“He’s here,” we breathed.

Oda peered past us, towards the exit from the junkyard, and immediately drew back, shoulders heaving with the effort of breath. She had seen what I had seen. Just a guy in a suit, standing in the exit. I wondered if Earle’s back-up had seen him too, and if they had lived long enough to see anything more.

“What do we do?” she hissed.

I glanced forward again, and there he was: pinstripe suit, one hand buried casually in his trouser pocket, the other holding a huge blue umbrella over his head, the water tumbling down from the edges. Smiling — just smiling. Mr Pinner, patient as the dustbin man, just smiling in the way out.

Mo, as if sensing the terror that we could see, groaned.

I turned, twisting my head towards the junk above us. “Get him to the station,” I said. “Buy him a ticket. We can hide behind the barriers.”

“What are you going to do?”

We reached up and brushed the tip of an old, cracked fishing rod, sticking out from the black stinking piles of junk. “Litterbug,” we whispered, closing our fingers round the stubbly end of the rod and snapping it like a dry summer twig, “we’re going to have a conversation.”

We wrapped the end of the rod in the palm of our hand, took a deep breath, and stepped out to meet Mr Pinner.

He was smiling.

Had he ever not smiled?

He stood under the umbrella in the chain gateway to the junkyard, and smiled.

Mr Pinner, the death of cities.

After all, if the ravens and the river and the Stone and, God help us all, the Midnight Mayor protect the city, then that should suggest there’s something you need to protect it from.

We stopped ten paces from where he stood, and hoped our jelly-trembles would be mistaken for the cold of the pouring rain. Our hair itched where the water had dragged it down towards our eyes, our stomach felt like it had been sucked clean by a hoover that someone had forgotten to switch off after. We wanted to speak, and found we couldn’t.

Then he said, “Hello. My name is Mr Pinner. I am the death of cities. Did you want to talk about something?”

I nodded numbly.

“I’m all ears.”

His voice was polite, level, well educated, with just a hint of something more aggressive, something that deep down loathed the good grammar he used, loathed the sharp suit and the expensive watch, and dreamed of Friday night down at the pub, and the old farting motorbikes the kids used to use.

“Well?” he prompted, as we stood and stared for too long.

I licked my lips, tasted the falling rain, clutched our piece of fishing rod so tight it burnt in my hand. “Why are you here?”

“To kill you and your lady friend,” he replied easily. “Somewhere in here there are some men who had no luck. Or some of their bits. I don’t concern myself with the details.”

“Why?”

He looked slightly confused. “Because I am the death of cities,” he repeated. “I’m sorry; didn’t I make my position clear?”

“Just . . . just to clarify . . .” I stammered, “you are using it in the literal sense, right? I mean, you’re not just some twat who spent too much time playing Dungeons & Dragons as a kid, you’re the actual, I mean . . . the literal . . .”

He beamed. “When the bomb fell on Hiroshima, I saw the sky blossom above me like a flower, saw the beauty of the flames, the majesty of it. When Dresden burnt, I breathed the smoke — the night has never been so bright! When the levees broke during the storm, I let the water run through my fingers, washing away corruption and a surplus of time; when the plague came to this city, I stroked the backs of the black rats as they ran off the ship. When the baker in Pudding Lane left his oven open, I was the customer who took the last loaf before the ashes scattered onto the straw and ignited. The bread was the sweetest food I have ever tasted. When Rome burnt, I stood on the tallest hill to watch the temples tumble; when Babylon fell, I licked the dust off my lips to taste on my tongue. I stood on the walls of Jericho, danced on the lip of the earthquake when it shook down the Bosphorus, bathed in the burning rivers at Pompeii, drank vodka on the rooftops of Stalingrad, and when the order was given, spare not man, woman, or child, I raised the standard high and gave the battle cry that mortal men were too afraid to utter. I am as old as the first stone laid beside its neighbour. I feast on the fall of walls, on the shattering of roofs, on the breaking of the street, the bursting of the pipes, the snapping of the wires, the bursting of the mains, the running of the people. I have come to this city half a dozen times before, to watch the cathedrals burn and taste the terror on the bridges just before they sink beneath the weight of runners. And now I’ve come again, to finish what was started when the first stone was laid.” He smiled. “Does that answer your question?”

“Yup,” I squeaked. “Pretty much.” He reached up to close the umbrella. “Although,” I said quickly, “it seems to me, in an academic way of things, that you didn’t actually cause all those things. You encouraged them, maybe, you rejoiced in them, you found . . . beauty in them, sure. No one would deny that a mushroom cloud is magical, outrageous, obscene, beautiful. Whatever. But unless you’re telling me you stood next to Truman’s shoulder and whispered, ‘press the red button’ or told Bomber Harris that it would just be a little, little fire, you seem to be more of a consequence, not a cause. A feeding parasite who finds magic in life, life in death. So I gotta ask you: what brought you to London this time?”

He seemed almost to hesitate. Then he smiled. “You must be Bakker’s apprentice,” he said. “The sorcerers are dead, which saved me killing them. The Tower has fallen, which saved me destroying it. When you killed Bakker, you made my life so much easier. I would not have come here had he still been alive. I should thank you for that, sorcerer.”

The vacuum cleaner in my stomach turned from suck to pump, filled it with ice and vomit and dust.

So I said, just to see, because if I didn’t ask, I’d never know, “‘Give me back my hat’.”

His face darkened, his fingers tightened in his trouser pocket. We grinned. “Come on,” I said. “Like it was never not going to be important.”

And for a moment, just a little, little moment, Mr Pinner, the death of cities, was afraid.

Then I felt the first slither of blood run down my face, felt the first sting of the paper cut. We drew back our right hand, behind our shoulder, and then flung it forward, throwing the snapped end of fishing rod like a dart, like a spear. It slammed dead-centre into his chest, point-first through the place where there should have been a breastbone. He looked at it, a little surprised, then back up at us. “Nothing can stop me,” he murmured. “You cannot begin to comprehend.”

I shrugged. We opened our palms out to our sides, felt the electricity crackle through our blood. “Waste not, want not,” we said. He reached to pull the fishing rod from his chest, utterly unconcerned to have it sticking from his paper flesh; and as he did so, we pushed.

Not at him; we pushed sideways, backwards, down, closed our eyes and twisted our fingers towards the great piles of discarded junk, remembering the smell of it, the rusted touch, the slime, the rot, the stink, the decay, the dead cat in its cardboard box, the fungus oozing over rotted things, the torn stuffing, the biting wire, the razored shattered edges, the tumbled glass, the melted plastic, the burnt steel, the broken pipes, the shattered cans, the twisted hinges, the abandoned everything. Everything we didn’t want to see and didn’t want to know, thrown aside; didn’t care, didn’t think, didn’t need, didn’t use, didn’t work, tossed and discarded and abandoned and forgotten and alone.

Life is magic, magic is life. It’s a conundrum sorcerers have always worried at. So much that had once been alive, so many abandoned forgotten things that had been a part of life. It was only logical, only natural, only the most sensible conclusion in the world that with so much association and neglect piled up in one place, there would still be a shard of forgotten life, waiting to burn. And it, being lonely and abandoned and left to die, was

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