on his arm.
“I want you to urinate in your pants, now. Go on now! Quick! Do it now before you have time to think about it.”
Terence is about to protest, but his own promises still hang in the air, an accusing cloud. With drunken sway, and with the sound of an electric bell ringing in his ears, he urinates copiously, soaking his thighs, legs and backside and sending a small, steady trickle to the floor.
“Have you done it?” says Sylvie.
“Yes,” says Terence, “But why…?” Sylvie half-rises from her seat and waves prettily across the restaurant at the couple standing by the door.
“I want you to meet my parents,” she says. “I’ve just seen them come in.” Terence remains seated for the introductions. He wonders if he can be smelled. There is nothing he will not say to dissuade this affable, graying couple from sitting down at their daughter’s table. He talks desperately and without a break (“as if I was some kinda bore”), referring to Los Angeles as a “shithole” and its inhabitants as “greedy devourers of each other’s privacy.” Terence hints at a recent prolonged mental illness from which he has hardly recovered, and he tells Sylvie’s mother that all doctors, especially women doctors, are “assholes” (arseholes). Sylvie says nothing. The father cocks an eyebrow at his wife and the couple wander off without farewell to their table on the far side of the room.
Terence appeared to have forgotten he was telling his story. He was cleaning his nails with the tooth of a comb. I said, “Well, you can’t stop there.
Terence said, “I sat on a newspaper to keep her car seat from getting wet. We didn’t speak much and she wouldn’t come in when we got to my place. She told me earlier she didn’t like her parents much. I guess she was just fooling around.” I wondered if Terence’s story was invented or dreamed for it was the paradigm of all his rejections, the perfect formulation of his fears or, perhaps, of his profoundest desires.
“People here,” Terence said as we left the Doggie Diner, “live so far from each other. Your neighbor is someone forty minutes’ car ride away, and when you finally get together you’re out to wreck each other with the frenzy of having been alone.”
Something about that remark appealed to me and I invited Terence up to my place to smoke a joint with me. We stood about on the pavement a few minutes while he tried to decide whether he wanted to or not. We looked across the street through the passing traffic and into the store where George was demonstrating the disco equipment to a black woman. Finally Terence shook his head and said that while he was in this part of town he would go and visit a girl he knew in Venice.
“Take some spare underwear,” I suggested.
“Yeah,” he called over his shoulder as he walked away. “See you!”
There were long pointless days when I thought, Everywhere on earth is the same. Los Angeles, California, the whole of the United States seemed to me then a very fine and frail crust on the limitless, subterranean world of my own boredom. I could be anywhere, I could have saved myself the effort and the fare. I wished in fact I were nowhere, beyond the responsibility of place. I woke in the morning stultified by oversleep. Although I was neither hungry nor thirsty, I ate breakfast because I dared not be without the activity. I spent ten minutes cleaning my teeth knowing that when I finished I would have to choose to do something else. I returned to the kitchen, made more coffee and very carefully washed the dishes. Caffeine aided my growing panic. There were books in the living room that needed to be studied, there was writing that needed completion but the thought of it all made me flush hot with weariness and disgust. For that reason I tried not to think about it, I did not tempt myself. It hardly occurred to me to set foot inside the living room.
Instead I went to the bedroom and made the bed and took great care over the “hospital corners.” Was I sick? I lay down on the bed and stared at the ceiling without a thought in my head. Then I stood up and with my hands in my pockets stared at the wall. Perhaps I should paint it another color—but of course I was only a temporary resident. I remembered I was in a foreign city and hurried to the balcony. Dull, white, box-shaped shops and houses, parked cars, two lawn sprinklers, festoons of telephone cable everywhere, one palm tree teetering against the sky, the whole lit by a cruel white glow of a sun blotted out by high cloud and pollution. It was as obvious and self-explanatory to me as a row of suburban English bungalows. What could I do about it? Go somewhere else? I almost laughed out loud at the thought.
