pathetic excuse for a money-grubbing fool, you disgrace to the face of the world.' And with a shriek of disgust he turned and was gone.
Giulietta was beside Inigo then, so excited. 'Daddy likes you,' she said.
THEY DANCED THROUGH the night. They held each other as lovers do. Inigo, with all of his study of movement, swirled like a light-footed dream and Giulietta had been trained since childhood for such things, and the musicians had played for fat dukes and grotesque merchants but now, looking at this dark couple hardly touching ground, they realized their music had to match the dancers.
Even today, all the servants in the Castle Cardinale remember the sound of that music.
Of course, before the spinning and the holding, there were a few minor points that needed a bit of ironing out.
'Daddy likes you,' Giulietta said, watching as her father stormed away.
'Time out,' Inigo said. 'If you're his daughter, that makes you a Countess. And if you are a Countess that makes you a liar, because you said you were a servant. And if you're a liar, I cannot trust you, because there is no excuse for lying, especially when you knew of my dreams and my love. And so I must say farewell.' He started to go.
'One thing?' This from Giulietta.
'More lies?'
'You judge. Yes, I am a Countess. Yes, I lied. It is not all that easy being me. I do not expect sympathy but you must hear my side. I am one of the richest women on earth. In the eyes of many men, one of the more attractive. I am also, please believe me, and I know it sounds arrogant, but I am also wise and tender and kind. I did not dress as a servant girl to fool you. I always dress as a servant girl. To try and find truth. Every eligible noble for a thousand miles has come to the castle. To ask my father for my hand. They say they want my happiness, but they only want my money. And all I want is love.'
Inigo said nothing.
She took a step so she was closer. Then another so she was beside him. Then she whispered quickly, 'When you came here with your dream, you won my heart. But I had to wait. To think. And now I have thought.' She gestured for the musicians to play even more beautifully. 'This is our party. We are the only guests. I did all this to please you, and if you do not kiss my mouth, Inigo Montoya of Spain, I will more than likely die.'
How could he not obey her?
They danced through the night. Ohhh, how they danced. Inigo and Giulietta. And they embraced. And he kissed her mouth and her tumbling hair. And Inigo felt, for the first time since the dying, such happiness. It had fled from him, happiness, and when you spend years without, you forget that no blessing compares....
*** Guess what? It stops there. Bang, the little riff on happiness, end of section.
I call this the 'Unexplained Inigo Fragment.' And what Peter objected to, as well as the fact that he finds it confusing, is simply this: nothing happens.
He's right, in a strictly narrative way. But I feel that here, for the first time, Morgenstern shows us the human side of Inigo so we know he's more than just this Spanish Revenge Machine. (Frankly, I wish I had known this part existed before I read The Princess Bride.) I don't think I could have cared any more deeply than I did, but my God, what poor Inigo gave up to honor his father! Think about it. We all have fantasies, right?
You think before I met and married her I carried about this vision of Helen, my genius shrink wife? Of course not. But here Inigo has made this perfect creature for his own heart—and he finds her. And she loves him back.
And they part.
That's an assumption of mine, I know. But since we are told Inigo had a heavy heart when he reached Despair (and he came there from Italy), I have to go that way.
I included this section here for a very simple reason: I think it's Morgenstern at his best. I ran it by King, of course, and he felt I had to include it, since Morgenstern did. He also put me in touch with this professor cousin he has at Florin University—the son of the lady who runs the great restaurant. And this cousin, a Morgenstern expert, feels that the confusion on my part is my fault. That if I'd done sufficient scholarly preparation, I would understand Morgenstern's symbolism, and would therefore know that plenty happens here. Namely, according to this cousin anyway, it is here that Inigo first learns that Humperdinck has set a plan in motion to kidnap Westley and Buttercup's first child, right after it's born. And then Inigo has to race back to One Tree and stop that from happening. King's cousin says this Unexplained Inigo Fragment isn't a fragment at all, but a completed part of the whole of the novel.
I don't get any of that; if you do, great. And while you're at it, decide if you think I was right or not, including it. If you disagree, that's OK. All I know is my heart was pure....
3. Buttercup and Westley THE FOUR GREAT horses seemed almost to fly toward Florin Channel.
'It appears to me as if we're doomed, then,' Buttercup said.
Westley looked at her. 'Doomed, madam?'
'To be together. Until one of us dies.'
'I've done that already, and I haven't the slightest intention of ever doing it again,' Westley said.
Buttercup looked at him. 'Don't we sort of have to sometime?'
'Not if we promise to outlive each other, and I make that promise now.'
Buttercup looked at him. 'Oh my Westley, so do I.'
From behind them suddenly, closer than they had imagined, they could hear the roar of Humperdinck: 'Stop them! Cut them off!' They were, admittedly, startled, but there was no reason for worry: they were on the fastest horses in the kingdom, and the lead was already theirs.
However, this was before Inigo's wound reopened, and Westley relapsed again, and Fezzik took the wrong turn, and Buttercup's horse threw a shoe. And the night behind them was filled with the crescendoing sound of pursuit....
*** You see what he's done here?
This half page above is, of course, the ending of The Princess Bride, and this will only take a sec, but I'd like to draw attention to what he's doing in the sequel: playing with time. Look, I snitched in my explanation that Waverly was going to get kidnapped, forget that. Morgenstern tells you the same in the very opening pages with Fezzik on the mountain.
OK, so the kidnapping's already happened. Then in the Unexplained Inigo Fragment, he tells us that the kidnapping's about to happen (at least according to King's cousin he does). Now here, he goes back to before Buttercup and Westley have even safely gotten away from Humperdinck.
I think it's interesting, but some of you may find it confusing. Willy, my grandchild, did. I was reading it out loud to him (and how great a feeling was that, sports fans) when he said, 'Wait a sec,' so I did. And he said, 'How can Inigo hear about the kidnapping and the next sentence practically, it's Princess Bride all over again?' I ex- plained it was the way Morgenstern chose to tell this particular story. Then he said this: 'Can you do that?'
I sure hope so.
*** HOWEVER, THIS WAS before Inigo's wound reopened,—me again, and no, that was not a typo, I just thought it would make the transition easier if I repeated the last paragraph, go right on now—and Westley relapsed again, and Fezzik took the wrong turn, and Buttercup's horse threw a shoe. And the night behind them was filled with the crescendoing sound of pursuit....
Fezzik's mistake came first. He was in the lead, a position he tried to avoid whenever possible, but here he had no choice, since Inigo was losing strength with each stride and the lovers, well, they just sopped back and forth
