In Between the Sheets

give him some supper.”

“No, no. There isn’t enough.” The discussion was formal and restrained, barely rising above a whisper. Dissent was expressed by monologues which overlapped, the undulating tendons in the woman’s neck, the man’s left hand which clenched and unclenched. Silently I urged the woman on. I wished to be dismissed with gentle, courteous handshakes, never to return. I would walk southwards home and climb into bed. One of the infants, eyes fixed on mine, began to stagger towards me. I looked to the girl to intercept him. She complied, but sullenly, and I suspected she held back longer than was necessary.

The argument was over, the woman was bending over a pile of mattresses preparing a bed for the babies, and her husband was watching her from a chair next to mine. The girl leaned against the wall and made a melancholy examination of her fingers. I played with the crumbs and grains. The Chinaman turned and smiled faintly at me. Then he addressed to his daughter an unbroken sentence of apparent complexity, the final section of which rose steadily in pitch while the expression on his face remained fixed. The girl looked at me and said dully, “Dad says you gotta eat wiv us.” To clarify this her father pointed at my mouth and then to the pot. “You come,” he said with enthusiasm. In the corner the mother spoke sharply to her children who lay at either end of a small mattress crying sleepily. I looked steadily in her direction hoping to catch her eye and have her approbation. Bored, the girl resumed her position against the wall, her father sat with folded arms and filmy, vacant eyes. I said, “What does your mother think?” The girl shrugged and did not look up from her fingernails. Against hers my voice sounded hollow and cultivated, suggestive of laconic manipulation. “What were your parents talking about just now?” She looked at the black cupboard. “Mum says Dad paid too much for it.”

I decided to leave. To the Chinaman I pantomimed by making a sick face and pointed to my stomach that I was not hungry. My host seemed to take this to mean that I was too hungry to wait till suppertime. He spoke rapidly to his daughter, and when she answered he cut her off angrily. She shrugged and crossed to the fire. The room filled with a thin, hot, animal smell which resembled the taste of blood. I twisted around in my chair to speak to the girl. “I don’t want to offend your parents, but tell your dad I’m not hungry and I’ve got to go.”

“I told him that already,” she said, and ladled something into a large white bowl which she set before me. She seemed to relish my situation. “Neither of ‘em listen,” she said, and returned to her part of the wall.

In a large quantity of clear hot water several dun-colored globes, partially submerged, drifted and collided noiselessly. The Chinaman’s face puckered in encouragement. “You come.” I was aware of the woman watching me from her side of the room. “What is it?” I asked the girl.

“It’s muck,” she said vaguely. Then she changed her mind and hissed vehemently. “It’s piss.” With a low chuckle and small flourish of his dry hands the Chinaman appeared to celebrate his daughter’s mastery of a difficult language. Watched by all the family I picked up the spoon. The babies were quiet in their corner. I took two rapid sips and smiled up at the parents through the unswallowed liquid. “Good,” I said at last, and then to the girl. “Tell them it’s good.” Once again not looking up from her fingernails she said, “I’d leave it if I was you.” I maneuvered one of the globes onto my spoon, it was surprisingly heavy. I did not ask the girl what it was, for I knew what she would say.

I swallowed it and stood up. I offered my hand to the Chinaman in farewell, but he and his wife stared and did not move. “G’wan, just go,” the girl said with resignation. I moved slowly around the table, fearful of vomiting. As I reached the door something the girl said caused the mother to become suddenly angry. She was shouting at her husband and pointing at my bowl from which there still rose, as if in accusation, a fine white trace of steam. The Chinaman sat quietly, apparently indifferent. Now the furious woman lay into her daughter, who abruptly turned her back and would not listen. Father and daughter seemed to wait for silence, for a cord to snap in the tiny woman’s neck, and I too waited, half concealed by the cupboard, hoping to go forward and ease the situation and my conscience with friendly goodbyes. But the room and its people were an unmoving tableau. Only the shouting carried forward so I slipped away unnoticed down the stairs.

The lamp still burned above the doorway. Knowing the difficulty of finding paraffin I turned it out, then stepped into the black street.