More to confirm my state of mind than change it, I returned to the bedroom and grimly picked up my flute. The piece I intended to play, dog-eared and stained, was already on the music stand, Bach’s Sonata No. 1 in A minor. The lovely opening Andante, a series of lilting arpeggios, requires a flawless breathing technique to make sense of the phrasing, yet from the beginning I am snatching furtively at breaths like a supermarket shoplifter, and the coherence of the piece becomes purely imaginary, remembered from gramophone recordings and superimposed over the present. At bar fifteen, four and a half bars into the Presto, I fumble over the octave leaps but I press on, a dogged, failing athlete, to finish the first movement short of breath and unable to hold the last note its full length. Because I catch most of the right notes in the right order, I regard the Allegro as my showpiece. I play it with expressionless aggression. The Adagio, a sweet thoughtful melody, illustrates to me every time I play it how out of tune my notes are, some sharp, some flat, none sweet, and the demisemiquavers are always mis-timed. And so to the two Minuets at the end which I play with dry, rigid persistence, like a mechanical organ turned by a monkey. This was my performance of Bach’s Sonata, unaltered now in its details for as long as I could remember.
I sat down on the edge of the bed and almost immediately stood up again. I went to the balcony to look once more at the foreign city. Out on one of the lawns a small girl picked up a smaller girl and staggered a few steps with her. More futility. I went inside and looked at the alarm clock in the bedroom. Eleven forty. Do something, quick! I stood by the clock listening to its tick. I went from room to room without really intending to, sometimes surprised to find that I was back in the kitchen again fiddling with the cracked plastic handle of the wall can-opener. I went into the living room and spent twenty minutes drumming with my fingers on the back of a book. Towards the middle of the afternoon I dialed the time and set the clock exactly. I sat on the toilet a long time and decided then not to move till I had planned what to do next. I remained there over two hours, staring at my knees till they lost their meaning as limbs. I thought of cutting my fingernails, that would be a start. But I had no scissors! I commenced to prowl from room to room once more, and then, towards the middle of the evening, I fell asleep in an armchair, exhausted with myself.
George at least appeared to appreciate my playing. He came upstairs once, having heard me from the shop, and wanted to see my flute. He told me he had never actually held one in his hands before. He marveled at the intricacy and precision of its levers and pads. He asked me to play a few notes so he could see how it was held, and then he wanted me to show him how he could make a note for himself. He peered at the music on the stand and said he thought it was “brilliant” the way musicians could turn such a mess of lines and dots into sounds. The way composers could think up whole symphonies with dozens of different instruments going at once was totally beyond him. I said it was beyond me too.
“Music,” George said with a large gesture of his arm, “is a sacred art.” Usually when I wasn’t playing my flute I left it lying about collecting dust, assembled and ready to play. Now I found myself pulling it into its three sections and drying them carefully and laying each section down like a favorite doll, in the felt-lined case.
George lived out in Simi Valley on a recently reclaimed stretch of desert. He described his house as “empty and smelling of fresh paint still.” He was separated from his wife and two weekends a month had his children over to stay, two boys aged seven and eight. Imperceptibly George became my host in Los Angeles. He had arrived here penniless from New York City when he was twenty-two. Now he made almost forty thousand dollars a year and felt responsible for the city and my experience in it. Sometimes after work George drove me for miles along the freeway in his new Volvo.
“I want you to get the feel of it, the insanity of its size.”
“What’s that building?” I would say to him as we sped past an illuminated Third Reichian colossus mounted on a manicured green hill. George would glance out his window.
“I dunno, a bank or temple or something.” We went to bars, bars for starlets, bars for “intellectuals” where screenwriters drank, lesbian bars and a bar where the waiters, lithe, smooth-faced young men, dressed as Victorian serving-maids. We ate in a diner founded in 1947 which served only hamburgers and apple pie, a renowned and
