Anita found sources and photos. Debie Ginsburg, Karen Bowman, Joanne Tober, and Jessica Appleby at the Thoroughbred of California and the Burke Memorial Library mailed reams of information. Patricia Ranft at the Blood-Horse made up an infinitely useful index. Tom Gilcoin and Dick Hamilton at the National Museum of Racing answered racing history questions. Kip Hannon sent terrific archive video of Seabiscuit’s races. Dorothy Ours, who knows the lives of Man o’ War and Samuel Riddle better than anyone on earth, answered a long string of questions.

Jenifer Van Deinse, Bob Curran, Eric Wing, Joan Lawrence, Howard Bass, and Tom Merritt of Thoroughbred Racing Communications and/or its successor, National Thoroughbred Racing Association Communications, answered questions, located sources, and helped check facts. Lynn Kennelly at the Willits, California, Chamber of Commerce raided her local library archives and emerged with priceless information. Vicki Vinson sent me memorabilia and wrote a marvelous article on this book. Jan Romanowski helped me discover information I’d missed and tracked down one of my most important sources when all my efforts failed. Jane Colihan at American Heritage advised me on obtaining photos. Susan Kennedy picked through Bay Meadows’s records in search of one elusive photo.

Suzan Stephenson at the Bowie, Maryland, Public Library’s Selima Room, a treasure trove of racing literature, helped me unearth volumes of information; Dian Hain told me of the Selima Room’s existence. John Ball and John Giovanni of the Jockey’s Guild helped me gather facts on the lives of jockeys of the 1930s. Paula Welch, formerly Special Projects Editor of the Daily Racing Form, found articles and helped in the photo hunt. Victoria Keith, founder/editor of Thoroughbred Champions (www.ThoroughbredChampions.com), and researcher/co-editor Kathleen Jones, served as valuable sources of facts and encouragement and sent Triple Crown–themed flowers. Dace Taube at the University of Southern California Library worked late to sift through photos. Joe Hirsch and Jay Hovdey of the Daily Racing Form, Tommy Trotter and Julie Hazelwood of Vessel Stallion Farm, Joseph Martin and Rick Snider of the Washington Times pointed me to excellent sources. Jim Maloney sent clippings. Richard Needles sent his fine artwork of Seabiscuit. Richard Brunner sent racing records.

Thanks also to Billy Turner, trainer of Seattle Slew; Kit Collins; Diane Brunn at the University of Kentucky Agricultural Library; Arlene Mott at Interlibrary Loan in Rockville, Maryland; Martha Cantarini at the historical racing site Second Running (www.secondrunning.com); Steven Crist, Irwin Cohen, and Logan Bailey of the Daily Racing Form; Mark Shrager; Dale Austin; Ronnie Nichols; Leon Rasmussen; Andrew Beyer of The Washington Post; Tracy Negrin; Sean Lahman; John Thorn; Bob Kaplan; Steve Murtaugh; Cricket Goodall; Debbie McCain; Becky Shields; Dave Hicks of NYRA; Gary McMillen; James Lehr; Warren Bare; Gary Madieros; and the National Agricultural Library.

My special thanks go to Richard F. Snow, editor of American Heritage, for helping me get this project off the ground. In the fall of 1996, Richard saw the potential of this story in my query letter and gave me the honor of contributing to his splendid magazine, which has been my addiction for as long as I can remember.

Perhaps the greatest privilege I have enjoyed in producing this book has been the opportunity to work with my agent, the exceptionally skilled, kind, invincible Tina Bennett. A woman with the perfect solution to any dilemma, Tina helped me transform an article into a book proposal, then into a manuscript, assisting me in shaping my thoughts, offering valuable criticism, and making my dream of telling this story to the world a reality. My eternal gratitude goes to Isaac Barchas for introducing me to Tina. Thanks also go to Tina’s assistant, Svetlana Katz.

Susan Avallon read at least ten drafts of one section of this book, but never complained, and her criticisms improved the work enormously. My EQUUS editors, Emily Kilby and Laurie Prinz, pored over my rough draft and gave me the benefit of the expertise that has made their magazine a paragon of excellence. Professor Megan Macomber, who has been gently guiding my work since my freshman year at Kenyon in 1985, once again treated me to her marvelous instinct for words. Journalist Susie Hiss Thomas did a careful reading of the first stabs at this story and offered her wisdom. Thanks also to my mother, Elizabeth Hillenbrand, who helped in innumerable ways to get me through this long and sometimes difficult process.

I am deeply indebted to my editor at Random House, Jonathan Karp, who saw the promise in this story and gave me the best possible forum in which to tell it. Jon was always enthusiastic, made house calls when I could not come to him, and studied the manuscript with a sharp eye. My work is vastly better for his keen judgment. I also send thanks to Jon’s assistant, Janelle Duryea.

Since the day in 1996 when it first occurred to me that a book should be written about these men, Borden Flanagan has given his unwavering support, infinite patience, and tireless assistance. He has set aside much of his own life to pore over each of my drafts, offer insights, and smooth my prose. My manuscript has benefited immeasurably from his command of language and ideas. Without him, this story would have remained untold. He has my most profound gratitude.

My final thanks go to Tom Smith, Charles and Marcela Howard, Red Pollard, and George Woolf for living lives of singular vigor and grace, and for giving us the incomparable, unforgettable Seabiscuit.

Laura Hillenbrand

September 2000

NOTES

A note on sources: As I researched my subjects for this book, Colonel Michael C. Howard, great-grandson of Charles and Marcela Howard, generously gave me access to the private scrapbooks of Charles and Marcela Howard. These books included a wealth of newspaper and magazine clippings, photographs, telegrams, and letters, some of which do not include complete publishing information. In the following section, I indicate these incompletely annotated sources with the abbreviation SB. In a few cases, it is unclear whether the dates on these materials indicate the dates on which the articles were filed by their authors, or the dates on which they appeared in print. In instances in which the date specified is a filing date, I have used the abbreviation FD. In most cases, articles appear in print on the day after they are filed.

PREFACE

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