To the right of the door there was an oval maple table with four straight chairs grouped around it. There was a Boston Herald tabloid folded in half at the corner of the table. The air carried a heavy cargo of stale tobacco smoke, something combining fatty meat and cheese, tomato and beans that had been cooked too long at too high a temperature, human perspiration, stale beer and something else. Piss is what it is, human fucking piss. The apartment smelled as though the toilet hadn't been flushed regularly. Fucking hopeless people, can't even handle indoor plumbing. Fucking hopeless bastards. In the center of the table there was a beige china bowl with two white envelopes face-down in it. There was a key-ring with four keys splayed out on the table.
Straight ahead there was a small square kitchen alcove lighted by two casement windows over a double stainless-steel sink. The refrigerator flanked the cabinets suspended from the ceiling on the left and the electric stove occupied the space under them on the right. There were a few dishes unevenly stacked on the counter next to the sink; the handles of tableware protruded between them. On the stove there were two matte-grey saucepans, one of them with something brownish-yellow caked on the side of it, along with a frying pan dull with a scalloped rime of greyish grease around its edge. The area was enclosed by a waist-high partition wide enough to double as a snack counter; two wooden stools stood under its overhang. There were four round anodized aluminum ashtrays on it, red, gold, green and blue; all of them had been used. There were four packs of Winston Lights on it, three of them opened, and several lottery scratch tickets scattered along it.
There was an uncapped 1.75 litre jug of Old Russia vodka at the furthest end, the one nearest the interior wall at the left of the kitchen area. There was a yellow wall telephone set mounted above the end of the counter.
Next to it there was a white wall with a door opening onto a dim interior hallway leading away toward the southwesterly corner of the front of the building. Visible beyond it was a door ajar on a blue-tiled wall and the shower-curtained end of a bathtub. The rug on the floor of the living-room area was a dark-green swirled-embossed pattern. It was soiled and had not been recently vacuumed. Against the wall there was a bulky two-cushion sofa- bed, the seat cushions high, much thicker than the back-rest. It was upholstered in a nubby maroon fabric with a decorative silver thread. At each end there was a square table made of dark wood. The one at the end of the couch furthest from the door held a lamp with a base made of a foot-tall china model of a pink-dressed and picture-hatted, apple-cheeked country girl; she wore white socks and black mary janes and displayed a white-toothed grin between parted ruby lips. There were four empty Coors beer bottles around her. The table at the end nearest the door held a lamp with a base made of a foot-tall china model of a freckle-cheeked, barefooted farm boy wearing blue bib bed overalls and a straw hat. He was carrying a bamboo fishing pole jagged where the tip had broken off and grinning between parted ruby lips. There were two Coors beer bottles standing next to him and one on its side in front of him.
There was a narrow rectangular coffee table made of chromium and glass in front of the sofa bed. There was a magazine open on it, displaying a two-page color photo of a blonde woman with dramatically black and green eye shadow that made her green eyes look enormous, and bright scarlet lipstick on her tightly puckered lips; she was naked from the waist up, cupping her grotesquely large breasts in her hands with her thumbs and forefingers urging her nipples forward toward the camera, using so much pressure that the pores of the nipples were spread. There were smears of semen on the picture. The surface of the table showed many rings left by wet glasses. There was a small bud vase with one reddish plastic flower in it; next to it there was a one-pint clear glass mug about half full of a brownish liquid. On the rug under the table there was a pair of tan work boots with lug soles, the right one upright and the left one tipped over on its side. A pair of grey socks with red stripes lay over the boots. A pair of jeans with a black belt and a pair of blue-and-white checked shit-soiled boxer shorts inside were heaped open on the floor, still shaped to the lower body of the person who'd removed them and left them there. There was a white tee-shirt bunched up at the further end of the sofa.
Over the sofa-bed there was a three-by-four-foot print of a generic mountain-lake vista shaded by overhanging maple branches on a sunny sky-blue day. Four white vees represented four white birds in flight over the lake.
