Licence Renewed

THOUGH ANTON MURIK had presented the major trophies for the Murcaldy Games, people seemed reluctant to leave. On the Great Lawn, groups still performed reels and strathspeys, while those who had not been good enough to enter the major competitions were now availing themselves of the equipment, and space, to practise or emulate their superiors in the arts.

The marquees and tents remained thronged; there would be many a sore head or upset stomach in the glen by the following morning. It was now just past six in the evening, and after an enthusiastic speech amidst much applause and cheers, the Laird had set off in the direction of the castle, motioning Bond to follow him.

Lavender was left with Mary-Jane Mashkin, who, Bond noted, was never short of young and well-built male company-a fact that seemed not to upset the Laird. The previous night's experiences still puzzled Bond, who had begun to wonder how genuine the two women were. It could be a case of playing the hard and soft roles, as in a classic interrogation. Yet of the two, he would rather have Lavender on his side.

Murik led Bond through the hall, past the main staircase, pushing open a set of swing doors that led to a corridor, blocked at the far end by the great dividing line between old-style servants and their masters – the green baize door.

The Laird stopped half-way down the corridor, bringing out the ever-present keys – this time from his sporran – to unlock a solid oak door strengthened with steel grilles.

Bond followed him down a wide flight of stone stairs. Tiny guide lights gleamed, throwing vague shadows in the darkness. Half-way down, Murik turned towards him. With his mane of white hair, against the face in darkness, the visage took on the appearance of a negative. When he spoke the Laird's voice echoed eerily. 'You've already seen my inner sanctum. We're going to the most interesting part of the castle this time. The oldest remaining relic of my heritage. Now you are my Champion, Mr Bond, you should know of it.' The air smelled dank, and the stone stairs seemed endless, descending deeper and deeper underground until they came out into a flagged open space. Murik reached out to a switch hidden in the wall and the place was suddenly flooded with light. Huge arches supported the vaulted ceiling, which Bond thought must be as old as the original castle. There were two more doors, one on each side of the flagged space, while ahead of them another narrower passage continued. Murik nodded, 'That way leads to the old dungeons.' His jowl moved in a twitching smile. 'They are occasionally useful. To our right, a room which I do not like using. The old torture chamber.' He pushed open the door and Bond followed him in. At one end of the room Bond identified a rack, bolts and chains set into the walls, a flogging frame, brazier, and all the old and sinister instruments – from whips and branding irons to pincers and gouges. Murik pointed out other devices: 'You see, Mr Bond, all the old Scottish pleasures-the thumbikins and pilniewinks, and, of course, the boots. Very nasty things, the boots. Having your feet gradually crushed with wedges is not the way to ward off fallen arches.' 'Nor deal with your corns.' Bond shuddered in spite of the light-heartedness. In his time, he had suffered much physical torture, and its instruments were not unknown to him. Yet when he looked towards the far end of the room his blood ran cold. The walls there were tiled in white, and in the centre was an operating table. Cabinets along the far wall were of modern design, and Bond guessed they would contain more terrifying instruments than the brutal weapons of pain – hypodermics and drugs to send the mind reeling to the very edge of madness, and possibly even the means of inflicting agony through electrodes attached to the most sensitive areas of a man or woman. A man, well-trained, might withstand the exquisite pain that could be inflicted by the crude implements of torture; but few would keep truth or secrets for long in the more sophisticated part of this, Murik Castle 's chamber of horrors.

'Very occasionally this room is put to use, Mr Bond. Have care. All who serve me are given a guided tour. It usually does the trick, as a salutary warning. You defeated the good Caber, so you automatically serve me. Let your glimpse of this place act as a warning. I demand complete loyalty.'

Murik led the way out and across the flagged area to the door facing that of the torture chamber. He turned, smiling before he opened the door. 'My operations' room.'

The contrast was staggering. They were in a long, low, vaulted chamber. Its grey walls were covered with weapons: ranging, at the end nearest the door, from artistic and obviously valuable broadswords, rapiers, dirks and knives, through magnificently engraved crossbows decorated with inset stones, to wheel-lock, snaphance and flintlock pistols and muskets; and finally, on the far wall, there were modern rifles, carbines, pistols and automatic weapons.

'The most valuable part of your collection?' Bond recalled that Murik had already told him the best pieces were elsewhere in the castle.

