'Perhaps you can imagine the effect that inscription had on me. I was the last trace of a city unknown to the memory of men, a last floating spar of a civilization sunken in the sea of time. That then could have been such a city at all seemed to me quite probable What do we know of Carthage even, but a few names? No city, no civilization was ever so completely blotted off the earth as Carthage when Roman Scipio ground its temples and palaces into the very dust, and plowed up the ground with salt, and the eagles of conquer ing Rome flew across a desert where a metropolis had been.
'It was on the outskirts of one of those wretched little Arab villages that I had found the block and its inscription, and I tried to find someone in the village to accompany me, but none would do so I could plainly see the mountain pass, a mere crack between towering blue cliffs. In reality it was miles and miles away, but the deceptive optical qualities of the desert light made it seem very near. My maps placed that mountain range all right, as a lower branch of the Atlas, and the expanse behind the mountains was marked as 'Igidi Desert', but that was all I got from them. All that I could reckon on as certain was that it was desert that lay on the other side of the pass, and I must carry enough supplies to meet it.
'But the Arabs knew more! Though I offered what must have been fabulous riches to those poor devils, not one would come with me when I let them know what place I was heading for. None had ever been there, they would not even ride far into the desert in that direction; but all had very definite ideas of the place beyond the mountains as a nest of devils, a haunt of evil Jinns.
'Knowing how firmly superstition is implanted in their kind, I tried no longer to persuade them, and started alone, with two scrawny camels carrying my water and supplies. So for three days I forged across the desert under a broiling sun, and on the morning of the fourth I reached the pass.
'It was only a narrow crevice to begin with, and great boulders were strewn so thickly on its floor that it was a long, hard job getting through. And the cliffs on each side towered to such a height that the space between was a place of shadows and whispers and semidarkness. It was late in the afternoon when I finally came through, and for a moment I stood motionless; for from that side of the pass the desert sloped down into a vast basin, and at the basin's center, perhaps two miles from where I stood, gleamed the white ruins of Mamurth.
'I remember that I was very calm as I covered the two miles between myself and the ruins. I had taken the existence of the city as a fact, so much so that if the ruins had not been there I should have been vastly more surprised than at finding them.
'From the pass I had seen only a tangled mass of white fragments, but as I drew nearer, some of these began to take outline as crumbling blocks, and walls, and columns. The sand had drifted, too, and the ruins were completely buried in some sections, while nearly all were half covered.
'And then it was that I made a curious discovery. I had stopped to examine the material of the ruins, a smooth, veinless stone, much like an artificial marble or a superfine concrete. And while I looked about me, intent on this, I noticed that on almost every shaft and block, on broken cornice and column, was carved the same symbol-if it was a symbol. It was a rough picture of a queer, outlandish creature, much like an octopus, with a round, almost shapeless body, and several long tentacles or arms branching out from the body, not supple and boneless, like those of an octopus, but seemingly stiff and jointed, like a spider's legs. In fact, the thing might have been intended to represent a spider, I thought, though some of the details were wrong. I speculated for a moment on the profusion of these creatures carved on the ruins all around me, then gave it up as an enigma that was unsolvable.
'And the riddle of the city about me seemed unsolvable also. What could I find in this half-buried mass of stone fragments to throw light on the past? I could not even superficially explore the place, for the scantiness of my supplies and water would not permit; a long stay. It was with a discouraged heart that I went back to the; camels and, leading them to an open spot in the ruins, made my camp for the night. And when night had fallen, and I sat beside my little fire, the vast, brooding silence of this place of death was awful. There were no laughing human voices, or cries of animals, or even cries of birds or insects. There was nothing but the darkness and silence that crowded around me, flowed down upon me, beat sullenly against the glowing spears of light my little fire threw out.
