deep with ferns and strung with dark lakes and beaver ponds. Melissa and I had shared some of our best camping trips up there, once tenting for a week on the edge of a lake with no road for miles and the trout just about jumping into our frying pan.

We had flown past it, beneath the rim, staying low to save fuel, the warm wind pouring through the empty frame where Pops had shot out my window, and there was Grand Junction, straddling the two rivers and sprawling over the desert hills. A vast gritty town that stretched all the way to the Book Cliffs to the north.

There were the highways, the streets, the developments, the cul de sacs, the flat blank roofs of the box stores, the vast parking lots. There was the industrial section along the Colorado River, the train tracks, the phalanx of warehouses. The city was threaded with cottonwoods. Many of the old trees that lined the streets and depended on watering were skeletal and dead but many were rooted deep enough and punctuated the thoroughfares with dashes and clumps of violent green like some Morse code.

The canopies of cottonwoods still shaded the river parks, some of the oldest and biggest fighting the drought just half dead, still clothed with leaves on one side. And fire. Not a corner of the city untouched. As if it had been fire not flu that had swept death through the town. The cars, every one it seemed, scorched. Where they were parked in the side streets in their rows, in mall parking lots, out on the highways, where they lay in such a chaos, such absence of pattern some giant might have thrown them like pick up sticks. Whole neighborhoods were burned to the ground. Others looked as if torched just to melting and left to cool the way a pastry chef glazes a brulee. The sweet black smell of embered wood cloyed in my nostrils and I’m not sure if we could really smell the town a thousand feet up or if the sight produced it. And if there were skeletal trees there were human bones. I saw them. Not true skeletons as the connective tissue was gone, but the bones of the dead were everywhere gathered into heaps by some predator and scattered by scavengers. Heaps so big we could see them from here.

Cima vomited. Just the sight of the ruined town. Hurriedly she pushed open the side window and stuck her mouth in the gap and sprayed the glass behind her. This was the city where they did their big shopping, Costco and auto parts, farm equipment. This is where they came for a weekend movie when the one in Delta didn’t interest them. The two towns being almost equidistant from the ranch. She had not seen it end. She and Pops left just as it was getting really bad. When there was still TV news, when the newscasters appeared more exhausted by the day, then scared and exhausted, then terrified as their colleagues dropped away to the hospitals and makeshift flu wards, or were just not heard from, assumed ill or dead, and the last TV anchors stood in, and the field correspondents taped themselves using tripods, the reports more frantic. And were finally cut short by mayhem. I remembered that. Because they had nothing else to do at the end: broadcast, courageous, the way the band played on the deck of the sinking ship, either that or go home and die.

Sometime in there Pops and Cima decided to leave the ranch and they loaded up the gooseneck cattle trailer and towed a little trailer for the four wheeler behind that, and they drove out to the highway in the middle of the night. With a dozen cattle, as many sheep, two saddled horses, two Australian shepherds, and provisions. And Pops had to fight his way through three barricaded ambushes in just the fifteen miles to the creek road, and shoot three crazy fuckers further on in the cedar hills, all of which he was pretty much expecting and didn’t have much problem executing with his guns. But they shot one of the horses and two of the sheep inside the trailer, which made it less easy to pretend the next day that they were driving cows up onto their summer lease as they would on any normal morning in early May. He rode horseback and she drove the ATV, which pulled a small trailer of gear and supplies, the twelve miles into the canyon. She would have preferred to ride, she was never comfortable on four wheelers, but he was skilled at hazing and herding the livestock on horseback and the dogs were, too, and they were used to taking orders from him in the saddle.

The next morning they walked back downstream and he blew the one ford that crossed the creek with dynamite, and made the track impassable except on foot or horseback, and then only at low water.

They swept their tracks as best they could and obliterated them thoroughly for two miles before they left the rough road for the creek trail and the canyon. It took them all day. And then, thank god, two days later it poured rain.

