the more reckless banks to 'loan up,' as they call it. Which was another way of saying to push
A BANKERS' UTOPIA
If all banks could be forced to issue loans in the same ratio to their reserves as other banks did, then, regardless of how small that ratio was, the amount of checks to be cleared between them would balance in the long run. No major currency drains would ever occur. The entire banking industry might collapse under such a system, but not
But, in 1910, such a bankers' Utopia had not yet been created. If the Downtown bank began to loan at a greater ratio to its reserves than its competitors, the amount of checks which would come back to it for payment also would be greater. Thus, the bank which pursued a more reckless lending policy had to draw
Historian John Klein tells us that 'The financial panics of 1873, 1884,1893, and 1907 were in large part an outgrowth of ... reserve pyramiding and excessive deposit creation by reserve city ...
banks. These panics were triggered by the currency drains that took place in periods of relative prosperity when banks were loaned up.'1 In other words, the 'panics' and resulting bank failures were caused, not by negative factors in the economy, but by
This was another common problem that brought these seven
men over a thousand miles to a tiny island off the shore of Georgia.
Each was a potentially fierce competitor, but uppermost in their minds were the so-called panics and the very real 1,748 bank 1. See Vera C. Smith,
16 THE CREATURE FROM JEKYLL ISLAND
failures of the preceding two decades. Somehow, they had to join forces. A method had to be devised to enable them to continue to make more promises to pay-on-demand than they could keep. To do this, they had to find a way to force all banks to walk the
Here, then, were the main challenges that faced that tiny but powerful group assembled on Jekyll Island:
1. How to stop the growing influence of small, rival banks and to insure that control over the nation's financial resources would remain in the hands of those present;
2. How to make the money supply more elastic in order to reverse the trend of private capital formation and to recapture the industrial loan market;
3. How to pool the meager reserves of the nation's banks into one large reserve so that all banks will be motivated to follow the same loan-to-deposit ratios. This would protect at least some of them from currency drains and bank runs;
4. Should this lead eventually to the collapse of the whole banking system, then how to shift the losses from the owners of the banks to the taxpayers.
THE CARTEL ADOPTS A NAME
Everyone knew that the solution to all these problems was a cartel mechanism that had been devised and already put into similar operation in Europe. As with all cartels, it had to be created by legislation and sustained by the power of government under the deception of protecting the consumer. The most important task before them, therefore, can be stated as objective number five: 5. How to convince Congress that the scheme was a measure to protect the public.
The task was a delicate one. The American people did not like the concept of a cartel. The idea of business enterprises joining together to fix prices and prevent competition was alien to the free-enterprise system. It could never be sold to the voters. But, if the word cartel was not used, if the venture could be described THE JOURNEY TO JEKYLL ISLAND 17
with w o r d s w h i c h are emotionally n e u t r a l - p e r h a p s e v e n allur-i n g — t h e n half the battle w o u l d b e w o n . , t , The first decision, therefore, w a s to follow the practice a d o p t e d in Europe. Henceforth, the cartel w o u l d operate as a
A n d e v e n that w a s to be but a generic expression. F o r p u r p o s e s of public relations and legislation, they w o u l d devise a n a m e that w o u l d avoid the w o r d
[Aldrich's] thought to outflank the opposition by having n o t one central bank but m a n y . A n d the w o r d bank w o u l d itself be a v o i d e d . ' 2
W i t h the exception of Aldrich, all of those present w e r e