'As I sat there musing, I was startled by a slight sound behind me. I turned to see its cause, and then stiffened. As I have mentioned, the space directly around my camp was clear sand, smoothed level by the winds. Well, as I stared at that flat expanse of sand, a hole several inches across suddenly appeared in its surface, yards from where I stood, but clearly visible in the firelight.
'There was nothing whatever to be seen there, not even a shadow, but there it was, one moment the level surface of the sand, the next moment a hole appearing in it, accompanied by a soft, crunching sound. As I stood gazing at it in wonder, that sound was repeated and simultaneously another hole appeared in the sand's surface, five or six feet nearer to me than the other.
'When I saw that, ice-tipped arrows of fear seemed to shoot through me, and then, yielding to a mad impulse, I snatched a blazing piece of fuel from the fire and buried it, a comet of red flame, at the place where the holes had appeared. There was a slight sound of scurrying and shuffling, and I felt that whatever thing had made those marks had retreated, if a living thing had made them at all. What it had been, I could not imagine, for there had been absolutely nothing in sight, one track and then another appearing magically in the clear sand, if indeed they were really tracks at all.
'The mystery of the thing haunted me. Even in sleep I found no rest, for evil dreams seemed to flow into my brain from the dead city around me. All the dusty sins of ages past, in the forgotten place, seemed to be focused on me in the dreams I had. Strange shapes walked through them, unearthly as the spawn of a distant star, half icon and vanishing again.
'It was little enough sleep I got that night, but when the sun finally came, with its first golden rays, my fears and oppressions dropped from me like a cloak. No wonder the early peoples were sun-worshippers!
'And with my renewed strength and courage, a new thought struck me. In the inscription I have quoted to you, that long-dead merchant-adventurer had mentioned the great temple of the city and dwelt on its grandeur. Where, then, were its ruins? I wondered. I decided that what time I had would be better spent in investigating the ruins of this temple, which should be prominent, if that ancient Carthaginian had been correct as to its size.
'I ascended a near-by hillock and looked about me in all directions, and though I could not perceive any vast pile of ruins that might have been the temple's, I did see for the first time, far away, two great figures of stone that stood out black against the rosy flame of the sunrise. It was a discovery that filled me with excitement, and I broke camp at once, starting in the direction of those two shapes.
'They were on the very edge of the farther side of the city, and it was noon before I finally stood before them. And now I saw clearly their nature: two great, sitting figures, carved of black stone, all of fifty feet in height, and almost that far apart, facing both toward the city and toward me. They were of human shape and dressed in a queer, scaled armor, but the faces I can not describe, for they were unhuman. The features were human, well- proportioned, even, but tile face, the expression, suggested no kinship whatever with humanity as we know it. Were they carved from life? I wondered. If so, it must have been a strange sort of people who had lived in this city and set up these two statues.
'And now I tore my gaze away from them, and looked around. On each side of those shapes, the remains of what must once have been a mighty wall branched out, a long pile of crumbling ruins. But there had been no wall between the statues, that being evidently the gateway through the barrier. I wondered why the two guardians of tile gate had survived, apparently entirely unharmed, while the wall and the city behind me had fallen into ruins. They were of a different material, I could see; but what was that material?
'And now I noticed for the first time the long avenue that began on the other side of the statues and stretched away into the desert for a half-mile or more. The sides of this avenue were two rows of smaller stone figures that ran in parallel lines away from the two colossi. So I started down that avenue, passing between the two great shapes that stood at its head. And as I went between them, I noticed for the first time the inscription graven on the inner side of each.
On the pedestal of each figure, four or five feet from the ground was a raised tablet of the same material, perhaps a yard square, an covered with strange symbols — characters, no doubt, of a lost language, undecipherable, at least to me. One symbol, though, that was especially prominent in the inscription, was not new to me. It was the carven picture of the spider, or octopus, which I have mentiond that I had found everywhere on the ruins of the city. And here it was scattered thickly among the symbols that made up the inscription. The tablet on the other statue was a replica of the first, and I could learn no more from it. So I started down the avenue,
