I saw at once that I'd overdone it. The word 'trust' killed it. You can use it once, kind of diffidently, but essentially it's a dirty, conniving, treacherous, sneaking word these days. If you ask somebody to trust you, twice, he knows you're playing him for a sucker-if he's smart, and she was smart. Nobody was going to put one over on her.
'No!' she said.
I drew a long breath. 'Well, in that case… It seems that every time I meet one of the Springer girls, I have to ask her to take her clothes off.'
She stared at me, shocked. 'My dear man-'
I took a step forward. 'As they said in that place: all the way, Gail. All the way.'
She took a step backwards and wound up against the dresser. She drew herself up in a dignified way. 'Really-' I said, 'You're being pretty silly. You're not Mary Jane. You can't possibly be embarrassed, not a woman who's had four husbands and a Sam Gunther, at the very least. Incidentally, if you try to scream or go for the phone or anything like that, you'll wind up sitting on the floor with all the wind knocked out of you.'
She said angrily, 'You wouldn't dare! If you think you can bluff me again-'
There was that, of course. I was starting from behind; I'd already bluffed her once, with a ball-point pen, and it rankled. She wasn't going to fall for my tough-guy act again. She knew that behind my crusty exterior lurked a marshmallow heart.
If it had only been a matter of searching her, I might still have tried to work it our peacefully, but she not only had to be made to give me something, she had to be made to tell me something. I had to impress her, somehow, with my fundamentally vicious nature. Now she was talking again, in her haughty and indignant way, and her attitude gave me a pain, anyway. I just reached out and yanked the dress off her.
VII
It didn't come off quite as easily as that, of course. It wasn't a movie break-away garment or a stripper's dress with a smooth-working full-length zipper. It was a smart and expensive and well- constructed cocktail dress of strong material-as I said my grandmother used that shiny figured stuff for upholstery purposes-so I had to get a good grip and pull down quite hard, twice, slantingly right and left, just to break it loose from her shoulders and out from under her furs.
She took a moment to realize what was happening; then she grabbed for the dress as it tore away, and we had a breathless and undignified struggle over the garment before I captured her wrists and got them into my left hand. With my right, I got another grip on the slick, heavy brocade, which had slipped to her waist as we wrestled. Holding her by the wrists, I gave a long, slashing, sideways jerk that ripped open the seam down the side. A final tug burst it apart at the hem, and I had it all. I stepped back, releasing her. She started after me instinctively, reaching out, but checked herself, realizing, I guess, that even if she could get it back, the crumpled rag I was holding wouldn't do her much good.
We faced each other like that. She looked kind of silly standing there in her furs, her long white gloves, her blue high-heeled pumps-plus brassiere, pantie-girdle and stockings. She looked like one of those leggy pin-ups, you see in bars and garages, that are always getting their skirts snagged on barbed-wire fences in interesting ways. But she wasn't quite as young as those models. Not that there was anything aged about her face and figure. She just wasn't a laughing, teasing kid, that's all. She was a grown woman, humiliated and furious.
I said, 'All the way, Gail.'
She started to speak and couldn't; she was too angry. And the terrible thing is there was nothing she could do about it, dressed as she now was, that wouldn't look perfectly ridiculous and at the same time rather provocative. She had the sense to know it, and she drew a long, uneven breath, and forced a rueful smile with all the warmth and sincerity of a Borgia kiss.
'Well!' she breathed. 'A man of direct action!'
'I gave you a chance,' I said. 'I gave you every chance in the world. You wouldn't believe me, not even with the Bible thrown in. Now I ask you again, do you give me what I'm looking for or do I have to strip you completely to get it?'
She glanced down and grimaced. 'Damn you. That dress cost me a hundred and seventy-five dollars last week in Dallas. I'd never worn it before.' After a moment, she said wryly, 'Well, I can't see much point in putting up a losing battle for my girdle and bra. Here.'
She reached two fingers inside her brassiere, pulled something out and gave it to me. I took it and found it to be a small metal cylinder wrapped in something sticky, like double-faced Scotch tape. That would make it easy to hide, under the hair or elsewhere; it would stay put. Inside the cylinder was a tight roll of microfilm. I don't know how the undercover professions got along before the stuff was invented.
I glanced up briefly. Gail had peeled off her long gloves and was removing her mink jacket, which was smart if not modest. A fashionable lady, gloved and furred for the street, who suddenly misplaces her dress, is a rather comical sight, but there's nothing funny about a beautiful woman in stockings and undergarments. It can be irresistible, or it can be merely embarrassing, but it isn't funny. She came to stand beside me-now deliberately unselfconscious about her half-clad state-and took cigarettes and a lighter from her purse on the dresser. I didn't stop her.
'What is it?' she asked.
I had pried the microfilm out of its tiny cartridge. There were only five exposures on the strip, and it had been roiled so tightly it was difficult to handle. I could barely make out the letterhead on the first frame. The rest of the printing was much too tiny to decipher with the naked eye. I rolled up the strip, returned it to the cartridge and put it in my pocket.
'Well?' she said.
I shook my head. 'It's none of your business, certainly, and maybe none of mine. Anyway, I can't read it without a viewer.' This wasn't quite true. As an ex-photographer, I travel with a bunch of camera junk among which is an achromatic seven-power magnifier that would have done the job after a fashion, but at the moment I had more important matters to concern me. 'Now give me the rest of it,' I said.
