like almost everybody else she knew, she had gotten hold of WormCam time as soon as it had become available, and started to research her own passions. And, in Miriam’s case, that passion focused on a single man: a man whose story had been her lifelong inspiration.
But the closer the WormCam brought Miriam to her subject, the more, maddeningly, he seemed to dissolve. The very act of observing was destroying him, as if he was obeying some unwelcome form of historical uncertainty principle.
Yet she persisted.
At last, having spent long hours searching for him in the harsh, confusing sunlight of those ancient deserts, she began to consult the professional historians who had gone before her into these wastes of time. And, piece by piece, she confirmed for herself what they had deduced.
The career of the man himself — shorn of its supernatural elements — was a fairly crude conflation of the biographies of several leaders of that era, as the nation of Israel had coalesced from groups of Palestinian refugees fleeing the collapse of Canaanite city-states. The rest was invention or theft.
That business, for instance, of being concealed in a wicker basket and floated down the Nile, in order to save him from murder as a firstborn Israelite: that was no more than a conflation of older legends from Mesopotamia and Egypt — about the god Horns, for example — none of which was based on fact either. And he’d never been an Egyptian prince. That fragment seemed to come from the story of a Syrian called Bay who had served as Egypt’s chief treasurer, and had made it to Pharaoh, as Ramosekhayemnetjeru.
But what is truth?
After all, as preserved by the myth, he had been a complex, human, inspiring man. He was marked by imperfection: he had stammered, and often fell out with the very people he led. He even argued with God. But his triumph over those imperfections had been an inspiration, over three thousand years, to many people, including Miriam herself — named for his beloved sister — who had had to overcome the obstacles set in her own life by her cerebral palsy.
He was irresistible, as vividly real as any personage from “true” history, and Miriam knew he would live on into the future. And given that, did it
It was a new obsession, Bobby saw, as millions of figures from history — renowned and otherwise — came briefly to life once more, under the gaze of this first generation of WormCam witnesses.