Murik smiled, and Bond could not resist one gibe. 'No thermonuclear devices to bring it right up to date?'

The Laird's face darkened, then cleared into a seraphic smile. 'We have no need. The world provides them. They are all around us, sitting there ready and waiting to wreak disaster at the right moment.' Murik reached up, touching a large broadsword, 'A claidheamh mor,' he said. 'A two-handed sword that once belonged to an ancestor of mine.' Bond nodded. He was certainly impressed, but his gaze had moved beyond this unique collection of weapons to the far end of the vault which, indeed, looked like some kind of operations' room, with its long console desk, computer monitors, radio equipment and a large transparent map of the world covered in chinagraph markings. Murik motioned him to the console table, gesturing to one of the comfortable leather swivel chairs behind it. He took the other chair himself and gave a throaty laugh. 'From here, Mr Bond, I control the destiny of the world.' Bond, uncertain whether Murik was joking or not, laughed with him. There was an uneasy silence for a moment, giving Bond the opportunity to glance up at the map. Quickly he took in the fact that Indian Point Unit Three and San Onofre Unit One were both plainly marked on the American map. As he turned his gaze back to Anton Murik he knew that another couple of glances would probably give him the names of the targets in Europe. At the moment, however, it took all his will-power to drag his eyes back to the Laird. Don't seem too eager, he told himself, willing relaxation-even disinterest-into his brain. 'You know who I am?' Anton Murik was asking, and Bond replied that he was Dr Anton Murik, Laird of Murcaldy. Murik laughed. There was far more to him than that. 'I am probably the greatest nuclear physicist who has ever lived,' he said in an alarmingly matter-of-fact way. Nothing like modesty, Bond thought. Aloud he tried to say 'Really?' with a convincing gasp. 'Let me tell you…' Murik launched into his own version of his brilliant career. Most of what he said corresponded with what Bond already knew, deviating only when the Laird started to talk about his final disagreements with the International Commission. In Murik's version, he had resigned out of protest. 'Those who fight for the abolition of nuclear power stations in their present form are right,' he said in a voice that had slowly been rising in agitation. 'Note, Mr Bond, I say in their present form. They are unsafe. Governments are keeping the truth concerning their potential dangers from the general public. Government agencies have tried, again and again, to muzzle people like me. Now they deserve a lesson. They say that the only way out of the energy crisis is to use nuclear power. They are right: but that power must be made safe. How is electricity made, Mr Bond?'

'By turning a generator.' 'Quite; and the generator is operated usually by a turbine, in turn operated how, Mr Bond?' 'Water, in hydro-electric plants; boiling water producing steam in other types of plant.'

'Good; and the steam is produced through boiling the water, using coal, oil, gas – or the core of a nuclear reactor.' He gave another little laugh. 'An expensive way to boil water, don't you think? Using nuclear power?'

'I hadn't thought of it like that. It's always struck me as being one of the few sure ways to produce energy and power without using dwindling supplies of oil and fossil fuels.'

Murik nodded, 'In many ways I agree. I do not go along with Professor Lovins when he says that using nuclear power to boil water is like using a chainsaw to cut butter though he does have something on his side: wasted heat. No, the problem, Mr Bond, is one of safety and control. Nuclear reactors, as they now stand throughout the world, put our planet and its people at risk… '

'You mean the problem of radioactive waste?'

'No. I'm talking about unavoidable accident. There have already been incidents galore. If you're an intelligent man you must know that: 1952, Chalk River, Ontario;

!955, Idaho Falls; 1957, Windscale, England; '58, Chalk River, Canada; '61, Idaho Falls; 1970, Illinois; '71, Minnesota; '75, Alabama; '76, Vermont. Need I go on? Or should I mention the Kyshtym catastrophe in the U.S.S.R. when an atomic waste dump exploded in the Urals? Spillage, partial fuel meltdown. One day, with the kind of reactors we have at the moment, there will be catastrophe. Yet governments remain silent. The Carter Administration almost admitted it…' He rummaged among some papers. There. 1977 – 'Between now and the year 2000 there will be a serious core meltdown of a nuclear reactor; but with proper siting such accidents can be contained'. Contained? Proper siting? Do you realise what a core meltdown means,

Mr Bond?' 'Is that something to do with what they call the China Syndrome? I saw a movie with Jane Fonda…'