stomach. “You figure it out.”
“Aren’t you supposed to be helping me?”
“I’m supposed to be keeping an eye on you. The rest was left unspecified.”
“Fat lot of use you are.”
“I got you in.”
“You were going to shoot—”
“I got you in.”
I scowled and turned away. The music made my head hurt, the beat thrummed up from my toes and used the insides of my stomach as a trampoline. I edged along the counter, trailing my fingers along the smooth metal, almost frictionless, sterile and clean, drifted to the nearest wall, where the plasma screens wriggled and writhed, pressed my fingers against it, then my ear, listened.
I could feel it
I found it: a locked door, unmarked, the same colour as the rest of the room. I felt around in my bag until I found a key of the right make, slid it in, coaxed it to an appropriate shape, turned it, opened the door. A wall of sound hit me, louder even than on the dance floor,
UV light in the ceiling, nothing else; that uncomfortable blue that hurt your eyes, the brain aware that more was hitting the retina than it could understand. I walked down the corridor, found the manager’s office; it was empty, papers and cash, mostly cash, strewn over the desk. I kept walking, found a flight of stairs, the sound crashing on my ears, deDUM deDUM deDUM . . .
A door at the bottom of the flight of stairs. Above it a sign read, “Boom Boom — Executive Officer. By appointment only.”
It was not our place to question a name like “Boom Boom”. After all, you can’t run a nightclub and be called Leslie.
I looked over my shoulder; no one behind, no one in front. I knocked, but my knuckles were a nothing in the din, so, I opened the door.
The room inside was UV blue. The great semicircular arc of the sofa bed was blue, the floor was blue, the walls were blue, blue lights were hung from a blue ceiling and the two goons standing inside the door with blood trickling down from their shattered eardrums were lit up blue by the reflection of all that blueness. They caught me as I came in, grabbed my arms, pushed me back against the door as it slammed behind me. I looked into a pair of young faces, boys, spotty and greasy and pale, dressed in hoodies and fashionable trainers. Their blood looked purple in the light where it had pooled in their eardrums and dribbled down the sides of their necks, the capillaries stood out gleaming from the wide sockets of their eyes, their faces were empty of all feeling. Our instinct to hurt them faded at the sight of those faces; two walking hunks of deafened meat guarding the door, two kids who’d never hear again; it seemed pointless to set their blood on fire now.
We let them pull and shove and generally manhandle us into the middle of the room, pleased at not killing them for their indifference. If we had, it might have demonstrated our nature to the thing we could only guess at being the Executive Officer. As we were dragged before him, he looked at us and said, “Are you lost?”
His voice was a roar, but even then it was barely audible over the thundering beat that filled the room. It came from jaws whose opening was the size of my head, a great, gin-smelling depth lined with tiny white teeth set in a base of a rolling length of opening bone. His eyes were two piggy grey marbles, his skin was flushed the colour of a grilled tomato, with a surface layer of darker capillaries threaded across his flesh like a road map of the Alps. His hair, if you could call it that, was three black strands slicked over a hillside scalp. He wore a suit the size of a wedding marquee. His belly sprawled out the length of my outstretched, tugged-on arms, his feet were two stubbly protrusions wearing — how we were thrilled by this sight! — black and white spats, poking out over the edge of the sofa. He could have crushed a buffalo just by sitting on it, he could have suffocated an elk between his thumb and forefinger, and it was from his chest that the great pounding roar of noise was coming.
A hand the size of my chest reached out to a control panel designed for fat fingertips, and pressed a button. A light went on beneath a bank of speakers behind his head, and at once the great roaring deDUM deDUM deDUM grew less, covered instead by an irritating hiss. It was still there though; I felt it rising through my stomach, aching in my gut.
He repeated, smiling, from his predator’s mouth, “Are you lost?”
I tugged with deliberate weakness at the arms that held my own, testing their strength and doing my best to imply my own feebleness. I felt the stitches strain across my flesh, and grimaced in pain. “I guess so.”
“You don’t have an appointment.” It wasn’t a question.
We looked up and met his tiny eyes, almost lost in the folds of his face, then looked down. He followed our gaze and smiled. “Ah, yes,” he said. “I often get that reaction.”
Beneath the tent of his shirt, big enough to fill with hot air and fly in, something was moving
I said, “
“Do you?” he asked. “That’s interesting. Most people go out of their way not to look.”
“Couldn’t you have gone to the NHS, like any ordinary Joe?” I asked.
“I’m not an ordinary Joe,” he replied, “and neither, I think, are you.” He nodded at his two hooded guards. They pushed me forward; I stumbled, tripped, fell at his spat-wearing feet. The white and black leather filled our vision and we bit back on a hysterical laugh. A smile must have shown because he said, “Is something funny?”
“You’re wearing spats!”
“And?”
“We just . . . it’s so nice to . . . we’ve
“You don’t need to apologise,” he grumbled, and now we realised what the hissing was, that irritating, needle-in-the-ear sound. The speakers were replicating the sound of his beating heart, the great swelling massive thing the size of a swallowed dog pounding inside his chest, but they were doing it a few instants out of phase. One sound met the other, and both were beaten down. That at least was the theory of it.
He leant forward. That is, his head bent down towards me half an inch. He didn’t seem capable of doing any more. He said, “Is there something I can do for you, little man?”
“I’ve got to ask — sorry about this — but I’ve got to ask — why spats?”
“Style,” he replied primly, “is more stylish if it’s done to a personal agenda.”
“And why is your heart pumping out enough decibels to shatter an eardrum?”
He smiled. This was a question he was clearly used to being asked, and enjoyed answering. “I,” he declared proudly, “am the lord of the dance.”
“You do realise that has slightly camp Irish connotations?”
His face darkened. “I,” he repeated firmly, “am the master of the heartbeat, the music maker, the drummer of fate, the . . .”
“You’re a cardiac patient with complications,” I snapped. “Don’t give me this destiny stuff.”
I could see the flesh of his chest warp a little faster, hear the rhythm of his beat, faint behind the hissing of the speakers, slightly out, picking up speed. And if we looked closer still, we thought we could see his ribs rising and falling against his shirt, broken, out of joint, forced to snap up away from the breastbone to make space for that massive engine pounding away within him, and we could see the capillaries across his face flush and fade, flush and fade with each pounding of his heart. “What do you know of it?” he asked.
“Well” — I ticked the points off on my fingertips — “I know that one: cardiac problems account for a high percentage of premature deaths in the UK. Two: there’s a very long waiting list for a very small number of hearts