The Midnight Mayor

Mr Earle said nothing. Lips the colour of old slushed snow pursed beneath a pencil-sharpener nose.

Vera said, moving towards me calmly, “If the old Mayor is dead, who’s the new Mayor? Is it done by appointment or what?”

No one felt inclined to answer.

We put our head on one side and looked at Mr Earle. His fingers twitched at his side. “No,” he said finally. “Either way, it’s not going to work.”

It’s not very easy to kill a sorcerer with magic, since nine times out of ten the sorcerer in question will be so hyped up on the stuff that they won’t even notice you’re trying. It’s very easy to kill a sorcerer with bullets. We die like everyone else — most of the time.

I knew this. I’d been reminded the second Ms Anissina’s hand went into her coat pocket. Which is why I pushed my bandaged hand up to the ceiling and curled my fingers around the lights, snuffing them out of existence before she had a chance to fire.

The good news was that Ms Anissina was, at the end of the day, an Alderman, trained in use of magic, not firearms. She fired anyway: blinding whiteness in a room of adjusting eyes. I heard something go, very quietly, ah. It wasn’t me. It was a sound somewhere between surprise and being stung by a nettle. Then Mr Kemsley’s hands were at my throat, and his fingers, once he bothered to stretch them, weren’t just mortal flesh; they sprouted aluminium, unfolded metal armour from between the tiny curved lines of his fingerprints, sharp and cold and harsh and unremitting, and above all else, conductive.

I fell back beneath his weight, letting him push me, throwing him off balance, overborne by his own momentum, and as I fell, reached out towards the nearest socket and grabbed for its power. Electric fire snaked through the air to my fingertips, obedient to command, and with a fistful of lightning I slammed my fist into the side of his head, hurling him across my body and over towards the opposite wall.

The light of the electricity gave Ms Anissina a glimmer to see by; she was the black shadow raising the gun. So I hurled the stolen brightness of the snuffed lights at her face, a blinding sphere the size of a football containing the illumination of the whole room in a bundle. She turned her head away, covering her eyes, and the gun fired again, flashing a starlight explosion from the end of the barrel and poking a hole in the ceiling.

I crawled back onto my feet, scooped up my bag from the floor and fumbled in the darkness round the back of the sofa. As my eyes began to adjust to the yellow light from the streetlamps and the blue glow of the electricity spun around my fist, a claw closed round the back of my neck. Five fingers had sprouted five painted black metal claws; skin had turned silver and weakness had turned to a vicelike strength that threatened to pop my spine out from beneath my skin. No one should have that kind of strength, but Mr Earle wasn’t just anyone. He pulled my head back so I could see the ceiling, and my back arched and bent to follow. In the light of the streetlamps and spitting electric flame I could see his face, and as I watched, the silverish metal covering of his skin was spreading even there, covering his lips, eyelids, spilling into his ears. His tongue flickered between his lips, and it was a thin red rolling fork; his breath was so hot it rippled the air and sucked moisture from my eyes, his eyes were bulbous, fishlike, burning white fire inside, and as he bent my head back even further, so far I thought it would break, I saw that the little pin on his lapel, the red cross of the Corporation of London, was glowing. Interesting, that. Very rarely do items of personal fashion glow, even under magical circumstances, unless they have something to do with events more than just bad taste.

Then Mr Earle raised his other hand, and it was a claw, and the curved tips of his spiked fingers were looking for the sockets of my eyes. I tried to reach up with electric fingertips, but his grip was so strong and so low that I nearly overbalanced and fell with the action. His lips rippled; not just human emotion, but an animal rippling.

Then Vera said, “Ah, shit.”

He looked round.

I did my best to look, and saw, in the very corner of my eye, Vera, standing with kettle in hand, an irritated expression on her face and blood running out of a neat, bullet-sized hole in her chest. Then she smiled.

Not blood.

Paint.

And her skin was shining a bit too brightly, a reflective, acrylic glow, and her hair was dribbling down her back, melting and running down her face like eyeliner in the rain, and her face was melting, draining pale pinkness into her clothes, which wobbled and bubbled and fused into each other, and when she smiled, liquid white plastic sloshed over her running lips. Mr Earle and I stared at this shrivelling liquid thing in silence, both too surprised to say or do anything. Then Vera raised the kettle, little finger dropping off in a thick splat of pink as she did, and with what was left of her melting hand, swung it firmly into the side of Mr Earle’s face.

