favorite subject. He likes portraying himself as the victim, and, no matter what goes wrong, he’ll tell you that mistakes were made but not by him.”
“He’s not an overachiever, that’s for certain.”
“His reactions to the photographs were interesting and confusing.”
“When you showed him the pictures of Evan and Cara he acted like he’d never met them.”
“He tried to, but he couldn’t pull it off. His involuntary micro-expressions showed me a lot, but I’m not certain what they mean.”
This was Kate, the scientist collecting specimens, putting them under the glass, pulling them apart, and putting them back together again.
“What did you see?”
“When I showed him the pictures of Evan and Cara, the corners of his mouth turned up for a fraction of a second. That was a smile, or the makings of one. He was happy to see them. Then he got angry, not annoyed but furious. His mouth got hard and tight, and his eyebrows crunched down and together, squashing his eyes and wiping out his smile.”
“I didn’t see any of that.”
“That’s why we call them micro-expressions. They don’t last long enough for the untrained eye to pick up on them.”
“He could have been mad at his kids. He pretty much told you they were cramping his style.”
“Maybe, but I don’t think so, especially after I showed him the picture of the dead children. Coming on top of the pictures of Evan and Cara, his brain instantly assumed his children were the ones in the photograph.”
“But he realized they weren’t his kids.”
“Not before I saw his uncontrolled, involuntary reactions. He was completely surprised and horrified.”
“Isn’t that what you’d expect?”
“Not if he killed them. The killer would have shown contempt or disgust, maybe shame, unless he’s a total psychopath.”
“All I saw was how angry he got after you showed him the pictures of the dead kids. You set him up, and he knew it. That would piss anyone off.”
“Yeah, but that anger was different than the first outburst, the hidden one you didn’t see. You saw his anger at being tricked. As outraged as he was, the flash of anger I saw when I showed him Evan and Cara’s photographs was more intense. He was snarling, like a rabid dog.”
“Are you saying you don’t think he killed them?”
“I’m saying I don’t know why seeing pictures of his children made him happy at first and then made him angrier than when I tried to deceive him into thinking his children were dead. I don’t know what that means.”
“There’s one other thing you’re overlooking.”
“What’s that?”
“When you showed him the picture of the bodies, he said that they weren’t his kids. He didn’t say that they couldn’t be his kids because they weren’t dead. That’s what I would have said if I were him and I hadn’t killed my son and daughter.”
My cell phone pinged with a text message. It was from Lucy. I read it and shook.
“What is it?”
“One of the volunteer search teams looking for Evan and Cara found something in Kessler Park.”
“What?”
“Remains.”
Chapter Twenty-five
Kessler Park stretches along the northern edge of Northeast Kansas City, beginning near the intersection of The Paseo and Independence Avenue on the west and continuing east to the intersection of Gladstone and Belmont, a rambling, undulating green border covering more than four miles. Built beginning in the 1890s as the first of the city’s ten thousand acres of parks, many of its hilly and hardscrabble wooded areas remain hard to reach. Drug dealers and prostitutes long ago replaced families out for a Sunday horse and buggy ride, plying their trade in after-dark seclusion, turning indifferent eyes to the stolen cars and dead bodies dumped and buried in the park’s shadows.
Cliff Drive snakes through the park past the Kansas City Museum, edging along limestone bluffs overlooking the Missouri River, continuing past North Terrace Lake, the Carl DiCapo Fountain, a disc golf course, and Indian Mound, a Native American gravesite. The city and local neighborhood associations have fought to reclaim the park, closing Cliff Drive to motor traffic on weekends and cracking down on illegal activity. But the park is too big, too rugged, and too thick to be tamed by traffic engineers and irate homeowners.
Lucy’s text message had said to meet her at North Terrace Lake, an irregular-shaped pond in the center of a broad, grassy basin set below street level. Cliff Drive, Chestnut Trafficway, and Lexington Avenue bordered the lake on three sides, a widening stand of thick trees and tangled underbrush rising behind the lake across the face of a steep slope. The grass was stunted, stained dull beige, ready for winter, the trees half-stripped of their leaves, those hanging on, dry, brown, and frail.
We parked on Cliff Drive at the end of a line of police cars. Two clusters of people, fifty feet apart, were gathered on the near side of the lake along a bike path. The sun was overhead, the air crisp but not cold enough to force them to huddle together for warmth though they stood hunched shoulder to hunched shoulder, larger rings circling smaller ones, a lone woman at the center of each group.
Standing on the side of the road and looking down at the lake, I recognized Peggy Martin as the solitary woman in the group farther from us. She shuffled her feet, strained to see over the heads blocking her view, and then dropped her chin, eyes on the ground, repeating the routine again and again. Even at a distance, one thing was certain. She wasn’t cold, and the people around her weren’t there to keep her warm. She was scared, and they were protecting her.
The police had established a perimeter along the outer edge of the distant trees, stretching yellow crime- scene tape trunk to trunk. A uniformed cop held the leash on a search dog, the German shepherd lying at his feet, ears pricked, tail slapping the hard ground with an impatient beat.
The woods were too thick to see what was going on inside the tape, but I knew that a forensics team was spooning away dirt and rock until whatever had been found could be identified as human and a preliminary assessment of gender and approximate age could be made. If the remains were human, they would be excavated with painstaking care, each bone and bone fragment photographed, location and position recorded, the surrounding soil sifted for clothing, bullets, and anything else that would help identify the victim and cause of death. Once the remains were tagged and bagged, the investigation would fan out in widening circles searching for more evidence.
That’s when someone would emerge from the trees and talk to the women who were waiting inside their friendship circles, too afraid of answers to ask questions. What did they find? Could it be my son, daughter, sister, brother, father, mother? Who did this?
A television news chopper hovered overhead, rotors thumping. Remote broadcast vans, satellite dishes aimed skyward, jockeyed for position as two cops directed them to a staging area. A reporter, trailed by a cameraman, approached Peggy’s circle and was rebuffed. She shrugged, signaling to the cameraman to follow her to the other group, where she found someone anxious to make the six o’clock news.
Kate and I walked down the slope from Cliff Drive toward the bike path, our route taking us past the group that welcomed the reporter. One of the women was holding a copy of the flier I’d seen tacked to the light pole on Independence Avenue near Roni Chase’s office. I couldn’t see the picture on it, but I could make out Timmy Montgomery’s name. Several other women were wearing sweatshirts screen-printed with a logo that read Have You Seen Me? and Timmy’s image.
The woman in the center of that circle had been waiting two years for the answers to her questions. A crack opened in the wall her friends had built around her. She was staring at the ground, rocking back and forth and hugging her body. Her hair was pulled back, her face pale and flat. A man elbowed his way toward her, hands
