intention to make it clear that you don’t really live in Acton. You live in Ealing, or maybe, if you’re low on luck, in Ealing Borders. Or you live in Park Royal, or maybe you’re Almost Chiswick, or borderline Harlesden — wherever you are, however deep you may be inside the boundaries of the borough, if you live in Acton, then you don’t.
Howard Umbars lived in Acton. He wouldn’t admit it, but anyone who is five minutes’ walk from North Acton station lives in Acton.
Low, semi-detached houses. Fake timbering in their perfect triangular sloped roofs, set in white, gravelly stuff too smug to admit to being painted concrete. Driveways containing a mixture of slightly foxed and extremely battered cars, pubs with big gardens and expensive beer, local twenty-four-hour stores selling suspicious cakes, French cigarettes and chocolate fingers.
158 Fryer Walk could have been anywhere, and was most certainly Acton.
There was a six-pointed star on the roof above the front door. Once upon a time, this was where the Polish emigrants had come to stay, back in the days when Acton was considered practically countryside. The door itself was painted blue. There were chain curtains drawn across the windows and no doorbell, no lights on upstairs, a dim yellow glow from downstairs. I knocked on the door.
No one answered.
I knocked harder and waited.
After a while, the door was drawn back on its chain. A voice from inside said, “Yes?”
“I’m looking for Mr Howard Umbars. Actually — that’s a total lie. I’m looking for the turd with the heart condition who uses Mr Umbars as his mystical quack. He here?”
There was a moment’s pause. Then the voice said, “Please wait a moment.”
I waited.
The door stayed on the chain. There was movement in the gloom behind it. A watery blue eye appeared in the crack, looked me up and down. An indignant male voice said, “Who are you?”
“Me? I’m Matthew Swift, the last sorcerer left in this damn town, the blue electric angels made flesh, the Midnight fucking Mayor. Are you going to make me stand in the rain until I blast your bloody door down or what?”
There was a moment’s silence from behind the door. Then it closed, the chain was pulled off from the inside, and it was opened up. A dark corridor, possessed of coat rack (empty), mirror (clean) and coffee table (bare). I stepped inside carefully, looking for the owner of the watery blue eye. He stood at the top of a steep, narrow flight of steps, hands folded around a detachable TV aerial, which he held like a shield. He was bald — not just with a shaven head, but every inch of his visible anatomy shining with taut, stretched pale skin, as if the distance between bone and air was so narrow that hair simply didn’t have the chance to grow. He wore a white shirt and dark trousers; his little face, too small for the neck it sat on, wore an expression of serious mistrust.
“Who are you?” he demanded again. “What do you want here?”
“Strangely, I’ve been entirely honest with you. Are you going to try and use that” — I nodded at the TV aerial in his hand — “to hurt
“If you’re what you say you are, it wouldn’t make much difference.”
“Well,
“If I believe you’re what you say you are.”
I shrugged. “Think of it as being like a nuclear bomb. You don’t want to give the terrorist his million quid not to detonate on basic principle, but on the other hand, are you
“What do you want here?”
I looked up the dark stairwell, then past Mr Umbars to the gloomy corridor into what I guessed was a kitchen. I said, “Look. You’re a quack, right, in a business where quacks seriously do try to make gold from lead or whatever. I don’t really care. You know a guy I’m looking for. He calls himself Boom Boom — the Executive Officer of a club called Voltage. I’m thinking you did some work for him, on a cardiac problem. I’m thinking he’s had a relapse lately owing to some . . .
“Why do you want him?”
“I’m going to save the fucking city,” I replied with a chuckle.
“Are you for real?”
“You’ll never know until you press that button. We aren’t in the mood for pleasant games. Where is he?”
There was a basement.
There’s always a basement in these circumstances. You got into it via a small triangular door cut into the side of the staircase going upstairs, down a flight of grey concrete steps, beneath a bright white bulb swinging from the ceiling. I said, “For a quack, you’re not big on disabled access, are you?”
He looked at me with the expression of a man thinking about red buttons.
“Humour,” I said cheerfully. “It’s my only redeeming quality.”
The basement had been turned into a . . .
In the middle of the room was a table the size of a double bed, made from titanium steel. On it, and that barely, was the great blubbering rolling twisted body of the Executive Officer. Over
But he was awake.
We walked towards the great table with its layers of casing, and tapped on the glass. He half-opened his eyes, saw us, and turned the colour of old bedlinen left out to dry in the rain.
We smiled and waved. “Remember us?”
A fat pair of fingers scrambled across the table inside the transparent casing that contained him, found a switch and pressed it. His voice wheezed from a speaker overhead; “Fucking get him away from me!”
He remembered us.
We felt almost proud.
“Hey!” I replied. “If we were going to kill you, we wouldn’t have hesitated for a moment. I need a bit more information — I was wondering if you might just be the guy to help.”
“Umbars! Get him away from me!”
I glanced at the door. Mr Howard Umbars stood with his hands folded neatly in front of him, a zen-serene expression of blank nothing on his face, eyes looking at some point a few years behind the back of my head.
“Oi, fatso! Me here to save city; you possibly vessel for valuable information, so stuff it!”
It occurred to as, as we said this, that there had been a voice before Mr Umbars had come to the door, someone else in the house. I heard the click. Nasty little clicking sound. It reminded me of Oda. We said, “Of all the things in this mortal world that frighten us, guns are right down at the bottom of the list.”