hungrily at the take-out counter. “You want something. A couple of dogs, maybe a knish?” he asked.
He watched Devlin shake his head. The man was tense; pissed off, Pitts thought. You could always tell when the scar on his cheek-the old knife wound Rossi had ragged him about-turned that warning shade of white. Except for the scar, he was a good-looking guy in a rugged sort of way, even more so now that a touch of gray had come to the temples of his wavy dark hair. There was also an easy gentleness about the guy. Nothing prissy, or namby- pamby, but definitely a feel that you could talk to the man. Except now it wasn’t there. Now his normally soft, blue eyes were simmering.
“The old bastard really got to you, didn’t he?”
Devlin continued to stare straight ahead. Then he drew a long breath and let it out slowly. “You turning into a shrink, Ollie?”
“Yeah, that’s me.” Pitts reached out and gave Devlin’s arm a squeeze. He left his hand there. It wasn’t cop- to-boss talk now. It was friend to friend. “He ain’t gonna do nothin’ to your family, Paul. I don’t think he’d even let anybody go after
Devlin smiled in spite of himself, the tension broken. What Pitts was talking about had actually happened. Frank Costello, one of the mob’s more notorious bosses, had died peacefully in his sleep. But the enemies Costello had left behind were still unforgiving, and almost a year after his death a dynamite charge had leveled his tomb.
He gave Pitts an appreciative nod, his eyes softer now. “You’re not half-bad, Ollie. A pain in the ass as a cop, but not too shabby a shrink.”
“I’ll send you a bill.”
“Just go stuff your face so we can get back to the office sometime today.”
Devlin’s office was on Broadway, around the corner from City Hall and two blocks from One Police Plaza, a brick-cubed headquarters building that overlooked the East River. Street cops, aware of the endless political machinations that went on inside, called the building the Puzzle Palace.
When the mayor had cajoled him back to the department, Devlin had insisted his new squad be housed outside headquarters or any police precinct. Howie Silver had understood. Politics ruled the department, and anyone who trod on the very private fiefdom of the police brass was quickly ground underfoot. And even the mayor-though treated with greater subtlety-was not immune. During his first year in office, Silver had found himself repeatedly boxed out of high-profile cases when the police brass had felt threatened. It was the reason he had opted for a special squad-one that would handle those cases at his direction and report only to him.
Back in his office, Devlin went through the phone messages that littered his desk. There were four from the chief of detectives and three each from the chief of organized crime and the commander of the Fifth Precinct, where the latest mob hit had taken place-all the bosses his squad had cut out of the investigation. There was also a message from the mayor. It was the only one that would get a response.
Sharon Levy sat across from Devlin, a tall, shapely, beautiful redhead who made men’s heads turn when she entered a room, and whose sexual orientation had made her anathema to the bosses of the Puzzle Palace. She was also a gutsy, no-nonsense cop, and Devlin had made her his second in command despite howls of protest from One Police Plaza.
“We’ve got zip,” Levy said. “Little Italy is loaded with monkeys, all doing a hear-no-evil, see-no-evil, speak- no-evil bit. This thing won’t end until the Columbo family nails Rossi, or until the price gets too high to keep trying.”
“So let’s up the ante,” Devlin said. “Pull in a half-dozen gold shields from the Fifth, and a half dozen from the Seven-eight. Use the mayor as your authority. You know the drill. I want the Fifth Precinct guys to work Little Italy. The Seven-eight Precinct dicks will handle Brooklyn. Their only job will be to roust every Columbo and Rossi hood who sticks his nose out of his cave. I want every bookie, every numbers runner, every strong-arm punk dragged in. We find a betting slip, we bust everybody in sight. We find a weapon, we lock up every wiseguy within fifty yards of it. We find stolen furs in a back room, the whole building goes to jail. And I
“Hit ‘em in their wallets.”
“Until the pigskin squeals.”
“I like it. It’ll get their attention.”
“Yes, it will.”
Devlin noted the skepticism on her face. “I see a
“It’s more an
Devlin thought that over. It was possible. It could also explain why the Gambino family, still run from prison by Rossi’s nephew, was standing on the sidelines. He gave Sharon a quizzical look. “What the hell could that old bastard have done?”
The telephone interrupted them before Levy could answer. Devlin expected to hear Howie Silver’s growling baritone, demanding to know why his call hadn’t been returned. Instead, the anguished voice of his lover, Adrianna Mendez, came across awash in sobs. Rossi’s threats immediately returned, pushed away only after he was certain that neither she nor his daughter, Phillipa. had been hurt.
After five minutes of soothing assurances, he returned the phone to its cradle and stared across at Sharon Levy. “I’m going to be leaving you with this whole Rossi bag for at least a week,” he said. “Providing I can get the mayor to pull some political strings.”
“What’s wrong, Paul?” There was genuine concern in Levy’s voice.
“Adrianna’s aunt has been in a serious accident.” He shook his head and offered up a weak, uncertain smile. “Now I have to find a way to get us both into Cuba.”
The SoHo loft that Devlin shared with Adrianna Mendez was located on Spring Street, amid a collection of iron-fronted buildings that decades earlier had been home to glove manufacturers and tanning merchants. Later, rising costs had forced those companies to flee the city, and the architecturally unique district had been abandoned to the bums and vagrants who wandered in from the Bowery. Then struggling artists in search of large and inexpensive work areas had discovered the loft-warehouses that made up a part of each building. Within a few years the artists were followed by real-estate speculators, who sniffed the aroma of financial gain. Touting the area as the “new bohemia,” they sold the battered lofts to young stockbrokers and commodity traders and other upwardly mobile denizens of fashion. Soon the artists were driven away, save the few successful enough to afford the now pricey lofts. But the artists were no longer necessary. They were replaced by a collection of galleries and restaurants and boutiques, which seemed to sprout unbidden like wildflowers in an abandoned field, and the area, which had once seen animal hides stacked on sidewalks, became the city’s newest attraction for well-heeled tourists.
Adrianna had been one of the artists able to remain. She had moved to the area as a struggling painter, and the birth of the “new bohemia” had coincided with her sudden recognition as a major talent. The only other “old residents” were the bums and vagrants who had refused to leave. They were the city’s crabgrass, constantly reappearing despite all efforts at eradication. To Devlin they were the only mark of humanity the real-estate moguls had failed to devour, and much to the chagrin of neighboring merchants, he kept a ready supply of dollar bills stuffed in his pocket to encourage their continued presence.
Devlin found Adrianna packing when he entered the loft. She glanced up at him over a half-filled suitcase. “I can get into Cuba from Canada, Mexico, or the Bahamas,” she said. “I have a travel agent checking flights for me.”
“If the U.S. government finds out, it’s ten years, or up to a quarter of a million in fines.”