She smiled slowly, lit the cigarette she had placed between her lips and blew smoke at me. She was a beautiful woman without too many clothes on, and she knew it.
'Make me,' she said.
I said wearily, 'Gail, you never learn, do you?'
Her eyes narrowed slightly. 'What do you mean?'
I said, 'Haven't you got it through your pretty head yet that I'm going to get that information from you, one way or another?'
'It sounds-' She blew more smoke at me. '-it sounds as if you were planning to torture me. How quaint!'
I said, 'Don't talk about torture as if you know what it meant. You haven't the slightest idea.'
She smiled slowly. 'Then tell me.'
I'd shaken her for a moment, or my violence had, but she'd recovered fast. Losing a dress was, after all, not really a tragedy. She'd undoubtedly had several nice dresses torn or hopelessly mussed in her life-I judged it had been that kind of a life-and she'd made a man pay for every one of them. She was going to try to make me pay for this one, sooner or later. In the meantime, she was going to make me as uncomfortable as possible, lounging there sexily with a cigarette between her fingers.
'Tell me,' she murmured. 'Tell me about torture, darling.'
'Very well,' I said. 'There are two forms. One is long and sure. It consists of breaking the subject's will to resist by inflicting severe pain and physical injury-but not fatally-over extended periods of time, combined with other forms of humiliation and hardship that add to the psychological effect. No one is immune to this. During the war, for instance, many brave and dedicated underground workers betrayed their comrades after being in the hands of the Gestapo for a while. This was expected, and operations were therefore conducted by small units, the other members of which fled to safety as a matter of course the minute one person was captured.'
She put the cigarette to her lips. 'Go on, Professor.'
I said, 'No one should ever criticize the man who breaks under prolonged torture, except to say that he shouldn't have let himself be captured alive in the first place. In our business, if an agent has information that's important and dangerous, it's taken for granted that he'll kill himself rather than be captured. He's given the stuff to do it with. It's the only sure way even a trained and loyal man, or woman, can keep from being made to talk.'
Gail said, 'And is this what you're going to do to me?' I thought her voice sounded just a trifle shrill.
I shook my head. 'I haven't the time or the facilities, and I don't think I need to.'
'What does that mean?'
'Just what it says,' I said. 'I don't think I need to break you that way, Gail. An attractive woman is very vulnerable. The second form of torture is a kind of bargain. You tell the subject what you can do to him-or to her. You show that you're ready and willing to do it. And then you ask if he-or she-really is willing to have these unpleasant and fairly permanent things done to him-or to her-just for the sake of a little information that probably isn't very important, anyway.'
She said, sharply, 'You seem to think it's important enough!' Then she drew a long breath and said, 'You wouldn't dare! If you really are a government man-'
I said, 'For God's sake, Gail, make up your mind!
If I'm really a government man, there's no problem, is there? You can tell me what you know with a clear conscience. In fact, it's your duty to do so.' I waited. 'Well?'
She glared at me. 'Go to hell!'
I sighed, and leaned down, and picked up the ruined dress I had dropped on the rug. Ripped open down the side, with its broken straps dangling, it looked bedraggled and shapeless.
'Look at it, Gail,' I said. 'Five minutes ago, it was a pretty dress. Now it's just a rag. Right now you're a pretty woman. Five minutes from now…' I paused significantly.
'You bastard!' she whispered.
'I've seen it happen,' I murmured. 'One minute a lovely girl is standing there, resisting interrogation bravely, just like you, and the next minute there's just something half human crawling along the floor, something crippled and bloody and whimpering with its nose smashed flat in its face and its mouth full of broken teeth… Oh, I suppose they'll be able to fix you up eventually, Gail. They can do all kinds of things with dentistry and plastic surgery these days. But I doubt it would be much fun.'
She crushed out her cigarette violently. 'You bastard!' she breathed. 'You filthy, sadistic bastard!'
I didn't say anything more. She wasn't sure, of course. I could still be bluffing. So far all I'd done was tear a dress; that didn't prove I had the ruthlessness to destroy a woman's face. But she wasn't a gambler; she couldn't take the chance. The stakes were too high. I didn't even have to put on a demonstration, although I had the arm of a chair picked out that I thought I might be able to crack with the edge of my hand. I saw her bare shoulders sag.
'You bastard,' she said without looking at me, 'does Wigwam mean anything to you, you filthy, sadistic bastard?'
'Wigwam?' I got out my pen and wrote it down. 'Like an Indian tent?' Gail didn't answer directly. 'She said, 'Take it to the Wigwam in Carrizozo, New Mexico. The new date is December thirteenth.'
'The Wigwam,' I said, writing. 'Carrizozo, New Mexico-I just drove through there today. December thirteenth.'
'Stop interrupting me, damn you!' She didn't look at me. 'Janie said that. Then she was quiet for a little. Then she said, 'December thirteenth. What's the date today? If it happens, I'll only have missed a few days, won't I, Gail? But you have to help them stop it…''
'Have to help them stop it,' I read from my notes. 'Go on.'
'That's all. Then she died.' Gail's voice was flat. 'Tell me… tell me, would you really have hit me, smashed me, or were you bluffing again?'