Dead as They Come

I do not care for posturing women. But she struck me. I had to stop and look at her. The legs were well apart, the right foot boldly advanced, the left trailing with studied casualness. She held her right hand before her, almost touching the window, the fingers thrusting up like a beautiful flower. The left hand she held a little behind her and seemed to push down playful lapdogs. Head well back, a faint smile, eyes half closed with boredom or pleasure. I could not tell. Very artificial the whole thing, but then I am not a simple man. She was a beautiful woman. I saw her most days, sometimes two or three times. And of course she struck other postures as the mood took her. Sometimes as I hurried by (I am a man in a hurry) I allowed myself a quick glance and she seemed to beckon me, to welcome me out of the cold. Other days I remember seeing her in that tired, dejected passivity which fools mistake for femininity.

I began to take notice of the clothes she wore. She was a fashionable woman, naturally. In a sense it was her job. But she had none of the sexless, mincing stiffness of those barely animated clothes hangers who display haute couture in stuffy salons to the sound of execrable Musak. No, she was another class of being. She did not exist merely to present a style, a current mode. She was above that, she was beyond that. Her clothes were peripheral to her beauty. She would have looked good dressed in old paper bags. She disdained her clothes, she discarded them every day for others. Her beauty shone through those clothes… and yet they were beautiful clothes. It was autumn. She wore capes of deep russet browns, or twirling peasant skirts of orange and green, or harsh trouser suits of burnt ochre. It was spring. She wore skirts of passion-fruit gingham, white calico shirts or lavish dresses of cerulean green and blue. Yes, I noticed her clothes, for she understood, as only the great portrait painters of the eighteenth century understood, the sumptuous possibilities of fabric, the subtleties of folds, the nuance of crease and hem. Her body in its rippling changes of posture, adapted itself to the unique demands of each creation; with breathless grace the lines of her perfect body played tender counterpoint with the shifting arabesques of sartorial artifice.

But I digress. I bore you with lyricism. The days came and passed. I saw her this day and not that, and perhaps twice on another day. Imperceptibly seeing her and not seeing her became a factor in my life, and then before I knew it, it passed from factor to structure. Would I see her today? Would all my hours and minutes be redeemed? Would she look at me? Did she remember me from one time to another? Was there a future for us together… would I ever have the courage to approach her? Courage! What did all my millions mean now, what now of my wisdom matured by the ravages of three marriages? I loved her… I wished to possess her. And to possess her it seemed I would have to buy her.

I must tell you something about myself. I am wealthy. Possibly there are ten men resident in London with more money than I. Probably there are only five or six. Who cares? I am rich and I made my money on the telephone. I shall be forty-five on Christmas Day. I have been married three times, each marriage lasting, in chronological order, eight, five and two years. These last three years I have not been married and yet I have not been idle. I have not paused. A man of forty-four has no time to pause. I am a man in a hurry. Each throb of jism from the seminal vesicles, or wherever it originates, lessens the total allowance of my life-span by one. I have no time for the analysis, the self-searching of frenzied relationships, the unspoken accusation, the silent defense. I do not wish to be with women who have an urge to talk when we’ve finished our coupling. I want to lie still in peace and clarity. Then I want to put my shoes and socks on and comb my hair and go about my business. I prefer silent women who take their pleasure with apparent indifference. All day long there are voices around me, on the telephone, at lunches, at business conferences. I do not want voices in my bed. I am not a simple man, I repeat, and this is not a simple world. But in this respect at least my requisites are simple, perhaps even facile. My predilection is for pleasure unmitigated by the yappings and whinings of the soul.

Or rather it was, for that was all before… before I loved her, before I knew the sickening elation of total self-destruction for a meaningless cause. What do I, now, forty-five on Christmas Day, care for meaning? Most days I passed by her shop and looked in at her. Those early days when a glance was sufficient and I hurried on to meet this business friend or that lover… I can pick out no time when I knew myself to be in love. I have described how a factor in my life became a structure, it merged as orange to red in the rainbow.