“Neither was Mr. Sherman’s proxy,” she said.
“He look to be involved?” I said.
“He seems to be cooperating with the police, mostly by sobbing and shaking.”
“Who would have wanted us away from Gennaro?” I said, but even as I said it, I knew the answer. The only way someone would know about me as it related to Gennaro prior to my meeting with Bonaventura this morning would be if they were privy to our conversation at the Setai the night previous. Which meant Dinino. But it didn’t explain why this poor sap was dead on my street.
“I think you’ve been set up, Michael,” she said. “I think you’ve been given a nice round of diversions.”
“Seems that way,” I said.
“Who do I get to shoot?”
“I’ll let you know,” I said. “Stay close and I’ll call you when I know what the plan is.”
“Yay,” she said without much enthusiasm.
I hung up with Fi and looked back outside. Gennaro was still making adjustments on his boat. He was due to launch shortly.
“You need to stay here and watch Gennaro while he’s on land and on the water. He’s not safe.”
“What do you mean?”
“I mean there’s a good chance someone might shoot him.”
“What’s going on?”
“Timothy Sherman’s driver from yesterday is dead,” I said. “And I have a pretty good feeling that Dinino bugged Gennaro’s room at the Setai. We’re in the middle of something here, Sam, and it’s not just about this job.”
“Got it, Mikey.” He dusted off the rest of his beer and stood up. “Sea looks nice and calm.”
“That’s the bay. The sea is a little farther out.”
Sam seemed to consider this. “You think they sell Dramamine in this joint somewhere?”
“Maybe try the gift shop,” I said. “Maybe see if they have more appropriate clothes, too. When you get back, get your friend Jimenez on the phone and have him find out who planted this girl, who might have the juice to pull something like this on Dinino. I need a name.”
“Mikey, it’s nine hours ahead of us in Italy right now. It’s the middle of the night.”
“Your friend Jimenez got us into this,” I said. “He can have a sleepless night.”
Sam agreed, if begrudgingly. “Where you gonna be?”
“I need to have a conversation with Alex Kyle,” I said.
“You’re not going back to Bonaventura’s, are you?”
“No,” I said. “I’m pretty sure Alex Kyle will find me.”
“This boat you want,” Sam said, “can Virgil be on it?”
I liked Virgil.
Really.
It was just that Virgil meant my mother, and my mother meant problems.
“If he has to be,” I said.
“The man is a valuable asset,” Sam said.
“Make it happen,” I said, “however it happens.”
When Sam left, I called Nate and told him that I needed another favor.
“You need me or Slade Switchblade?”
“Slade Switchblade?”
“If you’re Tommy the Ice Pick,” he said, “I’m Slade Switchblade.”
“When was the last time you actually saw a switchblade, Nate?”
“When was the last time you actually saw an ice pick, Michael?” Nate said. I paused. The truth was that the last time I saw an ice pick, I was shoving it into a man’s chest in Siberia, so, best as I could recall, about the fall of 1999. But my hesitation was enough of an opening for Nate. “And anyway, it’s about reputation, right? Isn’t that what you said? So maybe Slade used a switchblade back in the day, and now, now he uses a howitzer, but no one knows. People are more scared of a switchblade than a howitzer, right? More personal, right? So that’s why he’s Slade Switchblade not Slade Howitzer.”
“Right,” I said. While I liked that Nate had actually thought through his own personal narrative, I wasn’t comfortable with it actually making sense. “Look, I don’t need Slade. But if I do, you give him whatever nickname you want.”
“Slade Six-Gun was another one I came up with,” he said.
“Great,” I said. “If Wyatt Earp comes through town, I’ll let him know you’re ready to mount up. In the meantime, I need you to talk to your friends in the betting industries. Find out who is putting money against the Pax Bellicosa in the Miami-to-Nassua. Not five hundred or even a thousand dollars, but numbers with lots of zeros.”
“Someone rich rolling,” he said.
“Uh, yeah,” I said. “Someone rich rolling. Anyone owes you any favors, I need you to call them in.” Nate was silent. I thought I heard him writing something down. “You still there?”
“Just getting this all on paper so I don’t forget anything.”
I’ve never, ever, seen Nate take a note, or make note, mentally, of anything. “Okay,” I said. “You run into a problem, let me know.”
“I got nintey-nine problems,” Nate said, “but this ain’t one of ’em.” When I didn’t respond, he said, “It’s a song, Michael. One day, when you’re free, we should sit down and I’ll catch you up on the parts of the twenty-first century you’ve missed out on.”
“I’d like that,” I said.
After I hung up with Nate, I watched Gennaro from the window of the Aground until I finally saw Sam striding through the marina. He had on a striped shirt, blue pants, a white baseball cap and bright red boat shoes, all of which made him look like a waiter at a nautical-theme restaurant at Disney World. He’d have to tell Gennaro’s crew some plausible story, but I wasn’t too worried. I had a good feeling that expert sailor Chuck Finley was about to be on the deck.
12
Anxiety-like its cousin, actual physical pain-is a natural occurrence. It’s your brain’s way of reminding you that even if your ancestors didn’t see a saber-toothed tiger lurking in the low underbrush, there was a high probability that the tiger was there, licking its chops, anticipating the rich and nuanced flavors found in your average austra lopithecine.
Where you might find a therapist to talk you through your anxiety, maybe find a way to medicate the fear of the tiger away, when you’re a spy, you learn to calculate your anxiety so that you can compartmentalize it in your mind and make decisions, so that if a house cat crosses your path you don’t scramble an F-16 from an offshore aircraft carrier to take it out.
What are you afraid of?
Is the threat credible?
Can you take it out by yourself?
Unbounded anxiety creates mental isolation. Even a spy can go crazy if he’s not able to exercise his brain. If you’re captured by the enemy, hooded and shoved into a locked room, the first thing you should do is start talking to yourself. Even if you’re speaking gibberish, you want to use the only weapon you have-your intellect-to turn your fear into your asset. Language and thought and reason will focus you, will break down your anxiety into workable parts, until you see your anxiety for what it ultimately is: a desire not to die or suffer terrible pain. Once you recognize the danger and the possible outcomes, it’s easier to fight, even if the fight is all in your head.
If someone really wanted you dead, you’d already be dead.
While I didn’t know precisely what I was facing, I knew that the players on my radar were not much to be afraid of personally, but for Gennaro and his wife and child, however, they were the epitome.
