Cautiously, Sapt made his way towards the west wing of the mansion, where French doors opened out onto a flagstoned patio that overlooked the garden. From the end of the patio, a flight of stone steps led down into the garden and to a path leading up to the summerhouse. At the bottom of this flight of steps were two very large stone planters in the shape of urns, one on each side. If he were to conceal himself behind one of them, up against the stone wall of the steps, he would be invisible unless someone coming down the steps were to look down over the side and see him. He took up position there to see what sort of view it could afford him. Not bad, he thought. Far from ideal, but closer to the summerhouse than if he stayed by the garden wall on the opposite side. He crouched down, took out his pistol, and sighted. If Rassendyll made his escape towards the garden wall, anyone inside the summerhouse would have to take up position on that side in order to shoot at him. He could barely make out the dark shape of the gazebo now; it would be worse still later. He lined up his sight on the entrance to the summerhouse, locked his arm, and slowly brought it down to rest upon the top of the stone urn. He sighted once again from rest. Yes. It would do. Without moving his arm, he reached with his other hand into his pocket and brought out two of the wooden matches he always carried to light his pipe. He stuck the matches into the earth inside the planter on either side of his wrist, then moved his arm. The matches would remain there as sighting posts. He carefully lowered his arm again, so that his wrist rested exactly between the two matches, and sighted once more. It would serve. Even if he could not see well, using the matches to line up his aim would enable him to shoot anyone who stood in the arched entryway of the gazebo.

Above him on the patio, he heard footsteps. He froze, cocking his pistol. He looked up, but could not see who it was because the wall blocked his view. It was just as well, because it meant that he could not be seen, either.

“I told you not to come here!” Sapt frowned. It was Sophia’s voice, kept low, scarcely above a whisper.

“I am growing tired of taking orders from you,” another voice said. It was a man’s voice, resonant and very deep. “I am growing tired of waiting.”

“You’re a fool!” she said. “You want to ruin everything?”

“You know what I want. I want it over and done with. I want him dead. As for the rest of your intrigues, I could not care less. It no longer matters.”

Sapt did not recognize the voice. Moving slowly, he began to edge around the urn so that he might see who it was.

“I thought you said that I could count on you,” she said. “Is that how much your word means?”

The man snorted derisively. “My word? What about yours?”

“What are you talking about?”

Sapt had edged around enough so that he could see Countess Sophia from the waist up, the rest of her blocked from his view by the stone steps. He could not see the man to whom she was speaking. Slowly, he began to crawl up the steps.

“What have you done with the other plate?”

Sapt frowned. Plate? Why would they be discussing plates while they spoke of murder?

“I’ve moved it.”

“Where?” he said. “Why didn’t you tell me?”

“Because-”

“Sophia? Sophia!”

“Michael!” she said. “Go. Quickly. I’ll explain later.”

“You will explain now.”

“Sophia, we’ll be late!” Michael called.

“Go, I said!”

Sapt crawled up two more steps. The French doors opened and Michael came out on the patio. This should prove interesting, thought Sapt.

“Sophia! What the devil are you doing out here?”

“I thought I’d come out for a breath of air while I waited for you, Michael. Are you ready to leave now?”

“I have been ready for the past hour! I was waiting for you!”

Is Michael blind? Sapt risked crawling up one more step, staying low, now only yards away from them. He could see the patio clearly. He could see both Michael and Sophia. But no one else.

“Well, let us go, then,” said Sophia. “We can arrive fashionably late.”

“Why cannot women ever be on time?” said Michael. “Come, the coach is waiting.”

They went back into the house. Sapt had his pistol out as he crawled up the few remaining steps. He was alone upon the patio. How could that be? There were only two ways for the man she was speaking with to go. One would have taken him into the house through the French doors, where Michael was. The other would have taken him down the steps into the garden, directly at him. He had not gone past Michael and it was impossible for him to have gone down the steps without stepping on me, thought Sapt. Unless he vaulted the patio wall…

He could only have vaulted on one side, the side closest to where he had been standing. Going the other way would have brought him across Michael’s field of vision and his own. Sapt went over to the wall upon that side. He looked down over it into a fish pond with water lillies floating in it. It was wide enough that a man could not possibly have leaped over the wall and cleared it. There would have been a splash. Only there had been no splash. And there was no place on the patio itself where the man could have hidden.

“What the devil?” Sapt whispered aloud. “How could the man simply disappear?”

9

They entered the main dining room of the palace after the chamberlain had announced them to see everyone standing at his place. It made Finn think of a scene out of an historical romance, all those medals and epaulets and sashes, moustaches and muttonchops and beards, bodices and ribbons and chokers and cameos, necklaces and rings and bracelets, pomp and circumstance and splendor. He wondered what would happen if he ordered a hamburger. And a beer. Some french fries on the side, with steak sauce. Being a king, he decided, was very overrated. The job had certain perks, but it had to be tiresome to constantly be the focus of so much formality and pointless ceremony. The occasion, Sapt had explained to him, was a “state dinner” and its purpose seemed to be nothing other than to give the lords and ladies of Ruritania, the ministers and high-ranking officers, the ambassadors and their factotums, assorted minor functionaries and hangers-on a feeling of importance at being privileged to share a table with His Majesty. It made Finn think of the 20th-century British monarchy. A showpiece royal family. They didn’t actually do anything except be a royal family. A nominal royalty, they lived a life that could be described as a photo opportunity in exchange for drawing exorbitant salaries just so their “subjects” could bask in the trivial and pointless glamor of their existence. While the economy of the nation that had once been a major world power continued in a constant downward spiral, they lived in palatial residences (plural, of course, we must have summerhomes and country estates and stables and riding to hounds), spent enough on clothing to feed an average middle-class family for several years, had their little romances extensively documented and their family squabbles agonized over in the press, all the while being treasured like prize canaries in a cage by people dazzled by and starved for their celebrity. Meanwhile, the matters of government were left to politicians, far less glamorous and cultured but much more workmanlike. It would have been the same, undoubtedly, with Rudolf. He would have enjoyed all this, thought Finn. What was it about people, he wondered, that even in so-called egalitarian societies, they seemed to eschew the very concept of class, all the while creating it on all levels of their culture?

As they moved up to the table to take their places, Fritz and Helga began to walk toward the far end, but Finn caught Helga by the sleeve and indicated the place next to his, where there were two empty seats on his right.

“Oh, no, Sire,” Helga said, blushing. “Surely, it must have slipped your mind, but that is the Duke of Strelsau’s place.”

“Well?” said Finn. “Where is he?”

Fritz cleared his throat. “It seems that he has not arrived, yet, Sire. Doubtless, he has been unavoidably detained.”

“Well, then, he shall unavoidably sit elsewhere,” Finn said, to the shocked stares of the assemblage. “I have

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