All this she had told me over the last three weeks. So I understood the shock of seeing Grand Junction. It was one thing to lose the whole world as you knew it, another to see, to maybe smell your old neighborhood as charnel house and killing field.

She had made it out the window, streaked the rearward glass, but the plane still reeked. I handed her the water bottle I always kept between the seats and stole a look back at Pops to see if he would be triggered by the smell or the sights below him. It happens that way on boats and planes, the passengers already queasy and one throws up and it’s a chain reaction. But he sat like a Buddha with a lamb in his lap, one strong claw on her shoulder, his face impassive and hard, leaning to the window taking it all in.

This is what you left, I thought. The vindication of the choice you made to leave that night. Vindication and horror. Sometimes being right isn’t all it’s cracked up to be: how many times in the last few years I thought about bitter fruit, how when what you are right about is—well you can’t even look at it.

But it wasn’t the burned and devastated city, the pockets of virid trees, that were somehow wrong or simply not quite right. I was now six miles out. I was nine hundred feet off the ground and aiming for the airport, for the tower, where three years ago I had gotten the signal, the beginning of a message. I dialed the frequency—it was still there in my GPS—and made the second call.

Grand Junction Tower, Cessna Six Three Three Three Alpha six southeast at five thousand eight hundred inbound for landing.

Said it again. Then miracle: static. A loud burst of aural snow. I twisted up the squelch excited and called again.

Cessna Six Triple Three Alpha—

It wasn’t crystal clear but it was. It was! A woman’s voice. Maybe older, a little raspy. Slightly humored, kind.

Cessna Six Triple Three Alpha, wind two four zero at five, make a straight in approach, cleared to land runway two niner.

All formal, all perfect, by the book, just like before before. Said with a straight face. Like a normal business day at the old airport. Can’t fully describe what that harkening back to normalcy did to my spirit. As if in pretending that this were airport operations as usual I could also pretend that my wife lived and my dog, that she was in her seventh month and they were back on the Front Range and I was about to touch down after a three hour flight away from them, not one that had taken nine years and on which there was no true return.

What wasn’t right was not even that. It was the beacon. Almost every paved airport, has, had, a rotating beacon green and white. And I had seen it flash from ten miles out, and thought nothing of it. And then at six miles I saw it flashing again, pulsing like the heartbeat of a living enterprise and the dissonance—the burned out city at the end of the known world, and the living, pulsing light, the voice of the controller transmitting everyday commands—finally caught my attention and the hair on the back of my neck stood up. Can’t tell you why except to say that it was odd to say the least: that they had power. Or: why shouldn’t they? We had it at Erie. More and more airports had been supplementing with solar and wind. Or that the beacon shouldn’t be on in daylight in clear, VFR conditions. Don’t know why, except to say that something put me on edge.

I lined up. I banked twenty degrees left and straightened out for final and there was the long east-west strip built for jets stretching out in front of us like a vision. Smooth too. Looked it from here. Didn’t have the buckled, cracked, potholed look of every strip on the east side of the mountains. Somebody had maintained it. Least it seemed that way from a mile out and descending. Backed off the throttle, set twenty degrees of flaps and let her float down at five hundred feet per, the Beast seeming to breathe relief at this reversion to past protocol. I swear she has an animus or a mind or something.

And as we came down slowly and the strip grew wider and longer and rose to meet us, we could see the rows of hangars, some caved in, some roofs blown half off by wind. We could see the control tower on our left, the cantilevered, green tinted, bulletproof windows. We could see wrecks of planes, a few on either side of the runway, a big jet at the end. As there were at every airport—the tied down craft battered by weather, eventually pulling loose and tumbling, but. That’s when it hit me. Like a frigging bullet.

I was maybe thirty feet off the ground. I had cut power, topped the prop, done all the things you do in the final moments, and was getting ready to pull back the yoke and flare for a soft touchdown and. And it hit me.

The beacon, the tower: the wrecks on the field were scorched like the cars. Can’t say I thought anything, nothing reasoned, articulated, there wasn’t time. It was just the shock of the image: the burned and crumpled

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