Richard Bachman
The Regulators
Thinking of Jim Thompson and Sam Peckinpah:
Legendary shadows.
EDITOR’S NOTE
Before his death from cancer in late 1985, Richard Bachman published five novels. In 1994, while preparing to move to a new house, the author’s widow found a cardboard carton filled with manuscripts in the cellar. These novels and stories were in varying degrees of completion. The least finished were longhand scribbles in the steno notebooks Bachman used for original composition. The most finished was a typescript of the novel which follows. It was in a manuscript box secured with rubber bands, as if Bachman had been on the verge of sending it to his publisher when his final remission ended.
The former Mrs Bachman brought it to me for evaluation, and I found it at least up to the standard of his earlier work. I have made a few small changes, mostly updating certain references (substituting Ethan Hawke for Rob Lowe in the first chapter, for instance), but have otherwise left it pretty much as I found it. This work is now offered (with the approval of the author’s widow) as the capstone to a peculiar but not uninteresting career.
My thanks to Claudia Eschelman (the former Claudia Bachman), Bachman scholar Douglas Winter, Elaine Koster at New American Library, and to Carolyn Stromberg, who edited the earliest Bachman novels and validated this one.
The former Mrs Bachman says that, to the best of her knowledge, Bachman never travelled to Ohio, “although he might have flown over it once or twice”. She also has no idea when this novel was written, although she suspects it must have been late at night. Richard Bachman suffered from chronic insomnia.
“Mister, we deal in lead”
The Magnificant Seven
Chapter One
POPLAR STREET/3:45 P.M./JULY 15, 1996
Summer’s here.
Summer in Wentworth, Ohio, oh boy, can you dig it. Summer here on Poplar Street, which runs straight through the middle of that fabled faded American dream with the smell of hotdogs in the air and a few burst paper remains of Fourth of July firecrackers still lying here and there in the gutters. It’s been a hot July, a perfect good old by God blue-ribbon
Meantime, though, it’s all watermelon and Kool-Aid and foul tips off the end of the bat; it’s all the summer you ever wanted and more here in the center of the United States of America, life as good as you ever dreamed it could be, with Chevrolets parked in driveways and steaks in refrigerator meat-drawers waiting to be slapped on the barbecue in the backyard come evening. (And will there be apple pie to follow? What do you think?) This is the land of green lawns and carefully tended flowerbeds; this is the Kingdom of Ohio where the kids wear their hats turned around backward and their strappy tank-tops hang down over their baggy shorts and their great big galooty sneakers all seem to bear the Nike swoosh.
On the block of Poplar which runs between Bear Street at the top of the hill and Hyacinth at the bottom, there are eleven houses and one store. The store, which stands on the corner of Poplar and Hyacinth, is the ever-popular, all-American convenience mart, where you can get your cigarettes, your Blatz or Rolling Rock, your penny candy (although these days most of it costs a dime), your BBQ supplies (paper plates plastic forks taco chips ice cream ketchup mustard relish), your Popsicles, and your wide variety of Snapple, made from the best stuff on earth. You can even get a copy of
The clerk today is new, less than a week on the job, and right now, at 3.45 in the afternoon, she’s waiting on a little boy and girl. The girl looks to be about eleven and is already on her way to being a beauty. The boy, clearly her little brother, is maybe six and is (in the new clerk’s opinion, at least) already on his way to being a first-class boogersnot.
“I want
“There’s only money enough for one, if we each have a soda,” Pretty Sis tells him with what the clerk thinks is admirable patience. If this were
“Mom gave you five bucks this morning, I saw it,” the boogersnot says. “Where’s the rest of it, Marrrrr-grit?”
“Don’t call me that, I hate that,” the girl says. She has long honey-blond hair which the clerk thinks is absolutely gorgeous. The new clerk’s own hair is short and kinky, dyed orange on the right and green on the left. She has a pretty good idea she wouldn’t have gotten this job without washing the dye out of it if the manager hadn’t been absolutely strapped for someone to work eleven-to- seven-her good luck, his bad. He
“Margrit-Margrit-Margrit!” the little brother crows with the cheerfully energetic viciousness which only little brothers can muster.
“My name’s really Ellen,” the girl says, speaking with the air of one imparting a great confidence. “Margaret’s my middle name. He calls me that because he knows I hate it.”
“Nice to meet you, Ellen,” the clerk says, and begins totting up the girl’s purchases.
“Nice to meet you,
Ignoring him, Ellen says: “I love your hair.”
“Thanks,” the new clerk says, smiling. “It’s not as nice as yours, but it’ll do. That’s a dollar forty-six.”
The girl takes a little plastic change-purse from the pocket of her jeans. It’s the kind you squeeze open. Inside are two crumpled dollar bills and a few pennies.
“Ask Margrit the Maggot where the other three bucks went!” the boogersnot trumpets. He’s a regular little public address system. “She used it to buy a maga zine with
Ellen goes on ignoring him, although her cheeks are starting to get a little red. As she hands over the two dollars she says, “I haven’t seen you before, have I?” “Probably not-I just started in here last Wednesday. They wanted somebody who’d work eleven-to-seven and stay over a few hours if the night guy turns up late.”
“Well, it’s very nice to meet you. I’m Ellie Carver. And this is my little brother, Ralph.”
Ralph Carver sticks out his tongue and makes a sound like a wasp caught in a mayonnaise jar. What a polite little animal it is, the young woman with the tu-tone hair thinks.
“I’m Cynthia Smith,” she says, extending her hand over the counter to the girl. “Always a Cynthia and never a Cindy. Can you remember that?”
The girl nods, smiling. “And I’m always an Ellie, never a Margaret.”
“
Ellen gives Cynthia a look much older than her years, an expression of world-weary resignation that says