winked at him when he promised to be home in time to give her dinner.

The Cable Depot was his first stop. Jordan had told him that she had gone to Dr. Gina's office the Friday before Gina was murdered and that she had discovered her cell phone was missing after her therapy session with Gina. Arthur Hackett had told him that Gina had stopped at KWIN after her session with Jordan, making the radio station the likely place to start looking for Jordan's cell phone.

Mason still had the passkey Trent Hackett gave him, but he knew he couldn't simply walk into KWIN, flash his American Bar Association membership card, and start rifling through desk drawers. He'd have to make peace, or at least reach a truce, with Arthur Hackett.

Hackett was seated behind his desk gazing out the window to the north, his back to the door, watching private planes land at the downtown airport, when a secretary brought Mason into his office. He slowly swiveled his chair around to face Mason as the secretary closed the door, leaving them alone, shocking Mason with his deteriorated appearance. His face was gray, skin hanging loose from his cheeks, his eyes flat as if nothing he saw was worth the view. He'd lost enough weight that his clothes sagged, covering him like hand-me-downs. Hackett raised a limp hand from his lap, gesturing Mason to have a seat.

'Thank you for seeing me,' Mason said. 'I know this is a difficult time for you and your wife.'

'Do you?' Arthur asked. 'How would you know such a thing, Mr. Mason? Have you buried one of your children? Have you condemned another?' Each question was cut with a dull knife, the sharp edge worn from the many times he'd asked them of himself, trying to fathom how such horror fell to him.

'No, sir,' Mason answered, caught in the quicksand of Hackett's grief. 'I won't presume to know what you're going through, though I am sorry you have to go through it.'

Arthur drew a deep breath. 'That's more honesty than I'm accustomed to. My home is crawling with people trying to make my wife and me feel better. I'm in no mind to work, but at least I can be left alone here.'

'Then why did you see me?' Mason asked.

'There's no understanding something like this, Mason. There's no way of reconciling to it. Carol and I weren't perfect parents. Hell, we weren't even good parents. Trent was our failure. Jordan was a mystery, bad genes, bad parents. Who knows? They were ours to take care of and we failed them. I was hoping that you found something that would make sense out all of this, maybe let my wife and me off the hook a little bit.'

'I'm trying, Arthur,' Mason said, steeling himself to Arthur's excruciating confession, knowing he couldn't give the absolution Arthur needed. 'I was wondering if Jordan's cell phone ever turned up. Someone used it to make a call that could be important.'

Arthur shook his head. 'You asked me about that once before. I took a look around and didn't find it, though it should have been easy enough to find. Jordan bought a hot pink faceplate for the phone. It practically glowed in the dark.'

'Did the bills come to you?' Mason asked. 'I'd like to see the last one.' Arthur pursed his lips, drumming his fingers on his desk.

'I can subpoena it from the cellular company, but that's a lot of trouble if you've got the bill,' Mason said. He waited to ask Hackett why he was holding back.

'You don't have to do that,' Hackett said. 'It's too late to be embarrassed for Jordan anyway. I got the bill the other day,' he said, removing it from a folder on his desk and handing it to Mason. 'It was over a thousand dollars, most of it to one of those psychic hotlines. Why she bothered with that rubbish, I don't know. I canceled the account.'

Mason studied the bill. He found the entry for the call made to Abby's phone and her return call to Jordan's phone. The other calls were made to the psychic hotline. 'Did you ask the cell phone company if they could find out who placed the calls?'

'They said there was no way to know unless the calls were recorded. Does any of that help you?'

'I don't know,' Mason said. 'I heard that Max Coyle was involved with Gina. Do you know anything about that?'

'There are no secrets in a place like this, Mason. They were both grownups. A lot of people screw around if they get the chance. I heard that you and Max discussed his relationship with Gina at the golf tournament,' he added with a pleased grunt.

'What about Paula Sutton?' Mason asked, ignoring Hackett's jab. 'Who was she screwing around with?'

'Ask her. She'll tell you. She isn't the shy type.'

'I thought there were no secrets in a place like this,' Mason said.

'There aren't. I just don't have time for all of them. Is that all?'

'One last question. Have you heard anyone at the station ever mention someone named Abby Lieberman?'

'No,' Arthur said without hesitation. 'Should I have?'

'I hope not.'

On his way out, Mason walked past the broadcast studio where Paula Sutton was doing her morning show. He stopped and watched through the glass wall dividing the studio from the interior corridor, listening to the broadcast piped over the intercom. Paula listened while her caller denounced public education as a government thought-control plot. She noticed Mason as her caller finished his tirade, answering Mason's pantomimed request that she call him with dead air, her caller hanging up in frustration as the program engineer cut to a commercial.

Max Coyle lumbered down the hallway, dipping his shoulder and knocking Mason to his knees as he passed, not saying a word. When Mason got up, Paula had slipped out of the studio through another door. He made it to the street without being steamrolled again, certain that Max wouldn't be doing any testimonials on his behalf.

Mickey was waiting for him when he got to the office, shooting Nerf Balls at the basketball goal above the door. Mason caught the ball as he crossed the threshold.

'Goaltending,' Mickey said.

'My goal,' Mason answered. 'I can tend it whenever I want. Are we still in business?'

'You bet. I've figured out the great thing about the practice of law. When times are good, people can afford to fight. When times are bad, people can't afford not to fight. And criminals don't pay any attention to the economy. You'll never go out of business.'

'I love this country,' Mason said. 'How's the not-forprofit world compare?'

'I don't know why they call it not-for-profit,' Mickey answered. 'As far as I can tell, everyone is making a killing.'

'What did you find out about Sanctuary?'

'Nothing new. Centurion and Terry Nix are living large, but they're smart enough to do it up front. It's all in the reports. Emily's Fund is another story.'

'Tell me the story,' Mason said, opening his dry-erase board, hoping the crisscrossed lines would lead him to an answer instead of another dead end.

'Emily's Fund reported making donations to about a dozen other charities. All of them had to file the same annual report listing their contributions. The only one that matches up is Sanctuary. The others reported getting about half of what Emily's Fund says it gave them.'

'What's the total difference between the two amounts?'

'More than two million bucks over the last couple of years,' Mickey said. 'Emily's Fund has a fiscal year that ends June 30, and that's when it makes a lot of its contributions. Almost a million of the discrepancy was from contributions made on June 30.'

'Wouldn't somebody notice the discrepancy?' Mason asked.

'Doubtful,' Mickey answered. 'From what I found out, these charities rarely get audited by anybody, especially if the charity's directors are the same people playing with the dough. Plus, anyone looking at the report for one charity probably wouldn't cross-check it against the reports of another charity, especially if the first charity's books balanced.'

'Gina Davenport and David Evans were the only directors of Emily's Fund, right?' Mason asked.

'Kind of convenient,' Mickey answered.

'Did Gina Davenport sign the reports?'

'In front of a notary,' Mickey said, 'swearing they were accurate.'

Mason picked up Gina's book, her picture staring back at him from the cover. 'So that's the way you did the

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