He crumpled without a sound, and I fell on top of him, balance completely gone. In a moment I had scrambled free again. But he had merely fallen, nothing more, and as I staggered up, a fist curled round my foot and a pair of burning eyes looked up into my own. Thin red blood was trickling over the silver skin of his face. Acting on instinct, good education and pure adrenalin, I bent down and grabbed the glowing badge pinned to the front of his jacket. It was cool to the touch. He grinned as my fingers closed over it, revealing that forked little tongue, and white teeth grown to little fangs, and for a moment I doubted my own logic. But then his grin turned to something else, darker and more afraid, as I tore badge, lapel and silk away from his chest in a crackling heave, sparks flickering off my skin as my concentration lapsed and electricity stolen from the mains earthed itself around me.

The silver on his face immediately began to retreat, melting into his skin as fast as it had grown, and the blood, that had been a trickle, started to gush thick, gloopy rivulets into his hair. To my left, Vera was nothing more than a melted snowman of spreading paint, a sad lump of expanding coloured liquid pooling on the floor. I dragged my foot free of Earle’s suddenly weakened grip and ran for the door. The lollipop lady painted on the inside had her back turned to me, one hand held up towards an invisible truck on the other side. I pulled the door open without thinking about it, ran out into the corridor, slipping Earle’s now dull badge into my pocket, and walked into the fist of the fourth Alderman, the one who I’d seen waiting by the car. It wasn’t a particularly hard punch, and he wasn’t sure what to do with it after it had landed, but it sent us staggering back against the wall and automatically we threw our hands up, snarling our anger and unleashing a blast of electricity, dragging it out from the walls and the ceiling to slam firmly into the Alderman’s chest. The shock picked him off his feet and slammed him back against the banister, which hissed and crackled as electricity earthed down the metal railings.

Then I was running again, tripping on the stairs and fumbling in the half-dark for support and guidance. The front door was open, the black cars of the Aldermen humming outside. I looked for a back way out, couldn’t find one, and hammered on the door of a ground-floor flat until a serious-looking gentleman with an important beard and a tartan dressing gown opened it. “Can I . . .” he began.

I kicked the door open before he could finish the sentence, marched straight into the flat, down a corridor lined with pictures of dead fish and serious ancestors, sometimes in the same frame, found a kitchen, the window too small and blocked by an extractor fan, then a bedroom, in which a woman wearing far too little lace, designed for someone twenty years younger and five stone lighter, started screaming. It was none of my business. There was a window at the back of the bedroom; I opened it. It looked out onto a small cobbled mews, full of recycling bins, dumpsters and impossibly angled parking spaces. I crawled out of the window and pulled it shut behind me. The woman just kept on screaming, as if I had the energy or the interest.

There was only one way out of the mews, into a street of expensive cars and not enough space to keep them in. No sign of the Aldermen, no sound of sirens. I ran to the end of the street, where I came to a network of zebra crossings and traffic lights, over which black taxis and delivery trucks swooshed in busy indifference. Here I slowed, skulking along the gloomy edge of a private garden square, and, sticking to the shadows at first, started to walk. A walking man never causes as much interest as a running man, and can sometimes get places faster. My head hurt, pounding from the inside out, against my skull. I walked with the confident, businesslike lollop of your good Londoner. Even if you’ve no idea where you’re going, you have to look like you do. It’s what keeps the locals different from the strangers.

I was in Bayswater. A tiny place in a big city, all things considered, but with its own unique character compressed between broad streets. If you didn’t look too hard, it was an upper-class part of town, all grand houses in white terraces. Pay a little more attention, and the wandering eye would notice the broken window against the tatty tea-stained cloth hung up for a curtain; a dozen doorbells on a single house; the council flat housing an old lady, wedged between the restored mansions with their knocked-through basement. There’s no place in London that’s ever just one thing. I passed graffiti in a dozen languages; alongside the long