But enough digression. We were saying that many of those who knew Knecht, or had only heard of him, envied him. Probably few things in his life seemed to lesser folk so enviable as his relationship to the old Benedictine Father, for he was at one and the same time pupil and teacher, taker and giver, conquered and conqueror, friend and collaborator. Moreover, none of Knecht’s conquests since his successful courting of Elder Brother in the Bamboo Grove had given him such happiness. No other had made him feel so intensely honored and abashed, rewarded and stimulated. Of his later favorite pupils, almost all have testified to how frequently, gladly, and joyfully he would refer to Father Jacobus. Knecht learned from the Benedictine something he could scarcely have learned in the Castalia of those days. He acquired an overview of the methods of historical knowledge and the tools of historical research, and had his first practice in applying them. But far beyond that, he experienced history not as an intellectual discipline, but as reality, as life; and in keeping with that, the transformation and elevation of his own personal life into history. This was something he could not have learned from a mere scholar. Father Jacobus was not only far more than a scholar, a seer, and a sage; he was also a mover and shaper. He had used the position in which fate had placed him not just to warm himself at the cozy fires of a contemplative existence; he had allowed the winds of the world to blow through his scholar’s den and admitted the perils and forebodings of the age into his heart. He had taken action, had shared the blame and the responsibility for the events of his time; he had not contented himself with surveying, arranging, and interpreting the happenings of the distant past And he had not dealt only with ideas, but with the refractoriness of matter and the obstinacy of men. Together with his associate and antagonist, a recently deceased Jesuit, he was regarded as the real architect of the diplomatic and moral power and the impressive political prestige that the Roman Church had regained after ages of meekly borne ineffectuality and insignificance.
Although teacher and pupil scarcely ever discussed current politics (the Benedictine’s practice in holding his counsel as well as the younger man’s reluctance to be drawn into such issues combined to prevent that), Father Jacobus’s political position and activities so permeated his mind that all his opinions, all of his glances into the thicket of the world’s squabbles were those of the practical statesman. Not that he was an ambitious or an intriguing politician. He was no regent and leader, no climber either, but a councilor and arbitrator, a man whose conduct was tempered by sagacity, whose efforts were restrained by a profound insight into the inadequacies and difficulties of human nature, but whose fame, experience, knowledge of men and conditions, as well as his personal integrity and altruism, had enabled him to gain significant power.
Knecht had known nothing of all this when he came to Mariafels. He had even been ignorant of Father Jacobus’s name. The majority of the inhabitants of Castalia lived in a state of political innocence and naivete such as had been quite common among the professors of earlier ages; they had no political rights and duties, scarcely ever saw a newspaper. Such was the habit of the average Castalian, such his attitude. Repugnance for current events, politics, newspapers, was even greater among the Glass Bead Game players who liked to think of themselves as the real elite, the cream of the Province, and went to some lengths not to let anything cloud the rarefied atmosphere of their scholarly and artistic existences. As we have seen, at the time of his first appearance at the monastery, Knecht had come not as a diplomatic envoy but solely as a teacher of the Glass Bead Game, and had no political knowledge aside from what Monsieur Dubois had managed to instil in a few weeks. He was by comparison much more knowing now, but he had by no means surrendered the Waldzeller’s distaste for engaging in current politics. Although his association with Father Jacobus had awakened hini politically and taught him a good deal, this had not happened because Knecht was drawn to this realm. It just happened, as an inevitable though incidental consequence.
In order to add to his equipment and the better to fulfill his honorable task of lecturing
Now and then, after a session of joint work, Father Jacobus would indicate that he would be at home to Joseph that evening. After the strenuous lessons and the tense discussions, those were peaceful hours. Joseph frequently brought his clavichord along, or a violin, and the old man would sit down at the piano in the gentle light of a candle whose sweet fragrance of wax filled the small room like the music of Corelli, Scarlatti, Telemann, or Bach which they played alternately or together. The old man’s bedtime came early, while Knecht, refreshed by these brief musical vespers, would continue his studies into the night, to the limits his self-discipline permitted. Aside from his lessons with Father Jacobus, his perfunctory course in the Game, and an occasional Chinese colloquium with Abbot Gervasius, we also find Knecht engaged at this time in an elaborate task. He was taking part in the annual competition of the Waldzell elite, from which he had abstained in the past two years. The competition involved working out sketches for Games based on three or four prescribed main themes. Stress was placed on new, bold, and original associations of themes, impeccable logic, and beautiful calligraphy. Moreover, this was the sole occasion when competitors were permitted to overstep the bounds of the canon. That is, they could employ new symbols not yet admitted to the official code and vocabulary of hieroglyphs. This made the competition — which in any case was the most exciting annual event in Waldzell except for the great public ceremonial games — a contest among the most promising advocates of new Game symbols, and the very highest distinction for a winner in this competition consisted in the recognition of his proposed additions to the grammar and vocabulary of the Game and their acceptance into the Game Archives and the Game language. This was a very rare distinction indeed; usually the winner had to be content only with the ceremonial performance of his Game as the best candidate’s Game of the year. Once, some twenty-five years ago, the great Thomas von der Trave, the present Magister Ludi, had been awarded this honor with his new abbreviations for the alchemical significance of the signs of the zodiac — later, too, Magister Thomas made large contributions to the study and classification of alchemy as a highly meaningful secret language.
For his entry Knecht chose not to draw on any new Game symbols such as virtually every candidate had in readiness. He also refrained from using his Game as an avowal of attachment to the psychological method of Game construction, although that would have been closer to his inclinations. Instead, he built up a Game modern and personal enough in its structure and themes, but of transparently clear, classical composition and strictly symmetrical development in the vein of the old masters. Perhaps distance from Waldzell and the Game Archives forced him to take this line; perhaps his historical studies made too great demands on his time and strength; but it may also be that he was more or less consciously guided by the desire to shape his Game so that it would correspond as closely as possible to the taste of his teacher and friend, Father Jacobus. We do not know.
We have used the phrase “psychological method of Game construction,” and perhaps some of our readers