write.

13

They Dimple the Surface

Standing on the sidewalk, counting to fifteen as he’s been told to do before removing the hood, Rafferty smells something tantalizingly familiar. He hears the surge of the car’s engine. At the count of twelve, he pulls off the hood and finds himself in a small soi. At the end, a black Lincoln Town Car makes a left onto a broad and busy boulevard. Mud has been smeared over the license plate.

Two passing women look at him, standing there, dangling a brown pillowcase from one hand. One of them says something, and they giggle. They step into the street to avoid him.

He needs to know where he is, but before that he needs to know he still has a family. He yanks his cell phone from his pocket with so much force that he pulls the pocket inside out. Baht notes flutter to the pavement. He leaves them there, just putting a foot on one, as he dials.

Rose answers on the second ring.

“Everything okay?” he asks.

“I’m making noodles. Does that sound okay?”

“Sounds like heaven.” He stoops to pick up the money.

“I’m such a housewife,” Rose says. “If anyone had told me three years ago I’d be awake at this hour, making noodles with an apron on, I’d have laughed at them.”

“I knew it, though,” Rafferty says. “I knew the first moment I saw you, up on that stage wearing ten sequins and that crooked tinfoil halo, that there was a vacuum cleaner in your future.”

“Good thing you didn’t say it. I’d have had them throw you out of the bar.”

“Listen,” he says. “Be careful today. Don’t open the door to anyone you don’t know. And I think one of us ought to go get Miaow when school’s out.”

Rose sighs and says, “Why does life with you have to be so interesting?”

He says good-bye and works his inverted pocket back inside his pants, then takes a survey. Down at the end of the soi, several stands cluster, nothing more than dusty awnings tacked to the backs of buildings and propped up in front with wooden doweling. As he moves toward them, he sees that they’re selling luggage, mostly knockoffs of Tumi and Louis Vuitton. And then the fragrance in the air resolves itself into curry and basmati rice, and he knows where he is: He’s in the Indian district.

And the ass end of Bangkok, as far as Rafferty is concerned. He knows that it can be difficult to get either a taxi or a tuk-tuk here. He’s sworn off motorcycle taxis since he went down on one a couple of months back. He has forbidden Miaow to ride them, too, giving her extra money every school day for taxis.

Six dollars a day, he thinks, trudging toward the boulevard. Twenty-four, twenty-five every week. When he first came to Bangkok, those taxis would have cost a buck, a buck twenty-five. In a week that would have been-

He stops, halted by the realization that he’s taking refuge in details. The part of his mind that earns its keep by imposing order on the world is offering up bright little beads of factual material for him to string into a reality that doesn’t include anything that’s happened since he sat down at the card game last night: Pan’s drunkenness, the threats, his abduction.

Noi’s pills. The sound of Arthit’s voice when he told Rafferty about them. Noi’s pain.

And today’s displays of naked power.

The floor plan to his apartment. His bank-account and cell-phone numbers. The kind of power most farang never experience.

Rafferty knows Thailand well enough to be aware that people above a certain social and political level are virtually unaccountable, shielded from the consequences of their actions by layers of subordinates and networks of reciprocal favors and graft that corrupt both the police and the courts. These are the people, the “big people,” whom Rose despises, the people who attend dress balls with blood on their hands. There are not many of them, relatively speaking, but they have immense mass and they exert a kind of gravity that bends tens of thousands of lives into the orbit of their will.

Most farang pass through the gravitational Gordian knot of Bangkok unscathed, like long-haul comets for whom our solar system is just something else to shoulder their way past. Farang have no formal status here. They come and go. They dimple the surface of the city’s space-time like water-striding insects, staying a few months at a stretch and then flitting elsewhere. They don’t have enough mass to draw the gaze of the individuals around whom the orbits wheel.

But Rafferty is being gazed at. And he knows all the way to the pit of his stomach that it’s the worst thing that can happen to him. If they decide it is in their best interest, they can blow through him and his cobbled- together family like a cannonball through a handkerchief.

If he goes in one direction, Rose and Miaow are in danger. If he goes in the other direction, Rose and Miaow are in danger. And “in danger” is a euphemism.

He is leaning against a building. His skin is slick and cold with evaporating sweat. Panic is barking useless orders at him: Get the family to the airport. (Rose and Miaow don’t have passports.) Hurry them out of Bangkok. (We’re being watched.) Disappear into the city. (Not possible.) Kill everybody. (Who?)

He pushes himself free of the building on legs that feel as numb as prosthetics and makes his way down the soi to the boulevard.

Where he stops, looking left, then right. Which way to go?

Both directions are wrong, but one must be less wrong than the other.

What he needs to do is buy time. He needs to do things that both sides will see as compliance while he figures out which chunk of Bangkok masonry he can pry loose to make a hiding place for his family. Once they’re out of the line of fire, he can think about next steps. About removing himself from the equation. Finding some way to step aside at the last possible moment and let the opposing forces annihilate each other.

Just as he figures out where he needs to go next, his cell phone rings, and it’s someone summoning him to the one place in Bangkok he wants to be.

14

The First Paradise

You wait,” the guard says, shutting the little glass door in the booth. The glass is at least an inch thick, certainly bulletproof.

The booth occupies the base of a semicircular clay-brick turret beside an enormous pair of weathered bronze gates that stretch twenty feet toward the paper-white sky. Mesopotamian lions rear up on them, claws extended and teeth bared. The Mesopotamian theme continues on the clay-brick walls, covered with bas-relief figures of standing kings, slender and stiff-kneed and tightly robed. Sprouting here and there among the kings are outcrops, planted with vegetation that spills over the edges. Green streamers dangle downward.

The Hanging Gardens of Babylon, Rafferty realizes. Not even remotely what he’d expected.

The wall is perhaps a fifth of a mile long. It occupies the entire block. Rafferty tries to remember what used to be here, but nothing comes to mind. Bangkok is like that, he thinks: One day you look up and there’s a building, and the field, the house, the slum-whatever it was before, it is gone forever.

The sun’s glare makes him uncomfortably aware that it is almost noon. He is glancing at his watch when the guard opens the little window again and says, “Through here.” A narrow door, barely wide enough for one person to

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