'Save Humperdinck,' one Brute said, and with that they all dashed into the castle.
'Save Humperdinck,' Yellin said, the last one left, but clearly his heart wasn't in it.
'Actually, that was something of a fib,' Buttercup said as they began to ride for freedom, 'seeing as Lotharon hasn't officially resigned, but I thought 'I am the Queen' sounded better than 'I am the Princess.''
'All I can say is, I'm impressed,' Westley told her.
Buttercup shrugged. 'I've been going to royalty school three years now;
'I suppose I was dying again, so I asked the Lord of Permanent Affection for the strength to live the day. Clearly, the answer came in the affirmative.'
'I didn't know there was such a Fellow,' Buttercup said.
'Neither did I, in truth, but if He didn't exist, I didn't much want to either.'
The four great horses seemed almost to fly toward Florin Channel.
'It appears to me as if we're doomed, then,' Buttercup said. Westley looked at her. 'Doomed, madam?'
'To be together. Until one of us dies.'
'I've done that already, and I haven't the slightest intention of ever doing it again,' Westley said.
Buttercup looked at him. 'Don't we sort of have to sometime?'
'Not if we promise to outlive each other, and I make that promise now.'
Buttercup looked at him. 'Oh my Westley, so do I.'
BUTTERCUP LOOKED AT him. 'Oh my Westley, so do I.'
From behind them suddenly, closer than they had imagined, they could hear the roar of Humperdinck: 'Stop them! Cut them off!' They were, admittedly, startled, but there was no reason for worry: they were on the fastest horses in the kingdom, and the lead was already theirs.
However, this was before Inigo's wound reopened, and Westley relapsed again, and Fezzik took the wrong turn, and Buttercup's horse threw a shoe. And the night behind them was filled with the crescendoing sound of pursuit....
BUTTERCUP'S BABY
AN EXPLANATION
YOU'RE PROBABLY wondering why I only abridged the first chapter. The answer is simple:
MY TROUBLES BEGAN twenty-five years ago with the reunion scene.
You remember, in my abridgement of
My late great editor Hiram Haydn felt I was wrong, that if you abridge someone you can't suddenly start using your own words. But I
No one—please believe this—
What follows is the explanatory letter I wrote that
Dear Reader,
Thank you for sending in and no, this is not the reunion scene, because of a certain roadblock named Kermit Shog.
As soon as bound books were ready, I got a call from my lawyer, Charley—(you may not remember, but Charley's the one I called from California to go down in the blizzard and buy
Panicked, I zoom down, wondering who could have died, did I flunk my tax audit, what? His secretary lets me into his office and Charley says, 'This is Mr. Shog, Bill.'
And there he is, sitting in the corner, hands on his briefcase, looking exactly like an oily version of Peter Lorre. I really expected him to say, 'Give me the Falcon, you must, or I will be forced to keeel you.'
'Mr. Shog is a lawyer,' Charley goes on. And then this next was said underlined: '
Who knew? Who could have dreamed such a thing existed, an estate of a man dead at least a million years that no one ever heard of over here anyway? 'Perhaps you will give me the Falcon now,' Mr. Shog said. That's not true. What he said was 'Perhaps you will like a few words with your client alone now,' and Charley nodded and out he went and once he was done I said, 'Charley, my God, I never figured—' and he said, 'Did Harcourt?' and I said, 'Not that they ever mentioned,' and he said, 'Ooch,' the grunting sound lawyers make when they know they've