triggered his memory of a story his grandfather told him.

Tom Pendergast ran Kansas City during Prohibition and after, ruling with a velvet hammer Cullan must have envied. He was ruthless to some, generous to others, handing down decrees and handing out favors from an office above the abandoned barber shop across the street from Cullan's office.

Mason's grandfather, Mike, had gotten his start in the wrecking business when Pendergast had given his blessing to his grandfather's plan to salvage the scrap from the construction of Bagnel Dam at the Lake of the Ozarks and sell it. Afterward, his grandfather had gone to Pendergast's office to pay the man his respects and a cut of the profits. Pendergast had accepted the gratitude but not the cash, and Mason's grandfather had been on his way, though his patron eventually went to jail for tax evasion.

By 1945, when the picture had been taken, Pendergast had been released from jail, his organization lay in ruins, and he had only a short time to live. The young Jack Cullan couldn't have known or cared about Pendergast's background. It must have been pure coincidence that he shook hands that day with the man whose career he would emulate. Looking back years later, Cullan probably saw it as a portent, his first step on a well-trod path.

CHAPTER FORTY-TWO

There was a small diner, another relic from pre-fast-food times, one block south on Main. It was the last building on the east side of the street and offered a handful of parking spaces in a lot on the south side of the building. Mason pulled into the parking lot and called Mickey Shanahan.

'Law offices of Lou Mason. To whom may I direct your call?' Mickey said.

'Are you auditioning for a job as a receptionist too?'

'No job too small, no duty too great. Pay me soon; it's been a week since I ate.'

'I'm not surprised. Your shtick is from hunger. While you're cruising the Internet, go to the county's Web site and check property ownership records for 2010 Main. In fact, check the ownership records for that entire block. The west side of Main between Twentieth and Twenty-First. Call me back when you've got something.'

The Egg House Diner was a twenty-four-hour restaurant with a counter that seated eight and a row of booths along the front window, none of which were occupied when Mason picked one. A man of indeterminate age, wearing layers of soiled clothing and a strong odor, sat at the counter, stirring a cup of coffee. A large black plastic bag, stuffed to its limit, lay on the floor at his feet.

Mason chose a booth that gave him a clear view of the vacant barbershop. He picked up a menu that had more stains than entries. A few moments later, a flat-faced woman with dull eyes and thin hair, wearing a lime- green-and-white-striped waitress uniform, brought him a glass of water and took his order for a turkey sandwich. He took the first bite when his phone rang, the caller ID telling him it was Mickey.

'What do you have for me?'

'The whole block is owned by New Century Redevelopment Corporation except for 2010 Main. Shirley Parker owns that building. Her name mean anything to you?'

'Yeah. It means I'll be out the rest of the day.'

Mason spent the afternoon in the booth at the Egg House Diner. The man sitting at the counter did the same. The waitress, used to customers who spent little, talked less, and stayed forever, left him alone. He watched the traffic on Main Street, waiting for Shirley Parker to jaywalk from the People's Savings amp; Loan Building to the barbershop across the street.

He wasn't good at sitting and waiting. He lacked the patience for a stakeout, though he wasn't certain whether sitting in a restaurant qualified. He figured a real stakeout meant sitting in a dark car, drinking cold coffee, peeing in a bottle, and scrunching down in the front seat whenever someone drove by. He was just killing time in a dumpy diner, kept company by people who had no place else to go.

After a while, he retrieved a yellow legal pad from his car and tried to reproduce the notes from his dry-erase board. He wrote the names and the questions again, adding order and precision to the notes without finding any new answers. He drummed his pen against the pad until the vagrant at the counter silenced him with an annoyed look. No one else came into the diner.

At three o'clock, he ordered a slice of apple pie and a cup of coffee to be polite. He picked at the pie and stirred the coffee, then told the waitress to give it to his counter companion. The man gave him another annoyed look but didn't send the snack back to Mason's booth.

By five o'clock, clouds had moved in, hastening the transition from dusk to dark. Headlights blinked on, slicing the gloom on Main Street as people began making their way home. As if on cue, the man at the counter grunted at the waitress, hoisted his plastic bag over his shoulder, and left, giving Mason a final silent stab on his way out the door.

A pair of city buses, one northbound, the other southbound, stopped at the corner of Twentieth and Main, momentarily blocking his view. When the buses pulled away, he saw Shirley Parker jostling the lock on the door to the building that housed the barbershop. He waited until she was inside before leaving the diner, trying to remember when he'd had his last haircut.

CHAPTER FORTY-THREE

The door to Shirley Parker's building opened into a long, dark hallway that led to the back. Bare wooden stairs to the second floor narrowed the passage. No one was in the hall when Mason stepped inside. He stood still for a moment, listening, hearing nothing.

A door to his right would have opened into the barbershop had it not been lying on its side, propped against the wall as an afterthought. The shop was empty except for an ancient barber chair tilted in the reclining position, as if its last occupant had come in for a shampoo and shave. Steel bars had been bolted to the storefront window frame, a stark concession to the uneasy plight of an abandoned building made too late to save anything but memories.

A naked lightbulb at the top of the stairs cast shadows at Mason's feet. The silence was broken by the sound of shoes scraping overhead. Shirley Parker was upstairs in Tom Pendergast's old office.

Mason had spent the afternoon in the Egg House Diner betting that Jack Cullan had hidden his secret files in Pendergast's office, the irony of using his hero's headquarters too delicious to pass up. Putting the ownership of the building in Shirley Parker's name was a thin dodge, arrogance mistaken for cleverness-a common weakness of bad guys. Superman never would have put Jimmy Olson's name on the deed to the Fortress of Solitude.

Mason had also bet that his questions had unnerved Shirley Parker, forcing her to conduct her own stakeout of the barbershop to confirm that Mason didn't try to break in. When he didn't, she still couldn't resist checking on the files to be certain he hadn't somehow sneaked past her.

Breaking and entering was a Class D felony, not an upward career move for most lawyers. Mason convinced himself that he was neither breaking nor entering; he was simply making a business visit knowing that Shirley was inside. Besides, he had no intent to commit any crime on the premises, at least not at that moment. He just wanted to talk with Shirley Parker.

As he stood at the foot of the stairs, the plan that had made so much sense as he sat in the booth at the diner now struck him as foolhardy. Shirley had refused to answer his questions in Cullan's office during normal business hours. Popping up like the Pillsbury Doughboy in Pendergast's office after hours wouldn't loosen her tongue. She would call the police, and the files would disappear overnight.

His insight produced Plan B, and in that moment he understood the curious reasoning that landed his clients in jail. It was a mix of overstated need, self-justification, and unfounded optimism that he could pull something off that a rational person would never consider.

Uncertain exactly when and where he had crossed that line, he was confident that it really was a good idea to hide in the basement until Shirley left the building, then search Pendergast's office until he found the files. Tomorrow morning, he would serve Shirley with a subpoena for the files, and then sit back and watch Patrick Ortiz marvel at his resourcefulness.

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