On the door itself, now hanging crooked by only two screws, was another sign. A joke? Some sort of nickname? Jake thought it might be a little of both. The letters were choked with rust and eroded by God knew how many years of blowing sand and grit, but he could still read them:
EIGHT
Jake expected the door to be locked and wasn't disappointed. The lever handle moved up and down only the tiniest bit. He guessed that when it had been new, there'd been no give in it at all. To the left of the door was a rusty steel panel with a button and a speaker grille. Beneath it was the word VERBAL. Jake reached for the button, and suddenly the lights lining the top of the building went out, leaving him in what at first seemed like utter darkness.
His eyes readapted to the moonlight and he could see the entry-box again. He had a pretty good idea of what the verbal entry code must be. He pushed the button.
'WELCOME TO ARC QUADRANT OUTPOST 16,' said a voice. Jake jumped back, stifling a cry. He had expected a voice, but not one so eerily like that of Blaine the Mono. He almost expected it to drop into a John Wayne drawl and call him little trailhand. 'THIS IS A MEDIUM SECURITY OUTPOST. PLEASE GIVE THE VERBAL ENTRY CODE. YOU HAVE TEN SECONDS. NINE… EIGHT…'
'Nineteen,' Jake said.
'INCORRECT ENTRY CODE. YOU MAY RETRY ONCE. FIVE… FOUR… THREE…'
'Ninety-nine,' Jake said.
'THANKYOU.'
The door clicked open.
NINE
Jake and Oy walked into a room that reminded him of the vast control-area Roland had carried him through beneath the city of Lud, as they had followed the steel ball which had guided them to Blaine's cradle. This room was smaller, of course, but many of the dials and panels looked the same. There were chairs at some of the consoles, the kind that would roll along the floor so that the people who worked here could move from place to place without getting to their feet. There was a steady sigh of fresh air, but Jake could hear occasional rough rattling sounds from the machinery driving it. And while three-quarters of the panels were lighted, he could see a good many that were dark. Old and tired: he had been right about that. In one corner was a grinning skeleton in the remains of a brown khaki uniform.
On one side of the room was a bank of TV monitors. They reminded Jake a little bit of his father's study at home, although father had had only three screens-one for each network- and here there were… he counted. Thirty. Three of them were fuzzy, showing pictures he couldn't really make out. Two were rolling rapidly up and up, as if the vertical hold had fritzed out. Four were entirely dark. The other twenty-one were projecting pictures, and Jake looked at these with growing wonder. Halfa dozen showed various expanses of desert, including the hilltop guarded by the two misshapen cactuses. Two more showed the outpost-the Dogan-from behind and from the driveway side. Under these were three screens showing the Dogan's interior. One showed a room that looked like a galley or kitchen. The second showed a small bunkhouse that looked equipped to sleep eight (in one of the bunks, an upper, Jake spied another skeleton). The third inside-the-Dogan screen presented this room, from a high angle. Jake could see himself and Oy. There was a screen with a stretch of the railroad tracks on it, and one showing the Little Whye from this side, moonstruck and beautiful. On the far right was the causeway with the train-tracks crossing it.
It was the images on the other eight operating screens that astounded Jake. One showed Took's General Store, now dark and deserted, closed up till daylight. One showed the Pavilion. Two showed the Calla high street. Another showed Our Lady of Serenity Church, and one showed the living room of the rectory…
Because they were too small, he supposed. And because they'd been hidden.
But the church… the rectory… those were buildings that hadn't even
Jake didn't know when, but he had a terrible idea that he knew who. Thank God they'd done most of their palavering on the porch, or outside on the lawn. But still, how much must the Wolves-or their masters-know? How much had the infernal machines of this place, the infernal
And transmitted?
Jake felt pain in his hands and realized they were tightly clenched, the nails biting into his palms. He opened them with an effort. He kept expecting the voice from the speaker-grille-the voice so much like Blaine's-to challenge him, ask him what he was doing here. But it was mostly silent in this room of not-quite-ruin; no sounds but the low hum of the equipment and the occasionally raspy whoosh of the air-exchangers. He looked over his shoulder at the door and saw it had closed behind him on a pneumatic hinge. He wasn't worried about that; from this side it would probably open easily. If it didn't, good old ninety-nine would get him out again. He remembered introducing himself to the
Movement on one of the screens caught his eye. He looked at it and saw Benny's Da' and Andy the Messenger Robot coming over the hilltop guarded by the cactus sentries. As he watched, the spiny barrel arms swung inward to block the road-and, perhaps, impale the prey. Andy, however, had no reason to fear cactus spines. He swung an arm and broke one of the barrels off halfway down its length. It fell into the dust, spurting white goo. Maybe it wasn't sap at all, Jake thought. Maybe it was blood. In any case, the cactus on the other side swiveled away in a hurry. Andy and Ben Slightman stopped for a moment, perhaps to discuss this. The screen's resolution wasn't clear enough to show if the human's mouth was moving or not.
Jake was seized by an awful, throat-closing panic. His body suddenly seemed too heavy, as if it were being tugged by the gravity of a giant planet like Jupiter or Saturn. He couldn't breathe; his chest lay perfecdy flat.
Now they were coming down the road. Coming to the Dogan.
Oy was looking up at him anxiously, his long neck stretched to the max, but Jake could barely see him. Black flowers were blooming in front of his eyes. Soon he would faint. They would find him stretched out here on the floor. Oy might try to protect him, but if Andy didn't take care of the bumbler, Ben Slightman would. There were four dead rock-cats out there and Benny's Da' had dispatched at least one of them with his trusty bah. One small barking billy-bumbler would be no problem for him.
That brought him back. Most of the way, at least. He took a huge breath, yanking in air until the bottoms of his lungs hurt. He let it out in an explosive whoosh. Then he slapped himself across the face, good and hard.
'
'S'okay,' Jake said. He looked at the monitors showing the galley and the bunkroom and decided on the latter. There was nothing to hide behind or under in the galley. There might be a closet, but what if there wasn't? He'd be screwed.
'Oy, to me,' he said, and crossed the humming room beneath the bright white lights.
TEN
The bunkroom held the ghostly aroma of ancient spices: cinnamon and clove. Jake wondered-in a distracted, back-of-the-mind way-if the tombs beneath the Pyramids had smelled this way when the first explorers had broken into them. From the upper bunk in the corner, the reclining skeleton grinned at him, as if in welcome.
The forefront of his mind pounded with two cold questions and one even colder resolve. The questions were how long it would take them to get here and whether or not they would discover his pony. If Slightman had been riding a horse of his own, Jake was sure the amiable little pony would have whinnied a greeting already. Luckily,