Merrion remembered first seeing and then gradually growing to dread seeing again another copy of the same picture long before. It had hung over the couch in Larry Lane's apartment. 'He)i, that's a very good picture,' Larry Lane had said, one day when Merrion sneered at it. 'I want you to cut out that talk now, making smart remarks about my lovely picture. We hadda pay a lotta money for that picture. And there's another one of 'em just like it, or almost just like it anyway, in every single unit here. Got 'em to add a little class to the operation. People come and live here, they then decide they don't like 'em? Fine, they can take 'em down. Perfectly all right with us if they got no taste. But when they first come in to see the place and size it up, that picture tells them that this is a classy joint. They can see it. We took extra trouble make these apartments nice.
'Sure, when they get in they find out you can hear your neighbor two floors down and four doors over if he farts in the bathtub. When it's windy, the walls shake, gets a little drafty, windows rattle. The plumbing ain't that great. The heat comes up it sounds to God like the whole place's gonna blow up with you in it. But they notice those things later, after they paid the deposit. Before that what they notice is that in the living room we have got this fine scenic picture, so they know that we've got taste. Spared no expense on amenities; those pictures cost us three bucks apiece.'
Beyond the couch in the southeasterly corner of the room at the picture window overlooking the boulevard there was a 27-inch Sanyo television set on a TV table with a VCR and a cable-service box under it on the lower shelf. The brief announcement from the local station now concluding was a 30'Second ad describing the superior comforts available from a revolutionary new design in mattress coils.
Opposite the TV in front of the book cased wall next to the window there was a blue and green reclining chair with an end table and a black metal floor lamp next to it. There was a clear glass one-pint mug on the table; it contained about four ounces of a clear liquid.
There were two remote control keypads on the table. There was a round purple anodized aluminum ashtray with a coil around the rim to hold cigarettes in place; it was full of stubbed butts. There was a crush proof box of Winstons open next to it.
Janet LeClerc in a white cotton nightgown decorated with small blue and red flowers with little green leaves and some lace around the yoke, under a thin pink chenille robe, sat curled up in the recliner with her weight resting mainly on her right buttock, the footrest up but not in use, her feet and legs tucked up under her, snoring softly and steadily with her mouth gaping open. Her left eye socket was badly bruised, greenish-blue and swollen puffy.
When she exhaled she made the kind of rhythmic, low, rumbling, happy growling sound that came from the television, harmonizing with the large tired golden retriever, first seen playing hard with children on a sunny day, now contented lying down after a nutritious dish of choice cuts of meat and meat by-products in real gravy combined in the dog food advertised in one of the brief announcements from the ABC local-affiliate station in Springfield.
Merrion picked up the VCR remote keypad and punched it twice with no result. Then he picked up the other one and shut the television off.
'Good,' he said. Janet exhaled, making a low whistling sound. Her hair was mussed around her left temple. Her face was flushed and shiny with sweat.
'You aren't gonna wake her up, are you?' Brody said in a soft voice, as though he had been caring for a sick person whose recovery depended on plenty of rest.
Merrion snorted but he kept the noise down too. 'Sooner or later, I'm gonna, yeah,' he said, glancing down at her as he put the remote pad down and then hitched up his pants. 'Before I leave here she's gonna have to wake up and tell me some things I want to know, bet your sweet life on that. But first I wanna find out if Chappelle's in here someplace. Like I told you the guy makes me nervous. He's in here someplace with us, I want to know about it. So the first thing I am gonna do is take a look around here.'
Brody remained standing at the door and Merrion crossed the room to the interior hallway. 'Maybe the bedroom,' he said, talking to reassure himself. 'Sleeping it off inna bedroom? Got just as good and drunk as she did last night, but had the sense to go to bed.' Brody did not say anything.
Merrion went through the door and paused at the second door, opening into the bathroom. He pushed it open further and looked in. To his left there was a blue plastic shower curtain drawn around the tub enclosure. Beyond that he could see the front of the flush. All the light came from a high narrow window directly ahead of him. To his right there was a long fluorescent fixture mounted above a large vanity-mirror and a sink enclosed in a countered cabinet below it.
